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Dracamar will appeal to a niche audience despite its colourful and simple design. Although I appreciated the nod to a bygone era, I’m not sure it will attract a large following. This is a shame, as I think the safe gameplay, smooth action, and interesting stage design make this a low-key but great addition to the genre. Accordingly, I enjoyed it and recommend grabbing a copy from the Xbox store!
Although it wasn’t long enough, I loved every minute. Adorable Adventures is a great indie title that will make your heart swell. It is undeniably cute, and the boars were lovely to look at. The world is a joy to experience, and I love the blend of side quests and core elements. Accordingly, I think it’s great, and I recommend grabbing a copy from the Xbox store!
Directive 8020 is a decent atmospheric adventure that is a welcome branch off into the sci-fi setting. It’s an extremely well polished outing with magnificent attention to detail. There is scope for replayability if you fancy following any of the opposite paths to what you chose during the game. That said, this one didn’t have me on the edge of my seat as much as The Quarry. If you’re a fan of the Dark Pictures games then you’ll find everything familiar here. For me, I found the stealth aspects repetitive and everything seemed a bit too simple. Doesn’t make the game bad by any means and it’s still worth diving into the ten or so hours this game has to offer. Fancy playing it on Xbox Series X/S, then you can grab a copy HERE!
REPLACED is an amazing feat of art direction, story telling and world building. It isn’t trying to be a massive open-world RPG, it is a focused, 8-to-10-hour cinematic experience that wants to tell a specific story in a specific way and captivates you from the start. If you have Xbox Game Pass, this is a must download. Even if the weighty platforming isn’t your usual style, the sheer visual spectacle and the “Batman-lite” combat are worth the price of entry alone. It’s a bold, confident debut from Sad Cat Studios that have taken many inspirations of iconic gaming to prove that indie games are still the best place for artistic risk taking and this may be a cult classic Indie in the near future.
I liked the weird and wonderful nature of Super Adventure Hand. However, it lacks serious depth. Subsequently, it is more of a casual game that can be completed in around 2 hours. If you wish to find everything and collect 3 stars on every level, this extends to around 6 hours. I was okay with this, but many gamers will want much more for their money. Accordingly, despite this issue, I like it, and I recommend grabbing a copy from the Xbox store!
If you’re looking to fill that Bioshock void, Crisol: Theater of Idols is the closest thing we’ll get as of this writing. The combat is unique and solid, the atmosphere is top notch, and the island is really fun to explore. Despite the little aforementioned nuisances it won’t hinder the experience. Combat is fun and unique, there’s lots to explore in each burrough and the game is atmospheric. Highly recommended.
Mixtape is an ambitious and a polarising piece of art. It is a game that is currently setting social media ablaze not because of bugs or broken promises as of recent, but because it challenges the very definition of what a “game” should be. It is a playable core memory, a montage or highlight reel of youth that is as breathtakingly gorgeous as it is mechanically thin. The game is more like a visual novel with a few actions here and there rather than something similar to a Life is Strange or a Wolf Among Us that offers a bit more direction and implication from choice. Mostly the narrative framework of Mixtape is enjoyable. Three best friends Stacey, Van Slater, and Cassandra are on a final, aimless drive through their hometown on the night of their high school graduation. The usual tropes are here which is cliché of one last party and painting the town red in traditional American graduation style in their last blaze of glory before disbanding and doing their own things and learning how tough it is to go through emotions and have a support unit of friendship before it is gone.
Beneath the surface of the record flipping sim lies a poignant story about the modern world. Repeater Records is under threat from corporate interests specifically a generic, soul sucking entertainment conglomerate that wants to replace the shop with something modern and upmarket. The game handles this stick it to the man story with a refreshing lack of sarcasm and more focuses on the regulars and togetherness. The regulars treat the shop like an escapism, teenagers looking to be influenced by music and a regular meeting spot for those with memories tied to the place. You get to learn and understand that the people you work with have seen things change and want to provide something for the community away from the shops and keep human connection fostered through the arts. Wax Heads is a triumph of focused love and labour it offers a musical imprint that stays with you long after the credits roll. Like buying your first album or your favourite this will be something in your collection that will stay with you and shape your enjoyment for the arts.
Sudden Strike 5 is a mammoth package that certainly delivers a well polished real-time strategy experience to console. I’m happy to say that it handles really well with a controller and whilst the mechanics do take a little getting used to, it does click pretty quickly. We don’t see many RTS games set in the World War II era, so to see a polished one with enough content to keep you going for a steady chunk of hours is fantastic. Replayability and longevity extends through the online multiplayer modes on offer. For enthuisasts it could keep you coming back time and time again. If you fancy a copy on Xbox Series X/S, you can bag the game HERE.
Hades II is as close to perfection as you’ll get. I know you’ve heard it before, but you will not be disappointed if you play this game. It is spectacular, and I loved everything about it. The story is great, the monsters are tough but fair, and the abilities are wonderful to master. Accordingly, it is fantastic, and I recommend getting a copy from the Xbox store!
I was worried that this would be hellishly overwhelming and time-consuming. Thankfully, I was wrong. Although there is plenty to learn, everything feels achievable. Additionally, working through every element doesn’t feel like a slog. Therefore, you can experiment and try out new characters without feeling like you are wasting your time. Accordingly, it is a great game, and I recommend grabbing a copy from the Xbox store!
After extended time with Monster Crown: Sin Eater on Xbox Series X, it’s clear that this is a game driven by ambition. It takes familiar ideas and builds on them in ways that feel meaningful, even if not every element lands perfectly. The depth of its systems, particularly around monster creation and combat, gives it a strong foundation. Combined with a darker narrative tone and a focus on player-driven progression, it delivers an experience that stands apart from more traditional entries in the genre. It’s not flawless, but it doesn’t need to be. At its best, Sin Eater is about experimentation, strategy, and creating something that feels entirely your own.
As a casual racing fan, I wanted to like Screamer; it had been on my radar for a while. But your enjoyment of it will depend on your commitment to it. The game looks and sounds amazing, the controls overall feel tight, albeit a bit more complex than the typical racers. The twin stick mechanic feels counterintuitive and requires an adaptation period. If you’re conquered every Gran Turismo, Forza Motorsports, Forza Horizon, Assetto Corsa Competizione, or the Project CARS trilogy, Screamer is for you. Otherwise, if you’re looking to dab into the genre, this ain’t it. Only hardcore racing fans need apply.
After extended time with Bus Bound on Xbox Series X, it’s clear that this is a game built around a very specific vision. It doesn’t try to be everything, and it doesn’t chase complexity for the sake of it. Instead, it focuses on creating a consistent, rewarding experience that builds over time. There are flaws—repetition, presentation issues, and technical hiccups—but they don’t define the experience. Because when everything comes together, when the rhythm settles in and the city begins to feel like your own, it delivers something that feels genuinely special. Not loud. Not flashy. But meaningful.
After extended time with MotoGP 26 on Xbox Series X, it’s clear this is a game built on refinement rather than reinvention. It improves the riding experience, delivers a polished presentation, and remains consistently enjoyable for fans of the series. At its best, it captures the tension and precision of MotoGP racing with confidence. However, it also highlights the limitations of its approach. Because while it is refined, it is also familiar. While it is polished, it is also predictable. And while it is enjoyable, it rarely feels like it’s pushing the series forward in any meaningful way. Still, when you’re locked into a perfect lap, everything fades away except the track ahead. And in those moments, MotoGP 26 delivers exactly what it sets out to do.
TerraTech Legion is fantastic fun, and whilst I found it a tad difficult to start with, it’s one of those that become more enjoyable the more you play. What I adored with this experience is that each run can feel hugely different depending on how you build your vehicle. There is a decent sense of progression in building up your character’s skill trees and then hitting another run to come back stronger when you fall. Having played this for in excess of twenty hours or so across Xbox Series X, Lenovo Legion Go and a gaming laptop, I have to say it handled well across all of them. It’s well worth a buy if you love the survivors-esque genre, and you can pick up a copy HERE for Xbox Series X/S. For less than a tenner, you’re getting your money’s worth for sure. If you have an Xbox Game Pass Ultimate subscription, though, grab it right now and try it for yourself.
There is a lot of fun to be had with Pragmata and I really enjoyed my twelve or so hours in the campaign. Completionists may exceed this playtime if you want to run through and find all the hidden collectibles. The blend of hacking and gunplay is extremely satisfying and when you stack that alongside Hugh and Diana’s intriguing partnership, it becomes a unique experience. Capcom continues to fire on all cylinders when it comes to their roster of games. This is one you won’t want to miss if you enjoy third-person action adventure shooters. Whilst it does seem on the short side, I felt it was just about right and it really is quality over quantity here. If you fancy purchasing a copy on Xbox Series X/S for yourself, you can do so HERE.
The game looks great and surprisingly combines two visual styles. While levels are vast 3D environments reminiscent of later boomer shooters from the late 90s/early 2000s, enemies and NPCs are 2D 16-bit pixelated characters. It works given the non serious tone of the game. Between missions, you’ll be treated to movie like cutscenes featuring General Johnny Rico and Major Samantha “Sammy” Dietz along with others characters looking to “recruit” you. On the audio side of things, nothing major to report. The soundtrack is minimal lost through the banter of your colleagues. Speaking of which, it’s enjoyable with a bit of humor. The game does have a few nuisance. The first one being the repetitiveness of the objectives. It often feels like you’re doing the same thing in different levels. Another issue is the lack of vehicles. While the maps aren’t that huge, running/walking from one objective to another is tedious and boring. Thankfully, with a mech, you’ll go a bit faster.
Laden with wit, charm and a fantastic look and aesthetic feel to the whole thing. The game oozes a charming style of art not seen in this day and age and from the get-go had me hooked. Plenty of gun blazing action, mixed in with scene stealing gameplay and a wide array of well voiced supporting characters. And although, by the writing of this review I hadn’t finished the whole game, I’m certainly stocking with it til the very end to experience it all. FumiHQ have done a fantastic job with this world and the characters within it and I for one are now looking forward to what game and genre they turn their hands to for their next release. If you’re a fan of FPS games, or just a fan of fun period, then I can highly recommend Mouse: P.I. It reminds me of why I loved gaming from the get-go, you get a full gaming experience for your money. No in game storefront, no paid cosmetics, no microtransactions whatsoever included. Just a full game, well-polished, and complete. Despite what other reviews have said, in the modern age, that is not only a rarity, but a breath of fresh air to this old gamer. Heck, I was struggling to find points for ‘The Bad’ segment of this review because there’s nothing actually wrong with the game, so I had to do some personal nitpicking just to think of some. For only £ 24.99 English Pounds on the Xbox Store at launch, this title is an absolute bargain for what you get. But enough of me praising the heck out of this game, just go and buy it already. Trust me, you shan’t be disappointed and we need to support more games like this that push creativity, imagination and fun more than ever for the gaming community.
The Occultist is one of those games that comes along and grabs you when you least expect it. It doesn’t arrive with the marketing roar of a blockbuster, nor does it pretend to be something it isn’t. Instead, it quietly invites you into a world of shadows, whispers, and lingering dread — and once you’re in, it holds you there with a surprisingly confident grip. At the centre of the story is Alan Rebels, blessed with the skill of mediumship and knowledge of the Occult. He is a man driven by a simple but powerful motivation: find his missing father, Gabriel; and his search leads him to a remote island where something terrible has happened — an entire population wiped out, their stories cut short, their spirits restless. It’s a classic setup, but it’s handled with enough restraint and atmosphere that it never feels tired. A lot of that comes down to the performance behind Alan himself. He’s voiced by Doug Cockle, best known as Geralt from The Witcher series, and that familiar gravel gives Alan a grounded, weary authenticity. It’s the kind of voice that sounds like it’s been through things — which fits the tone of the game perfectly.