The Trail: Frontier Challenge is too much of a barebones experience for us to give it anywhere near a solid recommendation. The act of getting about is minimal when it comes to interaction, and the performance issues turn the game into far too much of a slog. The skill tree and the art style itself are two brief high points, but they're not enough to make us recall this trip through the countryside with any degree of fondness.
The nature of Fantasy Hero ~unsigned legacy~'s mission based structure lends itself well to the pick up and play style of Nintendo Switch, but there's nowhere near enough compelling content here to make it worth your time. A dull plot filled to the brim with typical JRPG tropes fails to give you much of an incentive to progress, while the combat itself is far too basic and at times punishingly difficult. This may have been a passable experience upon its original release, but in 2018, this port has little to offer.
Incredibly bland gameplay and some overly frustrating chase sequences make Silent Hill: The Short Message a chore to play much of the time. While there are some intriguing full-motion cutscenes and heavy story details, they're not worth pushing through the dull sequences in between to experience them. Silent Hill: The Short Message is completely free, though, so all it's asking for is 90 minutes of your time to see if you enjoy it more than us.
"We need a new Call of Duty game every single year," the Activision executives bellowed, and out popped Call of Duty: Modern Warfare 3 after the development times caught up with them. A truly anaemic release, there's never been a surer sign to press pause on the series. 14-year-old content is the best thing about this year's entry and if that's not enough of an indictment of where Call of Duty is at in 2023, we don't know what is. A franchise in serious need of a complete reboot, Modern Warfare 3 has to be the straw that breaks the camel's back.
Biomutant could have been something special, but the ambitious project fails to capitalise on what it does differently. Trapped in the clutches of an open world from a generation past, its own ideas are thwarted by an overload of other mechanics and overwhelming menus. By trying to do so much, Biomutant skipped the part where it built a solid basis to work from. While there's still potential here, Experiment 101's first attempt hasn't realised it.
The game plays out like your typical DONTNOD experience with environments to rummage through and a handful of dialogue choices to make — affecting the narrative and ending in the process — with a somewhat interesting use case for the Mind Palace. Sam enters a sort of alternate reality where he can piece together crime scenes to gain a better understanding. It’s neat, but nothing you haven’t seen before in past Sherlock Holmes titles. And while one more twist provides the protagonist with a physical manifestation of his sub-conscience, it’s more annoying than helpful. The same can be said of most characters in Twin Mirror, actually.
For the few things Amnesia: Rebirth gets right, there is a mountain of reasons why it feels like Frictional Games is still stuck in 2010. This hide and seek style of gameplay has long outstayed its welcome and the game doesn't do enough to lessen the disappointing impact that brings. It's heartbreaking to say, but after the fantastic SOMA, maybe the Swedish developer shouldn't have bothered returning to what it thinks it knows best.
Those Who Remain is a psychological horror experience completely lacking in scares and atmosphere. Its uninspired gameplay loop has already been done better time and time again, resulting in a dull, unnecessary title.
Mafia II: Definitive Edition could have been a welcome distraction during the quieter summer months, but in its current state, it must be avoided at all costs. While its narrative and writing may still hold up 10 years later, the long, long list of technical flaws and glitches overshadows its few accomplishments. And that's all it deserves because this is the worst remaster of the PS4 generation.
Its setting may convince some into a purchase, but for those after a new take on the genre, this experience fails to satisfy.
Again, admiring its quaint, quiet beauty might be enough to convince those enthusiastic about its premise to give the game a shot, although what awaits them leads to disappointment.
It’s basic puzzling action that has been done time and time again, so it’s perhaps even more disappointing when you take all of its flaws into account.
Eden-Tomorrow's noteworthy narrative drowns amongst a sea of repetitive, mediocre gameplay. It does nothing to differentiate itself within an increasingly cluttered genre, and so the experience is forgotten about before you've even had time to comprehend the potential of a deeper meaning.
Immortal: Unchained isn't inherently an awful game, but it has very little going in its favour. Its level design is one shining beacon among a sea of bang average gameplay, unacceptable technical flaws, and a combat system that does little to distinguish itself from its inspirations. Those enamoured with the Souls formula may discover something to like, but they'll have to sort through a mountain of mediocrity to find it.
Downward Spiral: Horus Station neither succeeds nor fails in any spectacular fashion, and as such, it just sort of exists. This is a boring experience that doesn't do anything truly unforgivable, but is also unsuccessful in offering anything worthy of talking about. Downward Spiral: Horus Station is a thing, but you really don't need to experience it.
Time Carnage fails to do anything interesting with its gimmick, and thus this is nothing but just another shooting gallery. There's a certain amount of fun to be found in the arcade and challenge modes, but slogging through the campaign to unlock the levels and perks contained within them is a complete borefest.
Get Even had a good base of neat ideas, but the execution of the overall product is so poor that many areas feel unfinished. Combat is quite simply a disaster, the graphics look like they've been taken from a 2008 PS3 game, and the soundtrack crushes your enjoyment far too often. The plot may well grab your attention, but the act of actually playing Get Even is nothing but a chore.
If you really boil it down, Late Shift is a movie with a plot that you can alter. Sadly, that plot isn't very good. Gameplay is minimal, and where The Bunker struck a decent balance, the lack of interaction here only serves to make the experience more of a slog. This can only be described as a complete disappointment.
Skyworld is a somewhat charming title of two halves. On the one hand, its real-time battles for territory make for some mindless fun, but on the other its turn-based grab for resources and progress is nothing short of baffling. Along with clunky controls that frustrate all too often, you've got an experience that will struggle to please.
Overall, One Piece: Unlimited World Red feels like a game made for fans of the series, and ultimately, they're the only people we can consider recommending this game to. Anyone unfamiliar with One Piece will have a tough time completely understanding what is going on and who every character is, and this really hinders its accessibility. While the character models and the variety in locales are real high points for the game, the combat and repetitive level structure make the game a complete bore to play through by the halfway point. Fans of One Piece may get a kick out of One Piece: Unlimited World Red, but newcomers should look elsewhere.