Leonardo Faria's Reviews
Getting lost in the absolutely gorgeous world of Pandora and having fun with the brutal, tribal-like combat make up for the weak story and the fact that, at the end of the day, Avatar: Frontiers of Pandora does suffer from some of the traditional Ubisoft open world tropes.
If the intention of this collection was to preserve the (mixed-at-best) legacy of the original Jurassic Park‘s tie-in releases, then I feel more worked should had been put into it. As it stands, this is not a terrible first attempt from Limited Run Games in terms of remastering and emulating games, but they do need to improve upon the amount of extras and title variety included in their compilations.
Even though The King of Fighters XIII: Global Match is, by and large, the same game originally released in 2011 for Xbox 360, with just a handful of technical improvements, that’s not exactly a bad thing. Granted, it suffers from having a particularly small roster (for KoF standards, that is), and its story mode is a waste of time, but it’s still a top-notch King of Fighters game that’s well worth your time if you want a brand new fighting game fix with some juicy rollback netcode.
With such a paltry amount of content and limited gameplay loop, there’s little else that can or should be said about Pickleball Smash. Even if it’s not glitchy or broken, it’s just really boring. There’s not enough substance to keep you entertained for more than a few minutes at a time. The pickleball ruleset also doesn’t translate very well to an arcade-like environment, with matches possibly lasting for a damn eternity if players keep breaking each other’s serves. There is no reason to grab this over any other racket-based sports game, even if you, somehow, prefer pickleball over tennis.
There is a reason why Turok 3 isn’t as well-known as the first two games in the Nintendo 64 trilogy: gameplay-wise, it might be the weakest of the bunch. Still, it’s a shockingly revolutionary and monstrously underrated title that deserves a lot more love. It was way ahead of its time in terms of presentation, storytelling and level design. Too bad the N64 just couldn’t handle it properly. Nightdive, on the other hand, could. Thanks to them, Turok 3 can finally shine, with vastly improved visuals and gameplay. The excessive linearity and focus on storytelling might annoy fans of the previous Turok games, but it’s still a fantastic conversion of an underrated gem.
Vengeance of Mr. Peppermint is a clear example of style over substance. As cool as the game looks and plays at first, there’s not a lot of level or gameplay variety to keep you entertaining for a long period of time. All you do is sluggishly move to the right and beat the hell out of some goons at a time. As interesting as its nods to Oldboy can be, that movie was fast-paced, captivating and stylish all throughout. This game, on the other hand, is just stylish at best.
Virtual reality makes PowerWash Simulator more intuitive and immersive, but still very relaxing. Sure, the convoluted nature of having to put a visor onto your face for lengthy periods of time means that this game won’t be played in sessions as long as the ones you’ve been playing on PC or console. Still, you’ll still have tons of fun with PowerWash Simulator VR. I sure did. The superior control scheme, and the novelty of playing such a game on VR are enough to make this particular port of the cult hit my favorite, even though I don’t think it’s the best one, at least technically speaking.
In short, Assassin’s Creed Nexus was one of the most impressive surprises of the year. I wasn’t expecting much from it due to Ubisoft’s lack of pre-release promotion, but what I ended up getting instead was a true testament of what the Quest 2 can do, and how to properly adapt a third-person action-adventure series into VR. It’s shorter than your average Assassin’s Creed, but still substantially meaty for a VR game, complete with occasional pseudo-open worlds with extra challenges to discover.
Barton Lynch Pro Surfing satiates, at least momentarily, the need for a surfing game. It’s such a shame that it’s so utterly hideous to look at, because, for the most part, it is indeed a decent game, with intuitive controls and enough content to keep you busy for a while. If you really want to play a surfing game, this works out just fine. If you’re not particularly into the sport, I doubt there is anything in here that will grab your attention for too long, however.
Don’t get me wrong, Until the Last Bullet is far from being considered a good game. With the exception of admittedly having a good usage of the Joy-Cons’ gyro functionalities, this is a super low budgeted shooter that is so unbelievably crappy-looking it almost looks endearing. But this is what makes it oddly charming in some twisted kind of way. It feels honest in its crappiness.
Sociable Soccer 24 impresses with its ludicrous amount of playable clubs to choose from, but I think that’s basically where the novelty ends. At its core, it’s a fun little throwback to simpler electronic footballing days, but maybe it is TOO stripped down of features. Even other titles from the 90s featured more mechanics and customization options.
Apparently, it only took Ryu Ga Gotoku Studio six months to develop Like a Dragon Gaiden: The Man Who Erased His Name. I would like to laud each and every person in this team for coming up with this magnificent entry to the franchise in such short amount of time. It might be shorter, but its story is a lot more focused. It’s still packed to the brim with side content, with the Coliseum being one of the most entertaining (and hilarious) side modes to have ever been added to a Yakuza game.
Godzilla Voxel Wars is a novel little thing, but it’s also a game that overstays its welcome quite quickly. As unique as its concept and gameplay loop can be, there’s not a lot of variety in its stage design, presentation, and puzzles. Sure, there are hundreds of them in this package, but they aren’t exactly that unique or different from one another.
There are elements in which Alien Hominid Invasion feels like an improvement over its predecessor, whilst it feels like a step back in a few others. It is vastly more accessible, being easier to detect and avoid enemy attacks, with slightly improved controls, and its mission-based structure makes it a perfect fit for a portable like the Switch. On the other hand, it is a lot more repetitive, and its level design doesn’t feel as inspired as the sheer lunacy featured in the original Alien Hominid.
I’d have appreciated a bit more genre variety, but I was impressed by the technology powering Let’s Sing 2024, as well as the fact it has a career mode.
Even if the controls are still a bit confusing, Nickelodeon All-Star Brawl 2 feels a lot less janky than its predecessor. In fact, it's a vast improvement over it in basically every single aspect. It looks slightly better, its framerate is a lot smoother, it features more characters and stages, and it's chock-full of single and multiplayer modes, with endless replayablity and a lot of unlockables.
I had a pretty good time with Air Twister, even though it did feature a myriad of shortcomings, from its boring plot to its short duration. It’s a somewhat limited game in terms of scope, but it’s Yu Suzuki at his best: this is pure arcade fun, the kind he used to churn out with gusto back in the 80s and 90s.
Whenever you are thrown into one of its shooting sections, it is easily one of the best first-person shooters I’ve played in a long, long time, as well as an impressive showcase of what smaller studios can do with Unreal Engine 5’s tools. It’s just that impressive. Whenever you’re told to perform street patrolling or detective work, it’s still a decent, time, but you’ll wish you’d be thrown into another action-heavy set piece instead. Nevertheless, despite some pacing issues and an occasional lack of focus, I’m very impressed with what Teyon was able to achieve.
I was sure Skull Island: Rise of Kong was going to be a surefire disaster of biblical proportions, but its Xbox Series port just ended up being a halfway competent, albeit an utterly mediocre platformer. It has some borderline acceptable controls and performance, but is marred by poor level design, uninteresting combat, hilarious cutscenes, and possibly the worst sound design to be included in a commercially released video game.
It’s funny, it’s crass, it is super entertaining with a friend or by yourself, but also brutally unfair. Alien Hominid HD is a pretty good remaster of a cult class of an arcade game, but be ready to scream at it from time to time. It’s straight to the point: a solid revamp of a silly run and gun shooter from back in the day, complete with visual improvements, solid performance, and a ton of side content to keep you busy if the main campaign is too stressful for newcomers.