EvelonGames

UFC 6 is the best MMA game ever made, and it's not particularly close. The striking is viscerally satisfying in a way the series has never managed before, and the new Flow State system gives every fighter on the roster a genuine identity built around how they actually compete in real life. Career Mode has taken a massive leap forward, the online offering covers every type of player with five distinct modes, and the presentation on PS5 is nothing short of spectacular. The ground game still needs work, and the Fighter Pass remains an uncomfortable presence. But when Max Holloway enters Flow State in the third round and 20,000 fans at Madison Square Garden feel it before you do, none of that matters. This is the game MMA fans have been waiting for.

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Luna Abyss is a remarkably brave debut that understands that intense bullet-hell action means nothing without a world worth fighting for. While its limited four-weapon arsenal and rigid shield mechanics occasionally drag down the combat, the game heavily compensates with an incredibly oppressive atmosphere, superb sound design, and a genuine narrative mystique that keeps you hooked from the first minute. It carries the cracks of a debut, but it speaks with the voice of a seasoned veteran.

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LEGO Batman: Legacy of the Dark Knight delivers a highly entertaining and affectionate tribute to the Caped Crusader's history, skillfully combining the atmospheric essence of the Arkham series with LEGO’s signature, lighthearted humor. While its stealth mechanics fall flat and the repetitive open-world police alerts can feel bloated, the game shines through its visually stunning rendition of Gotham City, satisfying combat, and a brilliant musical score heavily inspired by the films. It stands as a rich, deeply satisfying experience that any dedicated Batman fan will thoroughly enjoy despite its minor flaws.

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007 First Light is the Bond game the franchise has needed for fourteen years. A story that genuinely matters, melee combat with real weight, and a gadget system with actual consequences. The exploration segments drag more than they should, but when First Light lets Bond be Bond, it's hard to look away.

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Mina the Hollower takes the best of retro gaming and elevates it to the next level, delivering an incredibly fun, challenging, and entertaining experience that lasts dozens of hours. It breathes charisma and originality in every single pixel, making it one of the best titles of the year and an instant classic.

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Directive 8020 is Supermassive Games at its most ambitious and its most inconsistent. The space setting and corporate paranoia themes work, the stealth has its moments, and the back half delivers genuine tension. But a slow start, rough voice acting, and a stealth system that never reaches its potential hold it back from being the leap forward the series needed. A solid 10 hours for Dark Pictures fans, a frustrating one for everyone else.

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Beehive Studios has built one of the most tactically interesting creature-collectors in years, with a shared SP system that makes every team decision matter and a world bursting with visual personality. It's just a shame the story holds its best cards until the final stretch, and that a couple of clunky systems — Holoken Powers, mandatory crafting — get in the way of an otherwise memorable adventure.

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WILL: Follow the Light has a genuinely compelling core: the loneliness of open water, lighthouse routines, and a father's grief searching for his missing family. When it leans into its sailing mechanics and atmospheric coastal design, it gets close to something special. But uneven pacing, stiff controls, and a town full of lifeless interactions keep pulling you away from the emotional story it clearly wants to tell. There's a better game hidden beneath the surface. It just doesn't stay there long enough to matter.

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Outbound offers a charming and creative sandbox experience centered around building the ultimate mobile home. While its crafting systems and camper customization are deeply rewarding as you progress, the world can feel eerily empty for solo players. It is a journey clearly designed with co-op in mind; enjoyable and cozy, but one that truly shines only when shared with friends.

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Lord of Hatred is the expansion Diablo IV needed to justify its existence, closing the Hatred Arc with a bold (if occasionally talkative) story, introducing one of the best-designed classes the franchise has seen in years with the Warlock, masterfully redefining the Skill Tree, and fixing long-standing itemization issues through the Horadric Cube and the Loot Filter. The narrative choices will divide the community, and the new wave event feels like a reskin, but the package as a whole works. If you walked away frustrated after Vessel of Hatred, this is the perfect excuse to return to Sanctuary. Lord of Hatred doesn't reinvent Diablo, but it gives it back its soul.

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Aphelion feels like watching a beautiful sci-fi film that stumbles on the small details. It leans heavily on an interesting story with two protagonists who deserved a bit more depth, while leaving the gameplay feeling too simple, even if the potential is there. The soundtrack and the visual design are stunning, with the planet Persephone being a real feast for the eyes, but the stealth sections fall short, the invisible walls pull you out of the experience, and the idea of having two playable characters is largely wasted. It could have been so much more.

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Pragmata is Capcom firing on all cylinders with a brand-new IP that has no business being this good. Its dual hacking-and-shooting system turns every encounter into a frantic, deeply satisfying puzzle that rewards both reflexes and brainpower. Hugh and Diana form a duo that earns genuine emotional investment despite a predictable plot and a forgettable villain. The RE Engine delivers stunning visuals and rock-solid PC performance, and the bite-sized campaign begs to be replayed the moment credits roll. It's short, it's linear, and it's one of the best action games of 2026.

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REPLACED is like watching an eleven-hour movie that's surprising, fluid, and fun. Its gameplay is enjoyable, and the story pulls you in from the start with depth at every turn. Combats land at just the right moments, each chapter brings something new, and the pixel art is practically flawless. I wanted more enemy variety and tougher bosses, but this is easily one of the best adventures of the year. Give me more.

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Mouse: P.I. For Hire is a shooter that wins you over through sheer personality. Fumi Games has crafted a world dripping with charm, from its rubberhose animation and original jazz soundtrack to death animations so creative they make you stop mid-firefight just to watch. The noir narrative keeps you guessing with constant twists, and Mouseburg feels like a place worth exploring even when everyone in it wants you dead. Where it stumbles is in its second half, as combat runs out of tricks and traversal abilities fail to deliver meaningful variety. Side missions are too scarce to matter, and the pacing loosens when it should tighten. But none of that erases the fact that this is one of the most distinctive and charming FPS experiences in years, a handcrafted love letter to noir, cartoons, and gaming itself that stays with you long after the credits roll.

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Starfield's Free Lanes update and Terran Armada DLC add a generous amount of content to a game that desperately needed depth, not volume. The free update brings welcome quality-of-life improvements, a surprisingly fun land vehicle, and the cruise mode concept, though the latter feels like a band-aid over the game's fundamental structural issues. Terran Armada's $10 campaign is dragged down by repetitive incursions you can never fully disable, a forgettable villain faction, and excessive padding, though companion Delta and the Terran weapons are genuine highlights. The PS5 Pro performance is disappointing for a two-year-old title, with hard crashes at 60fps and inconsistent frame rates even in empty space. Starfield remains the most ambitious sci-fi sandbox on consoles, but ambition without polish only gets you so far. A better game is buried in here somewhere. This update just didn't dig deep enough to find it.

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The Rogue Prince of Persia is an enjoyable roguelite that plays it safe but executes well, proving the Persian prince still has plenty of life left in him. It will keep you entertained for hours, even if its story is fairly thin and nothing about it truly stands out. A solid entry that does little wrong — but little that's remarkable either.

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Tiny Bookshop is best enjoyed in small doses, at your own pace, with nowhere to be. It makes starting from scratch feel effortless, dropping you into a charming village with a laid-back atmosphere and characters you genuinely warm up to. The mechanics feel fresh and distinct from anything else in the cozy genre. If you're looking for something relaxing and a little different — and you have a soft spot for books — Tiny Bookshop is well worth your time.

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World of Warcraft: Midnight is a bold, double-edged sword that cuts deep into the franchise's 20-year history. While the comprehensive revamp of Silvermoon and the addition of a surprisingly deep player housing system are massive wins for the community, the expansion often stumbles over its own ambition. The controversial removal of combat addons reveals a default UI that isn't quite battle-ready, and the narrative occasionally trades subtlety for blunt fan service. However, the adrenaline-pumping Prey system and world-class encounter design prove that Blizzard is still capable of taking massive swings. It’s a dense, challenging, and unashamedly veteran-focused chapter that successfully revitalizes the old world, even if it leaves a few bruises along the way.

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WWE 2K26 delivers brutal, refined in-ring action and impressive visuals, but it's suffocated by an aggressive, grind-heavy monetization model. While the new match types and expanded roster are welcome, the "Ringside Pass" and a padded MyRise mode turn a solid wrestling simulator into a digital storefront that values your wallet more than your time.

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What begins as a cleverly written, darkly humorous dive into Geralt's political nightmares quickly devolves into a frustrating chore. Reigns: The Witcher suffocates its brilliant narrative premise under a forced, clunky arcade combat system and an exhausting reliance on trial-and-error grinding. It's an amusing, short-lived novelty for die-hard fans of the franchise, but it completely strips away the agile, minimalist charm that made the original Reigns so addictive.

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