Even without the precision and balance of its source of inspiration, Advance Wars, Wargroove still manages to offer an excellent strategic experience through a wide variety of modes.
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The Procession to Calvary is a blasphemous, cinical and rad point&click adventure set inside a collage of Renaissance paintings. Brilliant dialogues and gorgeous animations are the perfect frame for Joe Richardson's dark humor and his funny homages to the Monty Python.
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VirtuaVerse is a lot of things. It is a tribute to old school point&click adventures and, at the same time, a modern take on the genre. It is also an act of love to cyberpunk and his themes. But more than anything else, VirtuaVerse is a great adventure set in a detailed world built on a great pixel graphic, fantastic music and a suggestive atmosphere.
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Marvel's Avengers is a strange and somehow unexpected hybrid. Considered on its own, the campaign is an excellent action adventure, able to capture the spirit of Marvel characters both in battle and in everyday demeanor with an enthusiastic cinematic approach. The forced mashup with a Destiny-like multiplayer, however, does not benefit the game as a whole: online features are just weak, to the point they partially water down the singleplayer campaign.
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Don't trust art of rally. Even if it looks like a cute, tiny, aesthetic arcade racing game, it is actually a love tribute to the history of rally, from a rally lover to rally lovers all over the world. Underneath his neat visual style and his top-down visuals lies a great rally sim, stripped of every needless detail and still playable by any kind of gamer thanks to a vast array of camera and difficulty options.
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Minute of Islands is an adventure where the story and its themes get the main stage, while the gameplay is mostly there to get the story going, but it stands among other games thanks to the depth of its narrative. The added value are the outstanding illustrations, sort of a mix between Attack on Titan and Adventure Time, that manage to create a fresh, colourful, intriguing, but at the same time disturbing world, just like Mo's adventure.
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Road 96 is a nice revelation. The slow start gives the wrong impression of a game similar to many recent narrative adventures: well written, but without that peculiar something that can make it shine. Instead, its formula based on the repetition of the paths and on the procedurality of the encounters proved to be a great strength in the long run, capable of adding depth to the game and distinguishing it from its (valid) predecessors. More than this, it's the perfect game for summertime: a good song on the radio, the long road ahead of us, sunglasses on and a future where plenty of choices await.
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The Artful Escape is a hard to define game. Light platform and rhytm'n'game elements are diluted inside a narrative driven gameplay that tasks the player with life and artistic choices. While the gameplay is bent to the main thematic of the game, visual and music take the mind of the player through an epic, psychedelic journey in a rock, sci-fi, over the top space opera.
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Sometimes a good idea is all you need, and Shatter Ground got a great one. The gamble of combining turn-based strategy with a card game and with the stylish fighting of Superhot ended up working quite well. I personally found Fights in Tight Spaces' roguelite mechanics a little frustrating, but it is a matter of taste and in any case the game offers five different difficulty settings. One last praise goes to the artistic & technical aspects of the game, minimalist yet functional and pleasantly rich in details.
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This is a game of pure wrestling which aims to replicate the most technical and psychological aspects of the discipline by offering a rigorous, but very rewarding gameplay. You need an investment in terms of hours and effort to get satisfaction from Fire Pro Wrestling World, but you'll get a game that can last, literally, decades.
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There is a lot of fan service in Marvel Ultimate Alliance 3: The Dark Order and that's a smart move from Koei Tecmo and Team Ninja. The game is tailored around the expectations of Marvel's fans, with tons of characters and references to both movies and comics. Sure, cameras are bad and graphic is not so good, but superheroes lovers, the only target of the game, will not care about that too much.
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Mormo's Curse is a good expansion. The spirit of The Swords of Ditto is still intact, but new modes, enemies and areas offer a satisfying challenge for both old and new players.
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The only thing more difficult than making a revolution is to re-make a revolution. SUPERHOT: MIND CONTROL DELETE is still a fun shooter, based on innovative and intriguing ideas, but no longer as effective as they had been in 2016. The roguelite approach certainly gives the game a more conspicuous length, but on the other hand ends up watering down at least part of the mechanics, making the overall experience less incisive than that of the original chapter. After all, as SUPERHOT has always taught, reality is all about perception.
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On paper the idea of turning this edition of PES into a mere update is a good idea. Football blew up, the two seasons almost piled up and the pandemic stopped development for too many months. It is better to focus on the next edition, provided that at least the minimum trade union commitment is devoted to this package, which has not happened. The absence of a partial update of roses and teams at the time of launch is unacceptable, as is the ugliness of the inter and Milan uniforms, although what PES 21 proposes always remains the best kick on the square (IMHO, eh, I do not want to be beaten by FIFA supporters).
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Chicken Police: Paint It Red proves you can creat a smart, original game even by putting together pieces of 40's noir movies with old point&click adventures and painting it all in cool B&W visual style. The smart move is adding animals to the equation: grumpy roosters and sexy cats lead to sharp dialogues and funny wordplays, while at the same time showing what is wrong in human nature. The plot may not be the most original, but Chicken Police is definitely worth playing.
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What a surprise Call of the Sea was! Out of the Blue's debut title shows off its own well-defined personality through a very accurate artistic direction and attention to details. All puzzles have their own logic and the idea of proposing them in blocks, separating the adventure into sealed chapters, helps to focus attention on a limited number of elements. With its crazy atmosphere and an eight-hours duration, which prevents any kind of fatigue, Call of the Sea is a highly recommended game for adventure's (and Lovecraft's) lovers.
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Olija is more than just the sum of its parts. Its action-platform-with-a-bit-of-metrodavania formula is nothing new, like its art style or the mechanics made available by the mystic harpoon. But when every single part works in conjunction with the others, Olija becomes a super rewarding game, where puzzles make you feel smart and fights make you feel strong: not every game needs to be super difficult.
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After playing Adios I felt like I did when I first saw No country for old men, and I can't imagine a greater compliment. Graphics are definitely not its strongest suit, but they do a decent job at supporting Adios' touching story, that shines thanks to its fantastic voice acting. A couple simple minigames add a little variety to this walking simulator. All in all, Adios lasts a little more than an hour, but it's an hour that is totally worth experiencing.
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Sometimes, less is more. Chronicle of Innsmouth: Mountains of Madness is a game that knows its limits and strives to do its best with the resources it has. The story is short, but well written and fascinating, the English acting is good and background illustrations are often inspiring. Considering that the team is small and so was the budget, their work deserves to be praised.
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Say No! More is such a strange game it can barely be considered one: you just need to press the spacebar to get to the end (even if there's a moment when you need to *not* press it and I almost got stuck). Despite this, it is indeed a funny game that smashes the "yes man" workaholic culture, and it does it under a beautiful SEGA-blue sky. Perfect if played after eight hours in the office.
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