It’s a one-time play, there are no unlocks to grab, no need to hunt down collectibles and the game is better for it. Things are kept simple, stylish and for a lot of the time, funny. It’s worth playing for the puzzles, it’s worth playing for the style and mostly, the animations.
Yesterday's Origins doesn't attempt to change the formula of the point and click adventure and that's okay. The story is delightfully bonkers and it looks pretty, but if you dig deep there's some repetition, some odd stylistic choices and you might not recall it in years to come, but it's nice to see such a game on Nintendo Switch.
The saccharine visuals and bold colours will easily attract the eye and when new species appear you'll be begging for a photo mode. But that's only if you aren't looking at the endless lists or stats, or charging the ever-depleting energy banks. Interesting, educational and pretty, but ultimately soulless and a little boring.
Ultimately, we’re left with a game that doesn’t appear to know exactly what it wants to be. Without the platforming, Blue Fire might have been a Souls-like adventure game. Without the combat, it would excel at precision platforming. But with both aspects in the mix, it doesn’t quite stick the landing of either.
Unless I’m missing something integral, I can only say that Plague Road became boring and repetitive. I wouldn’t mind so much if I was grinding mobs to level up or mapping areas, but after so many deaths I found I just didn’t want to play any longer. Which is annoying because the game has a great aesthetic appeal, some interesting options and when it flows, it does so with verve. If I did miss anything, I can only lay blame with the tutorial system, because it doesn’t really do enough to paint a full picture for players.
Midnight Deluxe needed more; more levels, more variation, a better control system – why can’t I aim with the stick and use a moving power meter that requires button presses, like a golf game? Yes, the game looks gorgeous. I’m clapping for the designer, each level, while similar, does look lovely in a dark and bleak way. It’s atmospheric and spooky, made from a palette of blues and greyscale. Games like this are wonderfully simple, which makes them incredibly accessible, in the right circumstances, but they often need more depth. This is one of those games.
The puzzle game soon adds the idea of Ming fighting a boss, even though up to now the enemies have been largely passive – touching them kills Ming, but that’s all. Now you have to move nodes around the areas, while keeping an eye on the boss movement, often dying in order to have a little extra time to move the nodes to a new place on the next go around. It’s baggage the game really doesn’t need and the inclusion of something that relies on precision movement with a clumsy transport system designed primarily for puzzles, is a massive hole in an otherwise clever premise.
In order for the story to be truly engaging, we need to be fully absorbed into the game, rather than pulled out by jarring moments. As I progressed, I began to care less and less about Tom, his old crew and his plight.
With so few football games on Switch, Legendary Eleven might be tempting, but be prepared for a scruffy 0-0 draw rather than a 5-4 thriller. There are some highlights that impress, but the game's many technical flaws, lack of depth and unbalanced gameplay will most likely cause you yearn for something more refined and exciting. It really is a game of two halves.
The issue is only being able to play for short bursts because your eyes hurt. Or because you’re sick of reaching over to the mouse to select a new game mode, even though your controller worked on the main screen. With friends, in short bursts, Kinetic Edge can be fun. But for the most part, it feels like rolling a ball uphill, rather than down: awkward and difficult.
So, here I am comparing Sir Lovelot to a game made eleven years ago. Had the developers made one or two slightly different decisions, Sir Lovelot would earn a place in my heart. Instead, I tore through the game in two hours – though this could be extended if you want to find all the hidden items and secrets. I felt deflated after every level. Like a jilted lover, Sir Lovelot did not perform.
Aside from the story, there are local multiplayer and challenge modes. The latter does offer some really interesting game types like a horde mode, a boss challenge and a type that asks you to protect a flock of sheep. But, for me at least, I didn’t find any urge to pick up my Switch and play Brawl. This could have been a great game, but it tries to sell players something that we’ve already seen done much better and a style that just doesn’t merge all that well with the idea.
It’s clear that the developer has a wonderful vision and creates something that feels it could have achieved a level of wonder seen in its obvious inspiration, Alice in Wonderland. However, there are too many small issues and the lack of any solid narrative makes the game, well, boring.
Yes, this last point would occur on any touchscreen system, but here it feels even more ludicrous because the Switch is a system that has sticks and buttons. The developer could have experimented with implementing these controls into the game, rather than just shoehorning the Red Game Without A Great Name onto the system. It’s a real shame as the premise itself is appealing and the art style is sumptuous and brooding. But, beauty is only skin deep, after all.
Tiny Troopers Joint Ops XL is one of those games which is perfectly fine. It isn’t a bad game and it isn’t going to blow the doors off of the barn. It’s an ideal game to burn ten minutes in between other experiences and there are some nice little moments throughout. Playing isn’t going to change your life or deliver any deep narratives, but if you want to blow stuff up and shoot mindlessly for a while, you could do a lot worse.
Would I recommend it? Not really. Is it a good game? No. But I love the fact that it’s out there. I also love the fact that it’s a game where death is encouraged. However, because we want him to die, it does remove any tension or risk of failure, therefore lacks excitement.
Most of my time with Devious Dungeon saw me walking through levels destroying everything in sight for coins, then buying the next best gear I could get, before grinding through the next batch of levels.
I guess Ninja Striker! is a platform game, with rhythm mechanics. It could also be a title that just requires you hit the attack button at certain points to breeze through levels before reaching the real fun in the boss fight. If you don’t care about scores or stars, the game loses so much appeal, because the ‘story’ is non-existent. This will appeal to perfectionists and maybe speedrunners who want to showcase skills, but it left me wanting so much more.
InkSplosion could have been so much more, but it's ultimately let down by a sheer lack of variety (and a frustrating lack of replay value once you've swiftly bagged all of its in-game achievements). As a top-down shooter it's certainly competent, but it's unlikely you'll hang around for long with so many other fuller packages on offer on the Switch eShop.
At one point I assumed that it’s likely I’m not the target audience, so I gave the game to my daughters – aged eight and ten – to play. They love Cartoon Network, so I thought that Cartoon Network: Battle Crashers would give them something new to experience. While both of them enjoyed the visual spectacle and the set pieces of special moves, they each gave up citing that it simply wasn’t fun, ironically choosing to watch The Regular Show instead. So, if my thoughts don’t nail what I want to say, I’ll leave it to my eight-year-old daughter – “This is boring, can we play Mario Kart instead?”