Aran Suddi's Reviews
Extinction is a game that has large ambitions, but fails to be as exciting as it could have been. The Revanii look imposing, but are less threatening than the smaller enemies that accompany them, and with a mixture of lacklustre storytelling, repetitive action and some technical issues, Extinction end up a remarkably average title.
The Inner World: The Last Wind Monk is far from being a bad adventure, game but it is nowhere near as good as some other recent releases. Neither the story or the characters really grab you, and some main characters even become unlikable. One of the few saving graces are the puzzle designs themselves which are put together really well. The balance is skewed toward the puzzles, while the story it is wrapped in becoming quite a forgettable and a boring affair at times.
Agents of Mayhem is a step back for Volition after the success of the Saints Row series. While the characters are good and fun, they don't feel larger than life when compared to The Boss and their crew. There aren't as many memorable moments either, and the city of Seoul is wasted. The game is less Agents of Mayhem and more Agents of Mehhem.
Torment: Tides of Numenera is a game whose plot, with its well written characters and plentiful twists and turns, could easily hook you in. However, it’s a game that is currently fundamentally broken on consoles. Despite the technical flaws, the plot definitely grew on me and it would be great for others to be able to experience it, as well as the world they’ve created, but until the game is fixed on a number of fronts, Torment: Tides of Numenera is hard to recommend.
The Little Acre feels like an introduction to a much grander series, and to the adventure game genre as a whole. If you or someone you know is getting into the genre then The Little Acre is a good way to ease them in, but if you have some experience with point and click adventure titles then The Little Acre will prove to be no challenge whatsoever with its simple puzzles. Pewter Games’s title has all the ingredients for a great game but it is let down by a plot that feels cobbled together and a very short play time.
Loading Human is an interesting experiment that looks to explore relationships through VR. However in Chapter One these feel rushed instead of being built at a steadier pace. The price point may also be off putting, as a £30 game that lasts 3 to 4 hours, that is only the first part of a trilogy. Untold Games have crafted a VR world that looks fantastic for the most part but it is populated by characters that come across as two dimensional, and a story that might be better enjoyed once all the chapters have been released.
Lost Sea isn’t a bad game, but it does little to stand out. It does feel like that the developers could have followed a different path to keep things more interesting, and the lack of transferable skills and unlocks slows the progression to a crawl. Outside of boss fights, there’s little gameplay variation, making Lost Sea a drag when playing in long periods, but OK for shorts bursts here and there.
The development team has a lot of work to do before Hardware: Rivals could be considered a great game that has any longevity. There are more maps and vehicles on the way, but what is really needed are more modes, a better party system, useful hit feedback, and the scrapping of the daily salvage limit. While Hardware Rivals is fun to play in chunks it gets repetitive quickly, and its great visual design isn't enough to cover the cracks.
Full Mojo Rampage is simply an average game that could have been a lot better. There are a few good ideas here, but they aren't fully realised, leading to a game that becomes tedious after a few runs of its quests. The grinding to level up is a bit too far on the long side too, tipping the balance from enjoyable to boredom as well. The game is available for a bargain price though, so if you fancy something a bit different then Full Mojo Rampage may be for you.
Tembo the Badass Elephant could have been so much more than what is offered. SEGA seemed to be searching for a successor to Sonic with Tembo but at the same time wanted to get a piece of the market for particularly hard games, forgetting to make it fair at the same time. It is an incredibly nice looking and sounding game, and when everything falls into place Tembo is a joy to play, but these instances are rare. The poor control scheme mixed with stupidly hard late levels, which almost caused me to destroy my controller, take major points away from what could have been a promising game.
Funk Of Titans isn't a bad game but it doesn't do anything interesting either. It is an incredibly easy game to beat, and the gameplay itself is very, very repetitive. Given that the game's focal theme is about music there simply isn't enough variety in the tracks which is a shame. It looks good and plays fine for what it is, but at the same time it's likely that boredom will quickly set in.
The thing about Gat Out Of Hell is that it feels like Saints Row IV but with things stripped away instead of expanded on. Sure you have the challenges to complete, though they aren't different to the other games in the series, and there are a lot of collectibles to hunt down to unlock everything. Outside of that though Hell as a location feels a bit bland, and without the other Saints to bounce off Kinzie and Gat aren't that interesting or funny. Combine that with the lack of in-game music and customisation options and this entry is a step backwards for the series. Don't get me wrong, this game can be fun when you're engaged in big battles against the demons, but outside of that it is lacking character.
To me Pillar is a game that simply exists, and even then I don't see it having an appeal to a broad audience. I really like the premise that Michael has come up with – wanting to set a game based on personality types – but I don't think that idea is fully explored here. Some of the puzzles are fun while others aren't. I don't want to say that Pillar is a badly put together piece of work, because it isn't, and clearly love went into the project. However, it isn't a fun puzzle game, and feels like a missed opportunity.
The Legend of Steel Empire is a fun side-scrolling shooter set in an interesting alternate history timeline. The gameplay is easy to get to grips with, allowing people of all skill levels to deal with enemies. However, the short length of the campaign is not truly worth the asking price, so I'd recommend waiting for a sale to pick it up.
Sonic Superstars is a decent Sonic game, but it is not the return to former heights that some would expect. It offers entertainment and fun, but is marred by the action being slowed down quite a lot, interrupting the flow, and boss fights that drag on and feel like a throwback instead of an evolution.
The Lamplighters League doesn't quite live up to its promise and expectations. There's a fun mix of real time exploration and turn-based combat, but it's a step short of the best strategy games of the year – others like Shadow Gambit: The Cursed Crew have done it better. Given more time and more engaging narrative The Lamplighters League could have been great. It will have to settle for decent at best.
OmegaBot is a solid side-scrolling action platformer, but it lacks that certain something to really stand out. The platforming is decent, but could be better especially when using weapons as a jump assist, while boss design leant too far in the direction of bullet sponges.
Forspoken was once one of the big reveals for the PS5 in 2020, but aside from using the SSD for open world magical parkour and the ultra quick fast travel, it is difficult to really see how it takes advantage of the latest console generation. The world of Athia looks good, and the combat full of flashy magic, but there's no major side quests to divert from repetitive activities and a predictable main story.
Lone Ruin is a solid roguelike twin-stick shooter, though this style and form has been done better elsewhere. There's a decent challenge and some replayability to be found as you repeatedly venture into the ruined city, but its brevity and lack of narrative drive fall short of the genre's greats.
Thymesia is a game that show's the developer's potential, but doesn't reach the heights of its opening promise. While the combat is fast paced and fun, it is marred by hitbox and timing issues, and the story and lore lack depth to draw you into the mystery of Thymesia.