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After extended time with Monster Crown: Sin Eater on Xbox Series X, it’s clear that this is a game driven by ambition. It takes familiar ideas and builds on them in ways that feel meaningful, even if not every element lands perfectly. The depth of its systems, particularly around monster creation and combat, gives it a strong foundation. Combined with a darker narrative tone and a focus on player-driven progression, it delivers an experience that stands apart from more traditional entries in the genre. It’s not flawless, but it doesn’t need to be. At its best, Sin Eater is about experimentation, strategy, and creating something that feels entirely your own.
As a casual racing fan, I wanted to like Screamer; it had been on my radar for a while. But your enjoyment of it will depend on your commitment to it. The game looks and sounds amazing, the controls overall feel tight, albeit a bit more complex than the typical racers. The twin stick mechanic feels counterintuitive and requires an adaptation period. If you’re conquered every Gran Turismo, Forza Motorsports, Forza Horizon, Assetto Corsa Competizione, or the Project CARS trilogy, Screamer is for you. Otherwise, if you’re looking to dab into the genre, this ain’t it. Only hardcore racing fans need apply.
After extended time with Bus Bound on Xbox Series X, it’s clear that this is a game built around a very specific vision. It doesn’t try to be everything, and it doesn’t chase complexity for the sake of it. Instead, it focuses on creating a consistent, rewarding experience that builds over time. There are flaws—repetition, presentation issues, and technical hiccups—but they don’t define the experience. Because when everything comes together, when the rhythm settles in and the city begins to feel like your own, it delivers something that feels genuinely special. Not loud. Not flashy. But meaningful.
After extended time with MotoGP 26 on Xbox Series X, it’s clear this is a game built on refinement rather than reinvention. It improves the riding experience, delivers a polished presentation, and remains consistently enjoyable for fans of the series. At its best, it captures the tension and precision of MotoGP racing with confidence. However, it also highlights the limitations of its approach. Because while it is refined, it is also familiar. While it is polished, it is also predictable. And while it is enjoyable, it rarely feels like it’s pushing the series forward in any meaningful way. Still, when you’re locked into a perfect lap, everything fades away except the track ahead. And in those moments, MotoGP 26 delivers exactly what it sets out to do.
TerraTech Legion is fantastic fun, and whilst I found it a tad difficult to start with, it’s one of those that become more enjoyable the more you play. What I adored with this experience is that each run can feel hugely different depending on how you build your vehicle. There is a decent sense of progression in building up your character’s skill trees and then hitting another run to come back stronger when you fall. Having played this for in excess of twenty hours or so across Xbox Series X, Lenovo Legion Go and a gaming laptop, I have to say it handled well across all of them. It’s well worth a buy if you love the survivors-esque genre, and you can pick up a copy HERE for Xbox Series X/S. For less than a tenner, you’re getting your money’s worth for sure. If you have an Xbox Game Pass Ultimate subscription, though, grab it right now and try it for yourself.
There is a lot of fun to be had with Pragmata and I really enjoyed my twelve or so hours in the campaign. Completionists may exceed this playtime if you want to run through and find all the hidden collectibles. The blend of hacking and gunplay is extremely satisfying and when you stack that alongside Hugh and Diana’s intriguing partnership, it becomes a unique experience. Capcom continues to fire on all cylinders when it comes to their roster of games. This is one you won’t want to miss if you enjoy third-person action adventure shooters. Whilst it does seem on the short side, I felt it was just about right and it really is quality over quantity here. If you fancy purchasing a copy on Xbox Series X/S for yourself, you can do so HERE.
The game looks great and surprisingly combines two visual styles. While levels are vast 3D environments reminiscent of later boomer shooters from the late 90s/early 2000s, enemies and NPCs are 2D 16-bit pixelated characters. It works given the non serious tone of the game. Between missions, you’ll be treated to movie like cutscenes featuring General Johnny Rico and Major Samantha “Sammy” Dietz along with others characters looking to “recruit” you. On the audio side of things, nothing major to report. The soundtrack is minimal lost through the banter of your colleagues. Speaking of which, it’s enjoyable with a bit of humor. The game does have a few nuisance. The first one being the repetitiveness of the objectives. It often feels like you’re doing the same thing in different levels. Another issue is the lack of vehicles. While the maps aren’t that huge, running/walking from one objective to another is tedious and boring. Thankfully, with a mech, you’ll go a bit faster.
Laden with wit, charm and a fantastic look and aesthetic feel to the whole thing. The game oozes a charming style of art not seen in this day and age and from the get-go had me hooked. Plenty of gun blazing action, mixed in with scene stealing gameplay and a wide array of well voiced supporting characters. And although, by the writing of this review I hadn’t finished the whole game, I’m certainly stocking with it til the very end to experience it all. FumiHQ have done a fantastic job with this world and the characters within it and I for one are now looking forward to what game and genre they turn their hands to for their next release. If you’re a fan of FPS games, or just a fan of fun period, then I can highly recommend Mouse: P.I. It reminds me of why I loved gaming from the get-go, you get a full gaming experience for your money. No in game storefront, no paid cosmetics, no microtransactions whatsoever included. Just a full game, well-polished, and complete. Despite what other reviews have said, in the modern age, that is not only a rarity, but a breath of fresh air to this old gamer. Heck, I was struggling to find points for ‘The Bad’ segment of this review because there’s nothing actually wrong with the game, so I had to do some personal nitpicking just to think of some. For only £ 24.99 English Pounds on the Xbox Store at launch, this title is an absolute bargain for what you get. But enough of me praising the heck out of this game, just go and buy it already. Trust me, you shan’t be disappointed and we need to support more games like this that push creativity, imagination and fun more than ever for the gaming community.
The Occultist is one of those games that comes along and grabs you when you least expect it. It doesn’t arrive with the marketing roar of a blockbuster, nor does it pretend to be something it isn’t. Instead, it quietly invites you into a world of shadows, whispers, and lingering dread — and once you’re in, it holds you there with a surprisingly confident grip. At the centre of the story is Alan Rebels, blessed with the skill of mediumship and knowledge of the Occult. He is a man driven by a simple but powerful motivation: find his missing father, Gabriel; and his search leads him to a remote island where something terrible has happened — an entire population wiped out, their stories cut short, their spirits restless. It’s a classic setup, but it’s handled with enough restraint and atmosphere that it never feels tired. A lot of that comes down to the performance behind Alan himself. He’s voiced by Doug Cockle, best known as Geralt from The Witcher series, and that familiar gravel gives Alan a grounded, weary authenticity. It’s the kind of voice that sounds like it’s been through things — which fits the tone of the game perfectly.
Cthulhu: The Cosmic Abyss was an enjoyable experience that will click with some but won’t be for everyone. The atmosphere of the game and the puzzle-solving really clicked with me. Parts of the game require some brainpower to get around, but that is the most engaging part. From a horror perspective, it’s quite tame, so if you’re looking for jump scare action, this might not be your jam. If you’re looking for tense, eerie and an uneasy time with great dialogue, clever puzzles and decent storytelling, then it’s worth a buy. You can pick up a copy for Xbox Series X/S HERE.
ChainStaff is a fantastic indie game. The run-and-gun madness and lineup of impressive aliens make ChainStaff a fantastic indie game. It is vibrant, loud, and great to play. Although there are moments that’ll test your resolve, patience, and hard work, make this a phenomenal platform experience. Accordingly, I think it’s amazing, and I recommend grabbing a copy from the Xbox store!
Tamashika is unusual and divisive. Tamashika will appeal to a niche audience. The strange action and weird graphics will not be for everyone. However, if you love unusual games that push your buttons and patience, this will be right up your street. Accordingly, even though it is divisive, I like it, and I recommend grabbing a copy from the Xbox store!
Absolum is a great 2026 indie title. 2026 is proving to be a good year for gaming, and Absolum is up there with the best releases so far. Its incredible story, wonderful aesthetics, and addictive gameplay make this a must-play indie title. It looks amazing, and I loved every second. Therefore, you must grab a copy from the Xbox store!
I just want to put out there that I’m not just scoring this exceptionally well because I love the creators of the game, but because it’s genuinely a bloody great game. Anyone who knows me understands that I am obsessed with roguelike games in any form. Beyond Words is a game that has endless hours of replayability and is one of those games where hours genuinely feel like minutes. The only downside for me personally is that the game does not have Xbox Play Anywhere functionality. So instead, I went and purchased a copy on Steam as well; that’s how much I loved this one. Don’t sleep on this game if you’re into word-puzzlers and rougelikes. If you’d like to pick up the game on Xbox Series X/S for the absolute steal price of £12.99, you can do so HERE. For a limited time, though, you can pick it up for 20% discount, so pounce on that deal quickly.
Super Meat Boy 3D does a great job of capturing the moments that made the original game so memorable. The same ingredients are very much here and cleverly designed in 3D. Attempting to wade through each level as quickly as possible is where the addictive gameplay seeps in. There are, however, the same levels of frustration as the original, and your enjoyment will very much depend on your personal patience levels. My eight-year-old son adored the aesthetics and the fact that it was ‘a bit like Astrobot’, but ultimately the difficulty turned him off almost immediately. That said, I don’t think this game is suited to the younger crowd, so you may want to try before you buy on Xbox Game Pass. If you do want to bag a copy for Xbox Series X/S with that lovely Xbox Play Anywhere functionality, then you can do so HERE.
Crimson Desert is an ambitious, expansive RPG that rewards curiosity, exploration, and patience. It doesn’t always hold your hand. It doesn’t lay out every objective in neon signs. Instead, it invites you to think, to explore, and to become truly immersed in a world that feels alive and unpredictable. Whether you’re uncovering a hidden quest in an abandoned outpost, negotiating with wary factions, or watching the sun set over a candlelit desert city, there’s a constant sense of discovery that keeps you invested. For players who love deep worlds, layered storytelling, and the freedom to carve their own path, Crimson Desert offers a rewarding experience — rough edges and all. Crimson Desert is an ambitious journey worth taking — a living world with endless stories to uncover, even if it doesn’t always hold your hand.
Royal Revolt Survivors is a surprisingly deep and addictive roguelite that blends in well with the rest of the catalogue of similar games. If you’re into the gameplay loop of surviving as long as you can and building stronger after each run, then you’ll easily get your moneys worth out of this one. The added bonus here though is the local and online multiplayer co-op options which are quite rare in the survivors-style roster. If you fancy picking up a copy for yourself for Xbox you can do so HERE.
Rushing Beat X: Return Of Brawl Brothers is one of the best beat’em ups of the last few years. And a surprising entry in a series that had been dormant for so long. Having a decent variety of characters to choose from, being able to have an inventory of health items and weapons is more enjoyable than being forced to use them outright. While the movements do feel a bit stiff and the control mapping is questionable, once you get acclimated, you’ll find a fun and addictive beat’em up. Highly recommended.
John Carpenter’s Toxic Commando is an absolute blast to play solo with bots or with friends online. It has enough unique nuances that give it a different flair compared to Left 4 Dead and Back 4 Blood. The gameplay is solid, each class feels unique with their own perks, the driving is tight and it has a fun B-movie presentation. While it’s a bit annoying that it’s requires to be online at all times so people can join, playing with bots is as enjoyable as playing with others for the most part. John Carpenter’s Toxic Commando is one of the most enjoyable games of the year and it features big dumb fun. Whether to play solo or with friends or randoms, if you enjoy a good shooter, John Carpenter’s Toxic Commando is for you.
Ebola Village is an incredibly sloppy, unpolished clone of Resident Evil. It looks and plays like a PS2 game, the shooting is flimsy, the visuals are incredibly outdated, the voice over is hilarious, there’s also so much unnecessary backtracking. That being said there is a nugget of a good game here; that could’ve benefited from two years of QA and polish. I know that imitation is the sincerest form of flattery, but not sure this is flattering for Capcom’s flagship series. Unless you’ve 100% all Resident Evil games and cannot get enough of that formula, Ebola Village might tickle your fancy. Otherwise, stick to Capcom’s juggernant.