The Game is a Lie
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Loaded with philosophy, The Red Strings Club is able to capture the player in a narrative that is deeply controversial and full of dualities with simple but satisfactory gameplay, reaching its pinnacle with one of the best endings ever in a game.
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Sunless Skies is a game with such an intense and complex story that it might have been better applied in a book. The game as a whole would be mediocre at best, if not for that part. Its gameplay is slow and hard; its art direction is good, but has no identity of its own; its soundtrack is just average. Playing it can be worth it, however, if you have the patience to follow an amazing story.
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We Happy Few is, above all, a disorganized game with no identity. It was inspired by great games, but fell into a limbo of bad executions and left the fact that it's nothing more than a copy clear as day. The game had a huge potential to become a classic but threw that all away.
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Super Meat Boy is at least a basis of what every platformer should be. It's lacklustre when it comes to innovation and it can be a bit tedious at times, but it gets almost everything else right. What makes me the most impressed is its capability of, despite being almost a decade old, still being current and holding up as a very quality game.
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Life is Strange 2's first episode kickstarts an emotionless journey that employs critical topics in the worst ways. It fails in many aspects and doesn't even get close to being as good as the first game, but at least it makes the player reflect a bit.
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Subnautica is a survival horror game that should be one of the best of all time, but its optimization harms it drastically. It's immersive, has a chaotic story, enjoyable visuals, incredible sound effects and gameplay that gets almost everything right.
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Celeste gets absolutely everything right. It has surprising audiovisuals, innovative gameplay and an inspiring story. Breaking the fourth wall constantly, it deals with current topics and makes the player embark on a beautiful rollercoaster of feelings, therefore being so immersive. It's indispensable to any player.
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From the first cutscene, GRIS shows what it is here for. Fully committing to its minimalism, it knows how to balance sentimentality and reflexion, noise and silence, to create an experience like no other. This game is truly a work of art.
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An aesthetically pleasing game is worthless if its gameplay is repetitive, dull and unimaginative. Oscar Brittain seems to not have realized that on time, unfortunately, and Desert Child ended up becoming another beautiful but extraordinarily shallow indie game.
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It's hard to find flaws in Return of the Obra Dinn. Everything's so polished and well-planned, completely new and familiar at the same time. There's nothing even similar to this game on the market, and, when it was over, I just wanted to keep investigating more strangers' destinies for hours on end.
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Q.U.B.E. 2 adds much to the genre, be it the gravitational power from the gloves or the puzzle mechanics. Unfortunately, though, a lot of potential is wasted, since it has a mediocre story that leaves many blank spaces and its puzzles are very easy — and therefore monotonous — most of the time.
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The Messenger is a game that, despite being heavily influenced by the classics, should be played by all. It has very few flaws and is good through and through. Its art direction is stunning, its soundtrack is exceptional, its level design is marvellous and its gameplay is intuitive, but it's not as innovative as it should be.
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Moonlighter turns a boring chore into innovative gameplay. Its concept is unique, and it deals with overcoming in its most varied senses. Its flaws, such as the unbalanced bosses, are too small and can be easily ignored. It's a charismatic adventure that you have to try for yourself.
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Despite being technically competent, The Adventure Pals alas becomes forgettable because of the lack of ambition from the developers. Because of the fear of making mistakes, Massive Monster played it safe, dooming the game to mediocrity. It can still be a fun pastime, though, especially if played with a friend.
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Life is Strange: Before the Storm is a game that makes you think about every single aspect of your life thanks to a very strong plot. Because the developers have a relatively predictable story, this game being a prequel, some points were flawed, but it's still an overall enjoyable experience. Despite some graphical and gameplay shortcomings, this prequel is able to honour the Life is Strange name.
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Oxenfree is a game where player choice matters a lot, and that fact mixed with an incredible atmosphere and an even better narrative create great memories for the player. Alas, it has a few flaws, such as the camera positioning and the walking speed, but the whole experience can make you forget them.
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ABZÛ is a rich audiovisual experience. Its universe was made to be appreciated, and every single gameplay hour serves to fill an internal void in the player themself. At every moment, the game reinforces that its art direction is its strongest aspect, provoking strong emotions. On the other hand, its narrative leaves some blank spaces, and the variety in its mechanics is virtually null.
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Steredenn is a great game that tries to innovate in various aspects but is alas impaired by lacklustre graphical design in most of its stages. It creates an adequate atmosphere for its themes, well-thought-out modes and a satisfactory gameplay, but fails in one of the most crucial points.
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Too short to be memorable, Minit is painfully average. Its attempt at innovating fails, as well as its art direction, but fortunately it can still grant a few moments of fun on an uneventful evening, especially if you're a speedrun enthusiast.
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InnerSpace is a relaxing experience, a polished game, a work of art. Unfortunately, only people who look for something more peaceful will be able to enjoy it, since it is so zen. The way in which it sets this alternative universe is exceptional, and even with a lacklustre narrative and not-so-clear objectives, it deserves the attention of many.
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