As far as remakes go, Bloober Team's Silent Hill 2 is the absolute best case scenario. It's faithful where it counts, yet introduces plenty of new tricks and ideas that justify itself. The expanded content, replay value, and additional endings make it the ultimate way to reexperience a classic story. The visuals are stunning, and perhaps even a bit too ambitious, as the Xbox Series X|S version had to make a few minor compromises to hit its performance goals. The classic Silent Hill 2 is one of the best survival horror games of its time, and this remake carries on its legacy and serves as a worthy alternative for anyone who can't play the original.
RPG maniacs who missed out on Romancing SaGa: Minstrel Song Remastered due to the language barrier can finally check it out. International is the same remaster with identical QOL features, but now with additional language options to make it easier than ever for any Western gamer to enjoy this grossly overlooked, open-ended PlayStation 2 RPG.
Baseless' main mechanic takes getting used to. There is no way around that. Anyone who plays it on its own terms and learns to harness the physics will find it rewarding. Most of the time, using a high-powered space gun to control movement feels like trying to tame a wild beast. It's understandably unwieldy, yet mastering it under one's dominion is a euphoric rush.
Playing Hitman: Absolution on Switch is a great way to replay it or give it a second chance. The gyro aiming improves the playability dramatically and may get veteran naysayers to accept the game on its own terms. It's a flawed and sometimes dumb experience with situations that make no sense, but still manages to be one of the better third-person action-adventure games, and a lot of it has to do with the gritty signature Hitman ambiance, presentation, and 47's impossibly cool dialogue and wit. He's a fun character, and getting any chance to be him is worth a few instances of sloppy design.
Stray Children is like a meteor blazing through the sky, meant only for those who truly appreciate the pure sincerity and childlike wonder of video games. No nonsense attached, just a game brought to life by those who understand the magic of classic RPGs, reminding all that creativity is what makes a game truly special, beyond tropes or clichés. It’s not a game for everyone. While it might seem warm and cuddly, it's unfair and unintuitive, much like life itself.
Without riding the simulated jet ski model, much of the novelty and magic is lost. Aqua Jet's strongest assets are its audio/visual presentation and the exciting sense of speed when racing on chunky, pixelated waves. Like most arcade games, it doesn't translate to a great home console experience. It's cool to have an option to play Aqua Jet at all, and preserving it is commendable, yet it's not complete without its alluring cabinet. It may look and run better than Wave Race 64, but sometimes that isn't enough for lasting appeal.
Munch Mobile won't connect with gamers due to its repetitive gameplay loop of driving and grabbing food/fuel, which lacks the depth, progression, or visual flair. Its steep difficulty, clunky joystick-based controls, and minimalist graphics and audio feel outdated compared to the polished visuals and responsive mechanics of its contemporaries like Spy Hunter or Pole Position. Slapping googly eyes on a car with big cartoon hands popping out the sides is also a poor excuse for an anthropomorphised car.
The gameplay is very standard Little Nightmares fare, and it plays it very safe. Giving the duo weapons isn't as game changing as it seems and rarely comes into play. Returning fans will notice that this entry is only four chapters long; that's two fewer than the norm for these games. The promise of two additional chapters via a season pass is a mistake since the franchise is very story-based and tends to be condensed. The core experience is very short and most won't feel like they will get their money's worth with such a meagre offering and a vague promise that more content will come sometime next year, but without knowing what it will be. The base package is a little longer than the first game, but not as long or well-paced as the amazing sequel. Marketing material for the season pass promises that future additional chapters won't be necessary, but then, why even bother? It's a bad trap that makes Little Nightmares III feel incomplete.
The one-track, one-car options may seem weak, but spending over an hour trying to master drifting and making incremental improvements with every try is enthralling. The buttery smooth gameplay and bright visuals have kept Ridge Racer timeless, and while it lacks all the cool features and Reiko isn't around, it's hard not to be impressed by such an early 3D racing game that had such a confident vision for itself that still stays challenging with infinite credits.
Air Combat 22's biggest claim to fame is its fluidity and timeless visuals. The core mechanics are serviceable, but there isn't enough to keep it engaging past one playthrough. Without the cockpit cabinet and the booming chaos of a '90s arcade screaming in the background, there is less novelty and charm. Playing Arcade Archives: Air Combat 22 on a Nintendo Switch 2 is not the same as it would be on an original unit, but even if it were, the core experience is spread thinly, emphasising that the game was a shallow, cheap thrill.
When the humour lands, it's usually a light chuckle, never a wheezing gasp of laughter. Most of the time, High of Life is obnoxious with how it hammers crude jokes with Roiland's signature stammering, improvisational delivery. It's a good-looking game with bright, cartoony imagery, and the shooting has a solid foundation, but players will need a strong stomach to withstand the utter noise-vomit of the constant quips.
Gee Bee's austere visuals looked cheap next to emerging colour games in 1970s arcades. With only three-to-five-minute games with no escalation or features, after a few plays, the loop becomes mind numbing. Its core is so basic that not even modern features can do much to elevate its plainness. Most people play video games to beat boredom. Gee Bee is for people who crave monotony.
The Falconeer's visuals achieve breathtaking vistas and bird-riding bliss, undercut by rote routines and finicky flight. It's a noble fledgling, not yet a full eagle. With all of the updates and DLC, this is a hefty package that will keep players busy and toiling away for a long time, so long as they have the stomach for the aggravating controls and the patience to endure dull stories.
There’s something magnetic about Karma: The Dark World's unhinged ambition. It's a debut that dares to be weird and weighty, even if it trips over its own complexity. Karma is a flawed and very interesting gem, a game that’s as haunting as it is stupefying. Xbox Series X|S owners, beware of the atrocious stuttering. Anyone who is drawn to narrative-driven horror with a cerebral bent, it’s a journey worth taking, but don’t expect every step to feel steady.
Hirogami is a game of fleeting brilliance, where moments of joy like leaping as a frog through a papery forest or uncovering a hidden shrine are undercut by clunky mechanics and unpolished edges. It’s a heartfelt effort from a small team, and the art direction alone makes it worth a glance. Like a sloppily-folded origami crane, though, it collapses, caught between ambition and execution.
Triangle Strategy’s story and characters aspire for mature, player-driven storytelling. The branching paths, moral grayness, and debate-driven plot deliver moments of brilliance, making Norzelia feel alive and treacherous. However, the sluggish pacing and uneven character focus come off like the writer loves his own voice too much. It’s a tale worth experiencing for its ambition, but one that could’ve cut deeper with more restraint and polish. The nitty-gritty of the combat and customisation will keep gamers enthralled, and while it doesn't reach the heights of the genre's best, fans of the classics will find there is a lot to love here.
The Sinking City had a great idea, but it was ultimately poorly executed. The remaster was a chance to address its main flaws: combat playability, mission structure, and level design. However, only the graphics got attention when they never needed them. The revamped visuals do admittedly look very good and make Oakmont feel more immersive, but they were a misplaced priority when everything else was unbelievably poorly tuned.
SpongeBob SquarePants Battle for Bikini Bottom Rehydrated is a nostalgic blend of platforming, exploration, and light combat. The adventure is driven by collecting Golden Spatulas and Shiny Objects in a colourful Bikini Bottom. The new graphics look incredible and, from some angles, could pass as movie-quality CGI. SpongeBob’s fluid moveset and open level design are highlights, but restrictive gameplay mechanics for Patrick and Sandy, along with occasional camera and control issues, counter this. SpongeBob SquarePants Battle for Bikini Bottom Rehydrated is an amusing, straightforward collectathon best suited for fans of the show or genre, or anyone with a craving for good old-fashioned platforming.
Darksiders Genesis is a fun, lighter take on Darksiders, excelling in co-op and arcade-style action but falling short of Darksiders II’s depth or the trilogy’s narrative weight. It is less demanding than III’s punishing combat and more replayable than the original’s linearity, making it a solid but not standout game in the series. The co-op features are the main event and breathe some variety in a series that has been growing derivative with every entry.
Shadow Labyrinth's strengths lie in its bold reinvention of Pac-Man as a cosmic horror tale, with tight combat and a richly detailed world. The UGSF connections are a treat for Namco fans, nostalgic callbacks without pandering. It’s a love letter to Namco’s arcade roots, twisted into a dark, ambitious epic that swings for the fences. For those craving a fresh take on a classic or just need a solid Metroidvania, it’s a haunting journey worth taking. While Bomberman's grimdark reinvention was a huge misfire, it's surprising just how much Shadow Labyrinth works as a strange and twisted take on such a cartoony concept.