Alex McCumbers's Reviews
Even years after the initial release, even after games are starting to cite Dead Cells as their main inspiration, this game is surprisingly good.
Blasphemous is beautiful. Soaked in blood and covered in grime, it is clear that so much effort and vision was put into this game.
I hope to see more game development from Walker and those that worked alongside him; I commend publishers like Another Indie that go out of their way to find these smaller projects.
Curse of the Moon 2 is more of what made the first game so good. I just think that some sections and design choices really put a dark spot on an otherwise incredible release.
More than anything, Evan's Remains could be the start of something special, either in a sequel or a future work from this developer.
With the interesting theme of robots trying to care for a creature they don't really understand in a hostile world, Void Terrarium has a wider appeal than most dungeon crawlers and I can recommend it to those looking for something just a little different, especially so if this genre seems hard to get into.
Disintegration brings something unique to the FPS genre and it's a blast to play. I definitely recommend trying it out and I hope to see this idea expanded further with post-launch content or a sequel.
All in all, it’s no surprise that Shantae and the Seven Sirens is a solid entry to the platforming franchise. Way Forward is one the most consistent development teams I’ve run into in the past decade or so and it seems like everything they touch I enjoy.
Sky Racket is a wild, playful, delightful tour of a weird, imaginative galaxy that is certainly worth visiting.
Chasm is overall a good representation of the genre but it lacks elements that elevate above other titles.
Dungeon of the Endless just isn’t great on the Switch.
At the end of the day, I do wish continued success for Blue Manchu as there is a ton of charm in the style of Void Bastards. The bricks have been laid for a truly stable endeavor.
It’s so refreshing for Square Enix to put out a game with minimal issues, especially since there are fundamental problems that have plagued these games since arguably Final Fantasy X on PS2.
One Step From Eden definitely captures the complexity and crunchy bones of what made Mega Man Battle Network so different and, with enough effort, it could be a roguelike worthy of standing next to its contemporaries. Unfortunately, there is enough holding it back and the challenge is so hard to overcome that I don’t think it’s a game that most players will get to see through to the end.
I find Resident Evil 3 2020 to be a harder recommendation than its predecessor. Maybe I’ll feel different as the game expands with more content or if I find Resistance to be compelling but for now, it feels like an amazing weekend rental rather than a must-buy title.
This one could have used more development time and I really hope that whatever game development is done next with My Hero Academia learns from these mistakes.
I think that the combat can be really thrilling at times but there are areas that had me groaning. That said, I’m glad I pushed through to the end and I really hope that NEOPOPCORN takes what they’ve learned here for a new project, maybe even a more refined sequel.
As it stands, Doom Eternal is a hallmark in the first-person shooter genre that effectively adds complexity and polish to the stellar groundwork set by the previous entry. It will be hard to top the achievements of Doom Eternal.
Despite my fear of the Impossible Lair, I absolutely love this game.
If anything, Warriors Orochi 4 Ultimate has opened my mind to musou games and I am really looking forward to going back to Dragon Quest Heroes, taking my first stab at Hyrule Warriors, and keeping a close eye on Persona 5 Scramble.