Mark Delaney's Reviews
Control was one of 2019's best games, with the only pervasive issue being that consoles couldn't always run the ambitious game so well. That's all changed.
The Medium is less survival-horror and more adventure-horror like the studio's past games, but so long as Bloober Team is still refining this style, the team is clearly getting better.
Hitman 3 brings to a close one of gaming's great trilogies with one last display of immaculate level design and intoxicating mood from IO Interactive.
Ultimately, Outcasters mostly seems ready to settle into its niche that it’s created. It’s not designed to be the killer app that reels in a mass of new players, but it should attract some. Better yet, since it launched directly into Stadia Pro, it’s there on day one for the folks who are already the most committed. For a platform trying to find its footing in a crowded, competitive space, solidifying the publisher-player relationship is crucial. There will be bigger, flashier, and likely better games to come from Stadia Games and Entertainment in the years ahead, but for now, those already playing via Google’s tangerine-tinted cloud will find they have their first example of a fun, albeit flawed, multiplayer game they won’t find anywhere else.
Orwell's Animal Farm faithfully recreates and even reinvents the classic allegory at a time when it's never been more relevant for some players.
Observer System Redux is a prettier, smoother version of a good game, but its setting and characters are so grotesque and dark that it can be hard to get through.
Assassin's Creed Valhalla review on Xbox: Ubisoft delivers its best open-world RPG yet with unprecedented freedom, exploration, and combat.
However you felt about Man of Medan, Little Hope surpasses it, promising a lot for The Dark Pictures' final act.
Watch Dogs: Legion throws out a decade of Ubisoft's cluttered-map open worlds in favor of exciting systems that deliver unique emergent moments consistently.
Pumpkin Jack is both a love letter to years of 3D platformers and one of the most timely releases of 2020, delivering a great family-friendly adventure just in time for Halloween.
Though its scares don't reach the heights of the original, Amnesia: Rebirth remains a must-play horror game for delivering a story more akin to a brilliant novel.
I don’t blame Stormind Games for sensing that urgency, but it seems obvious now to me, and perhaps to the team, that a more polished Remothered: Broken Porcelain is a better proposition than the version we got, rushed to the store before it was ready. Remothered: Broken Porcelain doesn’t deserve to be your Halloween stream of 2020, but give the team some time and they may be able to piece it back together.
This Is The Zodiac Speaking salvages a faulty setup by offering a secondary story mode that is much more enjoyable to play than its main draw.
The Mafia franchise again presents one of the medium's best-written stories, though the series still stumbles on building something special around that story.
Like an early card match at a pay-per-view event, WWE 2K Battlegrounds is meant to keep the crowd entertained before the main event re-enters the arena, but it's rarely as flashy or fun as its concept implies.
Marvel's Avengers is the most broken gaming experience in 2020, and even if it was polished, it would be severely flawed.
The final piece of the Control story brilliantly bridges the mystery-filled gap between itself and Alan Wake while paving the way for so much more.
The series' most stylish entry ever thanks to The Yard and player customization, but these new features come without the substance required to contend for football glory.
Nothing else has ever paired high tension with complete silliness like this, and Fall Guys reveals we should've been doing it a long time ago
Maid of Sker carries a proper tune in its story and setting, but faulty AI leaves much of this horror story feeling flat.