VideoGamer
HomepageVideoGamer's Reviews
Days Gone is a grim, beautiful B-movie; its action and writing are full of pulpy thrills, and by the end of it, I found myself liking a character called Deacon St. John – an achievement in itself.
Sekiro: Shadows Die Twice is the work of a studio at the height of its powers – beautiful, cruel, and moving.
Hypnospace Outlaw is a perfect recreation of what the internet once was, and in some ways still is: a glorious mess of friendship and anarchy. It's probably good we don't have auto-playing music anymore, though.
Shooting the bad men and tinkering with your loot in The Division 2 is good enough to keep you coming back to something that's regularly monotonous and lacks any real message.
RICO has a cracking central idea, but it's strained by awkward mission design, shaky performance, and a whippy aim that often misses the mark.
Devil May Cry 5 revels in its own gleeful stupidity, presenting a world in which the most valuable commodity is style.
The Occupation is a game of intriguing ideas and sublime atmosphere; the tension of its real-time thrills gives way to a romance with journalistic sleuthing.
Anthem is gorgeous to look at and can be fun in places, but for now it feels decidedly half-baked.
Whilst the concept is there in the title, the intricacies of Ape Out's are revealed the more you play. Every aspect creates a dazzling jazz mixtape that reverberates from eyes, to ears, to thumbs. And you're an ape. Which is great.
The sharp difficulty and rough edges of Dirt Rally 2.0 give way to a rewarding racing model, with a surfeit of meaningful options for the obsessed.
Jump Force has all the ingredients of an epic manga crossover, but fails to execute them in a memorable way
The mission structure is repetitive, the story's utter wallop, and the baddies are there for shooting practice. But, damn it, it's fun being an over-powered superhero scaling a building in Crackdown 3.
Far Cry New Dawn is your regularly scheduled stop-gap Far Cry, with some lovely tweaks like the ranked enemies and weapons, and a fantastical element that reaches its natural conclusion.
Metro Exodus injects life and light into the series, but its mechanics are still starting to creak; it's a good end to Artyom's journey, even if the story seems muffled.
Kingdom Hearts III is a beautiful hunk of sugary writing, convoluted plotting, and repetitive combat that's reliance on beloved IP exposes it's shallow core.
Resident Evil 2 is more than a remake of a classic game, it's one of the most accomplished horror titles you'll play for a long time
This puzzle-platformer's puzzles and platforming might be merely alright – and the music is a proper irritant – but Pikuniku is full of so much cheer and loveliness elsewhere. It's bursting with character in a story that's equal parts silly and uplifting.
Below's moody gloom and atmosphere is spoiled by mechanics that really cramp its central quest.
The definitive Super Smash Bros. game, Ultimate is not only a pure and unadulterated joy, but also a fantastic fighting game stuffed to the gills with characters and other content. A little smasher.
Gris plays to your aural and optical senses by delivering something exquisite in that area, but lacks a compelling story to prop itself up alongside equivalents.