Noisy Pixel
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Yuoni doesn’t break new grounds in the first-person horror genre, but it offers an interesting premise of folklore that will definitely have you engaged for its short runtime. Its sound design is at the forefront of its jump scares, which is the crux of the most heart-racing moments. Still, repetitive level design, confusing direction, and limited exploration elements dampen the overall experience.
Garden Story isn’t necessarily about what you do, since you mostly take on simple and tedious tasks. Instead, the game is about the people you meet along the way, the lives you touch, the connections you make, and ultimately not forgetting about your roots, no plum intended. It has honestly been a while since I’ve been emotionally moved by a game this sweet, especially one paired with a beautiful soundtrack. If you are looking for a cozy world-building game with some combat and a whole lot of charm and whimsy, then The Grove welcomes you like a home away from home. Concord, you’re truly one-in-a-melon, and you did a grape job raisin me!
I know I’m coming off as overly pessimistic, and I apologize for that, but Zengeon fails when executed in almost every possible way. The variety of playable characters is neat, and the co-op feature is nice, but I can’t see myself recommending this. After playing, players will swiftly notice the inept synergy between the combat mechanics alongside the mangled performance and atrocious enemy frequency. There are plenty of other roguelikes out there, and I promise that any one of those is likely better worth your time than Zengeon.
Greak: Memories of Azure has a gorgeous presentation and world to discover, but the added features, although unique, require a specific type of adventure fan to enjoy. Things just become overly confusing, and my muscle memory never seemed to adapt to the constant demand for accessing the menu and switching between characters. Don’t get me wrong, it’s a great game, but some elements are largely unnecessary.
Conclusively, while I certainly enjoyed my time with Boyfriend Dungeon, the sudden end to its narrative and the half-empty world map left me feeling like I had just finished an Early Access game rather than a full experience. I don’t generally have an issue with brevity in games, but the end to this one just left me craving more because I loved the cast, the representation, and the addictive leveling system. I definitely recommend this title to those who want to dip their toes in the water of dating sims, but a lack of challenge and a rather shallow conclusion end up holding it back from being a must-play experience.
The randomizing order of narrative sections mixed with the more traditional choice-based elements of Road 96 made for a compelling experience. Adding in wacky but ultimately human characters really fleshed out the world of Petria and gave some moral dilemmas weight. The occasional mini-games were also enjoyable to break up the dialogue. If you are looking for a narrative adventure that deviates a bit off the normal path, Road 96 is definitely a trip you should consider embarking on.
WitchSpring3 [Re:Fine] fails to stand out in any way, which is sad because from afar it carries a large degree of charm in its minimalist design and soft character illustration. The combat is mindless yet provides the most fun you’ll have in the adventure given that the unrefined dialogue and overtly simple gameplay mechanics are always looming over.
Foreclosed excels in world-building and presentation. The graphics and stylistic choices of a comic book frame the narrative and its structure. Though the brightness of the neon lights are strewn throughout the city, this dystopian world is rather dark. It’s a shame the game is only a few hours long, making it more of a cinematic experience. Despite its shortcomings with control and narrative, I still had a lot of fun trying to get Evan’s life back from the authority above.
Spelunker HD Deluxe doesn’t quite live up to its namesake, given how it is largely based on a release from over a decade ago, where the core game itself lacks the charm of the series by design. The awkward mechanics haven’t aged very well, but the premise of the level design and progression can be interesting and even rewarding at times. Unfortunately, the experience as a whole feels needlessly frustrating and dated, especially when you’re fighting against the controls for the most part.
Assassin’s Creed Valhalla: The Siege of Paris is an awesome expansion featuring gorgeous environments to explore and dozens of ways to progress through the campaign. There’s around 15 hours of content to dive into, packed with choice-driven events and distracting treasures. The added infiltration missions make the expansion feel like a true Assassin’s Creed title, but that also includes the limited enemy AI and random glitches fans of the series are used to by now.
Shadowverse: Champion’s Battle is an addicting deck-building card game on its own, but this game delivers an added campaign that makes it an adventure. Exploring the city, completing sidequests, and battling for deck codes and supremacy make each moment of playing fun. If you’re a fan of card games in general and want to try your hand at a new one, it’s a fantastic experience that’ll keep you coming back for more.
Last Stop serves up a strong narrative, mixing existentialism with the lives of ordinary people, but it forgets to be a game at some points. The interaction and story bits keep you invested at the cost of choices and navigation segments that do nothing for the adventure. At its best, Last Stop should be enjoyed as a casual narrative-focused experience, but asking anything more of it may have you exiting before the end of the line.
Star Hunter DX is a charming and dazzling tribute to the classics of the genre. The 2-D art style is reminiscent of the old arcades paired with a nostalgic 16-bit soundtrack. Controls are responsive with a nice variety of abilities and difficulty modes to play through the campaign. However, the lack of extra modes was disappointing and weighed on the replayability. Still, if you’re looking for a colorful shmup to test your skills, look no further.
Jupiter Hell doesn’t need the word Doom in the title to make an impact, but it’s commendable how well it presents DRL through modern design. At its heart, it’s a turn-based dungeon-crawler RPG, but that doesn’t calm my nerves when I’m blasting through a hallway of enemies from around the corner with more approaching from behind. This game’s launch version is serviceable, but the lack of enemy variety will leave your first hours of gameplay feeling repetitive in some areas. Still, it’s clear that there’s more on the way for this standout roguelike experience, and I’m all here for it.
Dreamscaper is a delightful and deep game, mixing elements of realistic character development with fluid combat in a dreamlike world. However, this does come with moments of tedium and monotony, making it best to experience through shorter play sessions. There’s a good balance of subtlety between the character writing and atmosphere with combat’s fast pace and tension. Dreamscaper makes a name for itself in the ever-expansive world of roguelite titles with great detail and nuance.
Dodgeball Academia has a quality that is difficult to find in many titles that try to capture the retro vibe. It’s absolutely a game created by a team that grew up with the classics, and it boasts those inspirations on its sleeve. What compelled me to this game was that despite its roots in the past being readily apparent, it still manages to carve out a distinct identity of its own rather than solely relying on playing to my nostalgia. It’s a title that succeeds at virtually everything it tries to do and does so with tons of charm and polish.
Grime is a Souls-like experience that’ll cleanse your pallet between the more significant releases of the genre. It mainly acts as filler, but it also keeps your reactions to tense action gameplay in top shape for whatever you’ll play next. The atmosphere really sells the dreary adventure with the help of an excellent artistic design, a stellar soundtrack, and engaging combative mechanics. Still, there’s a noticeable lack of boss spectacle and challenge required to at least cause a few fist clenches.
Darius Burst Another Chronicles EX+ is a challenging and fun shoot-em-up; a must-play, I dare say. But personally, I saw monstrous red warning signs and heard boss sirens when I saw the price tag. This stand-alone may be a must-have for collectors, but The Cozmic Revelation collection seems to be the best way to experience Darius. If the series wants to make a splash, hopefully, we get a new entry.
B.ark shines. The traditional 2-D animation is stunning, and gameplay gives off that retro shoot ’em up feel with modern sensibilities. Some features go underutilized and crowd the screen, but that doesn’t take away how excited and diverse the gameplay is. This feels like a Saturday morning cartoon and offers multiple difficulty options and characters to approach the shmup experience no matter your skill level. B.ark happens to be as strong as its bite, and it shouldn’t be overlooked.
In theory, a co-op, loot-based isometric RPG like The Ascent has the potential of being a great cyberpunk-themed experience to play with a group of friends. The world-building is appealing visually and aurally, but it’s ultimately unsatisfying and often unrewarding during exploration. The lack of replayability, broken cooperative play, bugs, and unbalanced artificial enemy difficulty make it tough to appreciate its positive elements. It’s sad to say that The Ascent is another over-hyped cyberpunk game that is all fluff and no substance.