Time Flies is a short and simple game with simple graphics, but that's not a flaw. It has excellent puzzles, a great sense of humor, and deep themes that make it a great experience.
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We absolutely loved the world of Wheel World. The races offer a good challenge, the customization can completely change the way you play, and exploring the environments in search of parts and secrets is a pleasure. This is one of those games I'll return to again and again simply to enjoy exploring its environments and listening to its wonderful music, and the minor technical flaws don't detract from my experience at all.
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I'm a veteran of the survival horror genre but I never truly felt comfortable with any of the control options it offers and its narrative never felt satisfying. But for every flaw it has, there's one thing it truly excels at: the setting is exquisite, it perfectly handles the retro visual style, and it has excellent puzzles and great level design. Definitely worth a try for genre fans who are always looking for more classic-flavored experiences.
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These remastered versions of Patapon are more than an exersice in nostalgia. They're a glimpse into a different era when genres now considered "casual" demanded a lot of dedication from their players. Some of their elements—like the need to grind—may seem dated, but that's the kind of games they are. Even if they're frustrating, their charisma and devilishly catchy rhythms keep us glued to the screen. It's a shame they didn't include Patapon 3.
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Quantum Witch tells a proudly queer and humorous story about complex themes such as religion, manipulation, divinity, and freedom. It could have offered more in terms of gameplay, but the multiple narrative paths and its adorable aesthetic left me more than satisfied.
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Where the first Death Stranding was original and daring, Death Stranding 2: On the Beach is repetitive and boring. It's a sequel too scared to stray from its predecessor. The new tools and scenarios are nothing more than window dressing for a repetitive experience, accompanied by a bland story filled with ideas that Hideo Kojima had used much better in other games. Its technical quality is impressive and it features great performances, but only those who finished the previous game and were left wanting more of the same will be able to fully appreciate it.
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While we greatly appreciate that it doesn't fall into the microtransaction and monetization trap of other games-as-a-service, FBC Firebreak doesn't offer anything new or interesting. It doesn't make good use of Control's lore or more bizarre elements, and while it can occasionally offer fun and exciting moments, it's nothing special.
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Bithell Games was overly ambitious with its time-loops idea, resulting in several poorly implemented mechanics. The combat is mediocre and the exploration somewhat repetitive, but Tron: Catalyst has a very good story with relevant themes, intriguing lore, and a great setting that may make it worthwhile for fans of the series.
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Copycat is a pretty effective game at manipulating the emotions of cat lovers. While I feel it lacks narrative elements, some of its minigames are too simplistic, and it doesn't quite manage to fully grasp all of its themes, is a short experience that may be worthwhile.
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This is a niche game that probably won't appeal to a large portion of the fighting game community and the lack of an online mode doesn't help. However, its concept is very appealing, and fans of the films it references will inevitably be drawn to it, even if only to give it a look. It's a game made for a very specific and small group of players, but you may belong to that group and not even know it.
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Clair Obscur: Expedition 33 not only secures a spot on my list of the best games of 2025, but also on my list of favorite games of all time. I'm in love with its wonderful, mystery-filled story, its long-suffering yet charismatic characters, its secret-filled map, and its perfectly balanced combat system. Some elements could be more polished, but that doesn't take away from its title of a work of art.
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A very good option for those who miss RPGs with turn-based combat like they were made more than 20 years ago. It has an intriguing story, excellent characters, and very good chibi-style visual art. The numerous fights can be a bit tiring, and some scenarios feel more labyrinthine than they should be, but it's a game worth playing, whether you're a fan of Maliki's webcomic or have never heard of it before.
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517 / 5,000 The way Wanderstop presents the pain caused by trauma and the healing power of a gentle, relaxing environment that, despite everything, can't completely cure it resonated deeply with me. This is a fantastic work that uses humor, tragedy, and absolutely charismatic characters to present complex realities that aren't always solvable. Depending on your own experience, you may love this game or you may find it confusing and boring, but it's worth a look.
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