Jim Hargreaves's Reviews
Overall, it's a great expansion and one that doesn't feel needlessly bloated, concentrated within a single area while adding new features elsewhere. However, if The Elder Scrolls Online hasn't already won you over, Morrowind isn't likely to tip you over the edge.
Fans of the genre will definitely find their fix here. God Wars may not push the envelope though adheres to what can make tactical RPGs so deep and rewarding. With a little more care given to the story, friendly AI, and graphics, this could easily have been a much-needed triumph for Kadokawa Games.
As far as remakes go, you can't get any better than this. Crash Bandicoot N. Sane Trilogy is exactly how fans envisioned it – an unadulterated celebration of a PlayStation pioneer. With such a weight on their shoulders, Vicarious Visions have pulled it off with such diligence, infused with a streak of their own creativity. Then there's Naughty Dog original efforts, of course. Even those only acquainted with Uncharted and The Last of Us can appreciate how the studio first made its name, and the journey from Crash Bandicoot to Warped is one of continued innovation. Some two decades later, it's great to see that some things never change.
If you're serious about PlayStation VR and love first person shooters, Arizona Sunshine is a no-brainer. Mowing down mobs of the undead is immensely satisfying with a great spread of weapons and plenty of opportunities to have some fun.
While it has its flaws, there's a uniqueness to Get Even we rarely see in video games today. Right away, The Farm 51 demonstrates its desire to be different, crossing between genres and actually taking a gamble. While it doesn't always pay off, we're still left with something both intriguing, experimental and, at times, thought provoking.
The Town of Light isn't a game you play for fun. There's nothing enjoyable about the true face of mental illness nor the fear and isolation it engenders. Instead of aiming to reward players with a sense of enjoyment, LKA.it strives to help them empathise with the character of Renée and the unspeakable horrors she's forced to endure. There's a sobering, meaningful story to be witnessed and while its delivery is imperfect, The Town of Light still makes for one of the most thought-provoking games of this year.
A colourful and silly VR shooting gallery, Dick Wilde is simply let down by being too difficult. Stick with it and, over time, you might start to see some progress. But those players wanting to kick back, throw on their headset, and have a shoot up in virtual reality may want to reconsider.
Even, if for some reason, you happen to take a liking towards VR Karts, it's not worth £34.99 of anyone's money and exposes the imaginary premium that studios are putting on games simply because it says VR in the title. It's such a sour point to end on, but even if it were priced accordingly, VR Karts rarely peaks above mediocrity.
That said, the combat system remains completely untouched since Samurai Warriors 4 and for all is minor tweaks and nuances, time's running out for this ageing brand of battlefield action. Even long-time fans will agree that, after being pulled in just about every direction, the series desperately needs to move on. No pressure, then, Dynasty Warriors 9.
Flying Wild Hog has gone well beyond churning out a simple sequel to its rebooted series. Shadow Warrior 2 stands on its own as a frenzied yet fresh blending of genres that can easily enthral groups of players for hours at a time. For lone wolves, the looting and shooting will be slightly less appealing. This, and a few smaller hitches, hold the game back from greatness, though die-hard fans of the genre will certainly get their fill.
With heavy hitters like Horizon, Nioh, Yakuza 0, and Uncharted: The Lost Legacy, there's no shortage of fantastic exclusives on PlayStation 4 this year. That said, Sony continues to galvanise this lineup with a stalwart range of remasters. As with PaRappa, LocoRoco hasn't been idly slapped together – there's a thoughtfulness and diligence there, preserving the original look and feel of the game in a way modern audiences can now appreciate.
With Farpoint, Impulse Gear set out to achieve a goal: to create a traditional first person shooter that works in virtual reality. In that respect, the game is a major success. Although not as fully-featured as its non-VR contemporaries, it captures those essential elements and makes them work in a space that doesn't require overt tracks of handrails. The joy of cranking headshots and feeling like a real-life space marine is a novelty, but one that will eventually wear off. When it does, Farpoint becomes less remarkable, though its immersive Aim controller gunplay definitely gives it the edge over every other shooter currently available for PlayStation VR.
The constant churn of daily activities may prove thankless and repetitive for those impatient and unwilling to immerse themselves, but if you surrender yourself to Stardew Valley and dig deeper beneath the surface you'll find one of the best, most impactful games you play this year, homage or not.
As we saw with RIGS and how Sony abruptly axed its life support, the same could very well happen to StarBlood Arena and that's a bloody shame. I want this game to do well, I really do, but as a multiplayer VR title with a non-existent server population and an exorbitant price tag, it's fighting an impossible fight.
At only a few hours long, Fated keeps things short and sweet. Although there's little reason to go back and play again, I didn't feel as though the £7.99 pricetag was too steep. In that respect, it's more of a showpiece, a flashy virtual rollercoaster, and one that's definitely worth riding.
Slapping down poor video games never brings me much pleasure, especially those that genuinely show promise. While it has a unique setting and some solid ideas, boring level design and a general lack of imagination when piecing together all of these components leaves me with very little to praise.
PaRappa the Rapper Remastered is a game we’d recommend to every die-hard PlayStation fan, but being a straight-up remaster is a double-edged sword. On one hand it preserves everything about the original game PaRappa fans love, albeit in a much higher resolution, but on the other, it shuns new features or a revised approach to its rhythmic gameplay. There’s a lot of history there as well as some great tracks and one of gaming’s most iconic art styles. PaRappa can be as punishing as it is unconventional but, with an open mind, it may also be one of the best games you’ve experience on PlayStation 4.
Of all the potential hurdles to snag on in creating a 3D platformers in the style of the late nineties classics, Playtonic deftly avoids the most egregious ones by far. At its very core, Yooka-Laylee succeeds in reviving a format long forgotten and does so with such vigor and passion. However, players shouldn’t expect it to reinvent the genre.
Visually and thematically, 2Dark succeeds in paying homage to its forebears. Everything else, however, is desperately lacking. Alone in the Dark had twenty years in which to rise and fall but Raynal’s latest stab at survival horror barely gets twenty minutes.
In short, Toukiden 2 is everything a sequel should be. Instead of lazily expanding on the original game, which would have been so easy to do, Omega Force actually went back to the drawing board, completely reinventing those parts that needed work. By streamlining much of the dull admin and encasing the game in a larger open world, Toukiden 2 manages to break free from the pack. As a result, it's easily one of the subgenre's best entries to date and one that, in some ways, is preferable to Monster Hunter.