Screamer isn’t a Need for Speed or a Ridge Racer, but it comes closer than any racing game in recent years to the spirit that made them memorable.
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Pokémon Pokopia is an unexpected spin-off, but also the most fitting one, setting aside battles and the drive to win in favor of the sense of community and friendship that Pokémon creatures have always called for.
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It can be hard to contain expectations at the idea of a new Marathon, once again from the studio that created it. But much like its classes, Marathon is a mere shell of its potential, with content that only satisfies those who resist its true nature as an extraction game.
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Lana and Mui return in Planet of Lana II: Children of the Leaf for a welcome reunion in a sequel as safe as the ideas and challenges its predecessor brought us. And that alone is great.
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The Pokémon Company invites us back to Kanto in Pokémon FireRed and Pokémon LeafGreen, now on Nintendo Switch and Nintendo Switch 2, where the magic of nostalgia gets lost without any additions or improvements. These are 2004 Pokémon games, in their purest form.
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Reigns: The Witcher hits its limits quickly, but until then it's a genuine addiction and a delight for fans of both series, evoking some of the best things The Witcher 3 has to offer in a format that's as simple as it is easy to pick up.
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Resident Evil Requiem is a game of parts, of two perspectives, two protagonists and two styles that complement each other in a unique experience, simultaneously new and nostalgic, in what stands as one of the most ambitious and celebratory entries in the series, with the best that Resident Evil has to offer.
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Grid Legends arrives on Nintendo Switch 2 in its best form, with a fantastic port that plays extremely well and looks visually impressive in handheld mode.
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The creators of Thumper return to violently abstract and surreal games with Thrasher, an experience that is decidedly better in VR.
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With Dispatch, the team at AdHoc embraces a dialogue-driven choice-based game with light mechanics, elevating the experience through a fantastic superhero story where friendship, redemption and emotions are the strongest superpowers.
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Pokémon Legends: Z-A is not a mere spin-off of the series, but a glimpse of its future, seizing the opportunity to deliver a fun and solid game that is, above all, the most refreshing and innovative in recent years.
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Mission after mission, The Outer Worlds 2 seems to deliver on its ambitions and on the studio’s vision of offering a confident, solid action RPG, with a few genuinely interesting mechanics. And I’ll admit, there’s a lot to like here, but it started to lost me when, for every good or interesting idea, there are two or three others that makes the game look stuck to the past holding Obsidian back from reaching higher.
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Ignoring its live service nature, Sonic Racing: CrossWorlds is another solid entry in the kart racing genre — a fun, straightforward, and genuinely addictive arcade experience.
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Beyond its basic, cliché-ridden premise, the parkour-inspired mobility for thrilling escapes and the almost tactical combat for dismembering zombies make Dying Light: The Beast as entertaining as a Sunday afternoon action movie.
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Ghost of Yōtei did something rare for me: it left me so captivated by everything it does well that it’s hard to even recall any truly negative aspects, or think of fixes for the small flaws. At its core, Ghost of Yōtei is the best version of what Sucker Punch could have created for this sequel. And that, in itself, is a huge achievement. A game that took everything great about the original and made it better, while delivering a story that feels more engaging, emotional, and perfectly suited to the potential of this wonderful interactive medium.
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The new edition of Kirby and the Forgotten Land for the Nintendo Switch 2 with the Star-Crossed World expansion does not reinvent the adventure of the lovable mascot, but it does include good reasons to return to his world.
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With nearly a decade of development, Lost Soul Aside seems like it deserved a lot more time in the oven. In another context, as an independent project in early access, could have faced less harsh criticism and scrutiny. But with the anticipation built over the years and the community’s desire for a game that, from the trailers, appeared spectacular, polished, and overflowing with passion for the genre, it is unfortunate that it ultimately fails to live up to its ambitions. Updates may arrive, smoothing out some aspects and improving the game, but I fear nothing will change its fundamentally amateur nature.
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Helldivers 2 drops on Xbox as an historic event full of opportunity, in a release also marked by Halo’s debut on the PlayStation ecosystem. A sort of “exchange of goods” within a family and community that continue to grow.
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Drag x Drive is a strange concept built to take advantage of the new Joy-Con capabilities, and while it can still be fun, it has little to offer.
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Between video fragments and empty spaces, Dead Take builds a contained, atmospheric experience, with a level of surrealism that softens the dramatic weight of its more serious inspirations.
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