Limerick: Cadence Mansion is a good game for spooky season because it has plenty of familiar mechanics while creating an interesting universe. It’s not horror by any means but there are some effective scary moments. The game creates constant tension between the drive to discover more and the need to run to a Panic room to avoid death and recover.
Torn Away is a narrative-focused game that explores some very difficult historical moments through the eyes of a child. Asya is a strong protagonist and the game works hard to give her interesting things to do from a gameplay perspective. Neither the platforming nor the puzzles sequences are hard to complete and most of the mechanics are familiar.
Wargroove 2 is one of the best smallish-scale tactics titles I have played recently, offering a wide variety of cool scenarios in its campaigns as well as extra variety with Conquest. The turn-to-turn action is compelling, and players have space to tweak the difficulty to suit their needs.
Astrea: Six-Sided Oracles is a complex and engaging dice builder. The universe is interesting, even if the lore is mostly expressed via gameplay and presentation. There are a ton of dice to choose from as players build their own playstyle around their favorite hero.
Days of Doom is a competent combination of rogue-lite elements and turn and tile-driven combat. Battles are tense, especially when bigger and boss enemies arrive, and require players to carefully think about their character’s abilities and positioning.
Gunbrella delivers a great combination of platforming and combat, punctuated by challenging boss fights and plenty of character interactions. The game introduces new ideas and challenges at a good pace and boredom never sets in. The narrative could have used some extra weirdness, but the universe is engaging and offers some cool moments.
Even with some of its shortcomings on PS5, Baldur’s Gate III remains one of the best games of our time. Looking at the amazing quantity and quality of the content, you will most likely forgive the developers for the bugs – that most likely will be fixed through patches.
Six Ages 2: Lights Going Out is designed as an evolution rather than an evolution. Glorantha continues to offer a good setting for role-playing and management, although the apocalyptic element feels a little restrictive. I like the steady flow of events and the care that goes into creating interesting situations and engaging choices.
Affogato mixes two ideas that don’t normally belong together. The puzzle-style, card-driven reverse tower defense is pretty unique as an idea but suffers from a lack of variety and some difficulty spikes. The developers need to consider a sequel that focuses on this side of the game to explore its potential.
En Garde! offers a tight core idea and executes on it well, although in some predictable ways. It’s fun to constantly scan the battlefield and evaluate incoming enemies to decide how to use the environment and Adalia’s superior fencing skills to separate groups, stun some enemies, and, finally, take all of them down.
Astronaut: The Best isn’t as deep or as varied as it seems at first sight, but it has good core mechanics. And the world it conjures is engaging in its weirdness, despite the relative lack of cohesion that’s evident at certain points in the branching narratives. The game’s presentation will not be for everybody, although it meshes well with both story and mechanics.
Remnant II brings so many improvements over the first game that I’m tempted to ask Gunslinger to remake Remnant: From the Ashes with all the systems they’ve put into the sequel. I’ve rarely been pleasantly surprised by a game like Remnant II.
The Bookwalker: Thief of Tales relies on an intriguing concept, and for the most part is quite enjoyable. The adventure sequences are immersive and motivate you to push forward and discover more. The game becomes even more remarkable if we take into account that it has been developed by a team of four people.
Final Fantasy XVI is one of those very rare masterpieces with issues. Developed by a stellar team, the game shines when it comes to story and combat, but fails in other aspects like narrative structure, itemization and RPG elements.
Nocturnal definitely stands out as an interesting action-adventure side scroller. The twist on the platforming formula adds some novelty to the core gameplay, although I think that there are things that haven’t been explored enough.
Street Fighter 6 is not perfect, but it is revolutionary. It manages to cater to so many tastes and expectations, without dropping the ball that the developers deserve all the praise they get. Of course, some of the fan favorites all not in the initial roster, but this probably will be addressed by the nowadays mandatory Battle Pass.
Fuga: Melodies of Steel 2 brings quite a few new twists to the already interesting battle systems. It offers more strategy options and, overall, it’s easier than the first game if you understand how these new mechanics work and utilize them to their fullest.
Tears of the Kingdom is without a doubt the best Zelda game to date. Although it offers a pure sandbox experience, the world is bustling with secrets to discover, treasure to loot, and puzzles to solve. It’s one of the few games that encourages exploration and rewards those who do it in full. It only takes a few hours to learn that there’s something new and exciting to discover just around the corner.
It feels like the folks at The Bearded Ladies have taken everything they’ve learned from Mutant Year Zero and put it all in their new game. Miasma Chronicles is a much better designed tactical adventure with a more appealing story. Despite the tongue and cheek writing, the game is more serious than Mutant Year Zero.
Strayed Lights is a simple game that had one novel idea and the will to turn it into a sensorial experience. Despite the fact that the combat feels like it’s been inspired by From Software’s games, Strayed Lights lack that challenge of a soulslike title.