Strange Horticulture's biggest struggle is shoehorning itself into the Switch's little screen and thumbstick controls. It does that well enough to preserve its wonder, but if you have a PC to play it on, that might be preferable. It comes from a very simple place: a one-screen playfield with basic, heavily scripted interactions. But that is the perfect backdrop to throw the player's new discoveries into sharp relief and bring an eerie world and gripping mystery to life. This irresistible immersion stems eventually from a quiet and unassuming start, so stick with it – it'll grow on you.
Apart from mashing together two classic Japanese IPs, Shin chan: The Endless Seven-Day Journey mashes together some quite contradictory concepts and comes up with something special. You have the directionless, simple adventures of a child's curiosity on a rural holiday, but they're interrupted quite suddenly by a tightly directed (and completely absurd) plot. Wacky sitcom energy quickly becomes the drive and purpose in a game that could have been merely a wholesome meander-em-up. So there is the soothing magic of endless days running round fields and just seeing what catches the imagination, but also a heavy steer to play a story from end to end, packaging the never-ending summer into a punchy and dynamic 15-20 hours. Knowing now what Kureshin and Bokunatsu are, if you think you like the idea of mixing the two, this game is very easy to recommend.
If you were even half-aware of games news at the end of 2021, you will already be a bit interested in this game. It's brimming with fun, uniquely committed to co-op gaming, plays solidly and distinctively, and usually discards one cool idea in favour of another before there's time to get bored. Now-standard graphical compromises have been made for Switch, and the typical perk of playing handheld is questionable for an always-split-screen co-op-only game. Nonetheless, it keeps the frames moving well enough not to undermine its Game-of-the-Year sparkle. It Takes Two and the good old Switch may not be a perfect marriage, but it's probably worth sticking it out, now that we're five years in.
When it all clicks, A Little to the Left provides an experience that is a weird mingling of the semi-passive and viscerally intrusive. It is only the occasions when tiny touch targets cry out for a mouse pointer that the magic falls away. Once that happens, the plainer, less surprising puzzles aren’t able to carry the show on their own. As a piece, it can’t always sustain its best rhythm, but when it does, it's stimulating, quiet, and memorable.
However, there’s no resisting the charm of Railbound’s chirpy cel-shaded models and, although they belie some fiendish challenges, the difficulty curve is as smooth as it is steep. Perfect for handheld play, Afterburn has laid down a great addition to Switch's library of puzzlers.
It's hard to talk about the specifics of Inscryption without diluting some of its magic. However, its ingenuity is mind-boggling, its mood is devilishly haunting and its presentation is first-rate. As a deck builder, it's stretched about as far as it can go, and by jumping around between concepts it sometimes asks for a lot of from the player. The pay-off, however, is one of the most impressive feats of video game storytelling there is. If you're new to Daniel Mullins Games then you're in for even more of a treat, but existing fans, too, shouldn't think they have the measure of what awaits on Inscryption's dusty old floppy disk.
At its best, The Excavation of Hob's Barrow feels like the halcyon point-and-click days of LucasArts. Some of its puzzle chains are compelling, immersive, and pitched just right difficulty-wise. It gets a bit messy in the third act, but not enough to undo the excellent scene-setting and plot-thickening that precedes it. Hob's Barrow could have been hobbled by its muted setting; instead it brings a barrowload of supernatural chills.
Backbeat stands out among puzzle games for its attractive graphics and constantly pulsing, funky soundscape, but most of all for its impressive depth of mechanics. Juggling phrase lengths, bar markers, alignment, stagger, solos, and special moves – all in interactive levels full of moving parts – is like having a wah-wah pedal hooked up to your brain. Apart from a sometimes-fiddly interface and limited replayability, Ichigoichie has hit all the right notes.
With its encyclopaedia of over 125 fish, Dredge's bounty is a boundless as the sea, its action RPG upgrade compulsion loop as deep. That said, you get out what you put in – during the first couple of hours, anyway. Once you achieve the sweet spot of an upgraded boat, manageable difficulty and a story in full flow, it's magical. The excellent presentation of a terrifying ocean really hits home. The need to stretch the limits of safety to reach your next catch leads to edge-of-the-seat moments, while the slapping rain and eerie creaks of the sound design hardly help you to peace out. Interspersed with confidence-building angling in the sunshine and the fun of slotting oddly shaped creatures into your tight inventory, there's just enough encouragement to keep enjoying the horrors. A wonderful first effort from Black Salt, Dredge is absolutely the kind of game you mount over the mantelpiece rather than throw back into the water.
Trombone Champ is a game about perfection. Before you play, it asks you to select a stance for your tromboner: 'estudious' or 'jubilant'. Neither of these is appropriate when you know your performance will be as ear-abusive as an excited puppy mauling a bulb horn. Or are they? The true lesson is perhaps to hold your head high anyway. In life, as in Trombone Champ, faced as we all are with certain doom, be estudious if you like, be jubilant, parp like crazy, and be your very best you – no matter how imperfect that invariably is.
Murder on the Orient Express is impressive in its ability to breathe new life into a well-trodden story. Microids Studio Lyon has found a cute gap in the story to slide in its new character, Locke, without her getting in the way. Her tense and serious segments free up Poirot for a bit of comic relief, and the whole game sits with a relaxed atmosphere and pleasant presentation. Puzzles are mixed, but there are enough good ones to drive another enjoyable trip through Agatha Christie's classic story of mystery, justice, and moral ambiguity.
With so many fleshed-out characters to get to know through its Papers-Please-lite gameplay, there’s good reason to grant Lil’ Guardsman entry to your Switch.
Snufkin: Melody of Moominvalley opens with a goodbye. As an outsider, Snufkin doesn't hibernate with the Moomins and must wander lonelily through the ice. The prospect of a reunion in the spring sets up a bittersweet mood, sews a seed of hope that grows throughout the game, and kicks off a quest to restore everything to its rightful place. Accomplished gameplay design and magical sounds and visuals make the whole adventure a delight.
Planet of Lana intelligently combines elements of classic cinematic platformers to make something distinctive and characterful. For a tight five hours or so, it keeps up the pace, with very few taxing puzzles or tricky action segments to slow progress. Leaning into easier gameplay in favour of visual and auditory spectacle, it looks the part and runs consistently well. It's a treat for the long-suffering cinematic platforming fan – perhaps even destined to join that short list of classics.
For visual novel fans, VA-11 HALL-A is definitely refreshing and distinctive enough to be worth your time.
The single-player Arcade mode is good, and the Missions have a lot of difficulty headroom, but it will sting a little to pay full price if you don’t have an opportunity for multiplayer. Mighty Fight Federation nevertheless remains a very interesting proposition for fighter fanatics craving a new set of mechanics to explore. Assuming the Switch online community grows, or if you have players ready for local fisticuffs, it will scratch an itch other fighters can’t reach.
As a birthday gift from Blizzard to itself, Blizzard Arcade Collection has been put together with some care. Sometimes good things come in smaller packages, though, and a lot of the content here is superfluous. Two of the Definitive Edition games are worse than the SNES titles also included, while Rock 'n Roll Racing's is so successful that including the SNES and Mega Drive versions has only really added clutter. The result is a need to start every version of every game a few times to work out which one is actually worth playing, which somewhat spoils the party. But, for all those imperfections, there's a lot to love: it may not be exactly what we've always wanted, but it's the thought that counts.
It's hard to express how well a niche game fares with a numerical score. If train business minutiae are your niche, your heart will be all a-flutter; if not, you'll be all a-bored. Setting the content on one side, there are significant balance, interface and performance issues – but they don't derail the game entirely. While there are other options for management sims on Switch that are much more light-hearted and accessible, A-Train is something different that educated us and broadened our horizons in the genre. Fans, then, will be stoked to play the series on a new platform; for others with plenty of patience A-Train could be a sleeper hit. (We're really, really sorry about all the puns. Honest.)
Last Stop has something special in there to share over its six-or-so hours. Well worth having on the wishlist until the time and price are right for you.
Oskar Stålberg has made a charming and compelling toy for imaginative play. Anyone willing to project themselves into its worlds and tell stories to themselves as they build will have a great time (although young kids might need assistance with the controls). Raw Fury claim to care about “experiences and emotions” not “genres or mechanics”. If that’s where your priorities lie, too, then give Townscaper a shot.