Kamil Dyszewski's Reviews
Ultimately, Mount & Blade: Warband is a thing of the past available to the modern populous. And due to its clunky mechanics, which are spread across every aspect of the title, in combination with poor and uninspiring aesthetic, Warband will only pleasure a very small sample of individuals who decide to undertake the challenge of becoming the king of the land.
Neon Chrome is an addictive, isometric rogue-like, but its simplicity prevents it from competing with bigger titles such as Enter the Gungeon, or The Binding of Isaac.
In short, it has to be said that Chroma Gun is an enjoyable title, which will surely satisfy many. However, it simply feels out-of-time in today’s market, as its overall quality is subpar in comparison to other indie titles which came out earlier this year, or even years prior. It simply feels dated, and in many ways, out of place.
In short, SUPERHOT, despite claims made by the media, and the PR machine which never sleeps, is nothing more than another bland shooter. It might be clad in white and red colour scheme, and base itself on a largely meaningless gimmick, but besides that, it’s just another first-person shooter, with overly large maps, and way too many enemies.
A horror title, with hardly any moments of dread, which has been seemingly written by a person who's behind WWE promos.
Ultimately, Man of Medan is a decent experience, and it does exactly what it says on the tin. But it does feel more like a single episode (which it is), than an entire game.
Ultimately, Thimbleweed Park succeeds at what it tries to achieve. It’s a sharp adventure game full of cutting-edge wit. It keeps one on his/her toes, while ensuring that the fun never stops, and that genre-centric jokes are targeted at the player throughout. However, unlike the adventure titles of old, Thimbleweed Park fails to reach the levels of the Day of The Tentacle, or Grim Fandango, as the world of Thimbleweed Park is simply not as interesting. And despite the satisfying story, the characters which are used to move it forward, in the end feel more like an afterthought.
In short, Styx: Shards of Darkness, is a massive improvement, not only upon its predecessor, but also the AA category as a whole. It is a title which offers the variety of gameplay which even some AAA games lack these days, and the inclusion of the co-op mode only further promotes it up the ladder of desirability. However, despite its strong technical and artistic foundation, Styx: Shards of Darkness, is not a perfect game by any stretch of the imagination. And what prevents it from reaching the upper echelons of the grading scale, is the fact that at its core, Styx: Shards of Darkness, is a title which suffers deeply from its mechanical shortcomings, which are so brazen at times, that they take all the joy away from the title
Ultimately, simplicity is not always a negative thing, some titles even use such to their advantage. But when a series which has built itself upon exploration of complex, foreign and extremely hostile environments, especially one as highly regarded as Dark Souls, completely shifts its formula and transforms itself into a simple A-to-B adventure game, it ultimately loses a lot of its charm. And one could debate whether such drastic transition has come from change in artistic vision, financial constraints, or simply a loss of passion, but in the end he/she still has to agree that The Ringed City is a solid piece of content, and unlike the Ashes of Ariandel, it is worthy of being considered a major part of the Dark Souls universe.
At its core, Assault Suit Leynos is an extremely simple yet satisfying game. And while it has been remastered to meet the ‘modern standards’, it fails to tick any of the contemporary boxes. Some will dislike it for the cheap, retro difficulty spikes, designed to make player’s life a living hell. Others will detest it for its far eastern art style
An exceptional racing simulator, with an edge like no other, which ironically lacks the final polish, which bars it from greatness.
All that really has to be said about A Plague’s Tale: Innocence, is that it is a neat adventure game, which has significantly exceeded my expectations, and while those were not very profound to begin with, then even I have to admit that A Plague’s Tale: Innocence is ten times the game which I, and many others expected it to be. It may not have some of the certain AAA qualities, due to its clearly limited, AA budget – then ultimately it offers an experience, which is above and beyond games such as Anthem or Fallout 76, and feels like a breath of fresh air in the always online, games as a service, world.
If you were looking for the next big racing game, then you’ve found it with Wreckfest.
I don’t feel like I am crossing the line in saying that Vampyr is clearly the best title which Dontnod has ever developed, and most definitely the best game which Focus Home Interactive has ever published. If you are looking for the next big RPG to scratch your role-playing itch, then you don’t have to look further, as Vampyr has been crafted especially for you, and if you happen to also be a fan of the Soulsborne series then you’ll simply be in heaven with this particular game – even with all its slight imperfections.
When all is said and done, all that has to be said about Gravel, is that it is likely going to be one of your favourite titles of this generation, if only you are willing to give it a fighting chance and won’t judge it by the studio’s prior efforts.
Ultimately, despite all its attempts at becoming a story driven title, F1 2017, just like its predecessor F1 2016, remains nothing more than a racing sim. Yes, it has an immense amount of mechanical depth, and the core driving mechanic, regardless of the setting, is incredibly enjoyable. But the title as a whole is like a fishing rod without a hook. The rod is there, and so is the string, but the bait is simply tied to it, and the second one grabs onto the bait, they’ll swim away. And that’s because there’s nothing to keep one attached to the hypothetical rod once the bait is gone. And unfortunately, the average gamer, despite the early impressions, will most likely abandon F1 2017 within a week, and only the old guard of the franchise will stand by it until the next year’s iteration.
Torment: Tides of Numenera, is an extraordinary title, which will provide many fans of the RPG genre with countless hours of entertainment. However, the archaic structure, and in many ways execution of the title will ultimately prevent it from reaching the average customer, especially once all the minor technical difficulties, and imperfections come into play.
Ultimately, Drive!Drive!Drive! is a phenomenal title, of which positives one could discuss for hours, however, as good as it is, Drive!Drive!Drive! also has its flaws, which at times can absolutely ruin the fun which can be had with the title. The biggest, and most jarring problem with Drive!Drive!Drive! is the fact that the Artificial Incompetence which is enjoyable at its best, is downright game breaking at its worst. When not in control of the player vehicle, there is always a chance that it may fall off the track, and when that happens, there’s a chance that upon the switch, it’ll be impossible to drive it, as it’ll simply be stuck in place.
A great introduction into the ''Walking Simulator' genre, with a low price point, and satisfying amount of content.
F1 2016, in many ways is just like the sport itself. It’s interesting before the race begins, as viewers can spectate the inner workings of the sport, but once the race gets going, and racers continue to pass laps one by one, it all turns into a one, soul destroyingly dull blur, which soon makes one want to switch the channel, as nothing is happening, and you’re simply watching the same Rolex banners over, and over again.