Whether or not you find the destination satisfactory, Strangeland’s journey is a joy. It dips into the grotesque without getting too in-your-face, and despite some downbeat and occasionally distressing themes, it’s uplifting in all the right places.
This is a game where there’s not a radio tower, time trial or lengthy side-quest to be seen, and with a few exceptions, it’s down to you to make your own fun. And you know what? It’s an absolute joy to just get out there and mess around, embracing the thrill of discovery. It manages to be fresh, even if you’ve played the original. Subnautica: Below Zero is the most refreshing, engaging sandbox game I’ve played in ages and there’s no reason why you shouldn’t dive right in.
Despite that bugbear, Maskmaker is a great game while it lasts. At around five hours play time (less if you mess with masks less than I did), it never outstays its welcome. It blends a compelling, emotional story with enjoyable puzzles and entertaining gameplay that makes it a standout VR experience.
There’s so much more I could add about Wraith: The Oblivion – Afterlife but I’m not about to risk spoiling the experience. Or, more selfishly, I’m not going to say anything that could dial back its fear factor; if you’re going to play this, you’re going to be as scared as me, dammit. Gloomy, unsettling and engrossing in equal measure, you’ll regret not stepping into Wraith‘s distressing world.
In My Shadow is only a few hours long, but it’s a lot of fun while it lasts, and having to think in different dimensions will keep you on your toes. As long as you ignore its disappointing story, you won’t regret picking up this brain-stretching puzzler.
Drive Buy can be fun in small doses and there’s definite potential here, but if you’re looking for something substantial, it doesn’t deliver just yet. It feels too much like an Early Access product to be worth the asking price. Should the developer follow on its promise to add more content, then it might be worth jumping into. But for right now, we can’t recommend it.
Doctor Who: The Lonely Assassins is a small but highly engaging tale that proves you can do Who without shoehorning every enemy into the mix. If you’re a Doctor Who fan, especially if the Weeping Angels are your monster of choice, Doctor Who: The Lonely Assassins is well worth your time.
If you’re a fan of 90s adventure games, or a fan of Lovecraft, and are willing to push through Mountains of Madness’ more taxing puzzles, you’ll get a kick out of it. The ending is a satisfying one that sets up a sequel without leaving you hanging. It’s just a shame that the game tries to stretch itself a little too far. As is, Chronicle of Innsmouth: Mountains of Madness is an interesting achievement, just not a great one.
Ultimately, Murder on Eridanos serves as a magnificent send-off to The Outer Worlds. It’ll keep you hooked from beginning to end; it’s a shining example of how to do downloadable content and has me eagerly awaiting the Fallout: New Vegas sequel that only exists in my head.
Ultimately, while Adios might not match your initial expectations, particularly if you’ve read the slightly sneaky Steam store deception, it’s still a captivating ride. Adios may be a brief goodbye but the echoes of this farewell will stick with you for days.
RetroMania Wrestling isn’t the most technically accomplished wrestling game out there, but it is a joyous arcade brawler that gets more entertaining the more people you can rope in to a match. Like the game that inspired it, it’s not going to occupy you for hours in a single sitting but you’ll keep coming back for another dose of wrestle ’em up action.
It’s a frustrating oversight, especially since Colossus Down begs to be shared. Still, it’s a real treat solo and if you’ve got a twisted sense of humour and a taste for side-scrolling punch ’em ups, you can’t go wrong with Colossus Down.
It may be missing a share feature, but you’ll still love it; you’ll just have to shove your Switch in someone’s face if you want them to appreciate your latest masterpiece. Tadpole Treble Encore is a game that doesn’t so much ooze charm as spray it everywhere like an out-of-control lawn sprinkler. If you’ve got a single musical bone in your body, Tadpole Treble Encore will be right up your stream.
Small text aside, Cultist Simulator is a real merry-go-round of emotions, mixing horror, joy, repulsion and much more. It’ll take a couple of playthroughs for it to really get its tentacles into you, but when it does, you won’t want it to let to go.
Disjunction doesn’t lean into cyberpunk quite as heavily as games like Cyberpunk 2077 or The Red Strings Club, but there’s enough sneaking and slaughter to keep you engrossed until the bitter end. It also warrants another playthrough where you force yourself to use stealth, meaning you’ll easily be getting your money’s worth out of this futuristic outing. Throw in a superb soundtrack that’s pure Blade Runner, and you won’t regret plugging into Disjunction.
Jurassic World Aftermath dearly wants to be Alien: Isolation with dinosaurs. It does benefit from being in-your-face, and there are a few scary scripted moments. But for all the velociraptors it throws at you, it’s a disappointingly toothless experience. You’re best off sticking to the movies and giving this one a miss.
Ultimately, Airborne Kingdom will keep you engrossed for a few hours, but it runs out of steam before it can reach the lofty heights it aspires to.
Overall, ALTDEUS: Beyond Chronos’ writing is excellent, with rounded characters who dodge most of the usual anime tropes. It may not have delivered the mech-piloting mayhem I was expecting, but it’s a smart visual novel, with enough interactivity, plot twists and emotional gut-punches to keep you engaged. Throw in multiple endings, some of which can only be unlocked on subsequent playthrough and, even though you don’t get to personally punch Space Godzilla in the face, it’s well worth suiting up for.
Still, with these minor annoyances aside, Visage goes far beyond cheap jump scares and will chill you to the bone if you give it half a chance. It might never completely shed its inspiration, but it spins it in enough clever (and unsettling) ways to keep you hooked. If you’re a fan of horror, you won’t regret stepping into Visage‘s suburban haunted house – even if your character might.
You’ll grind your teeth when you’re the last man on the moon, but the more you persist, the more Mars Horizon pulls you in. If you’ve got even the slightest interest in the Space Race, this is one of the most engaging ways to experience it.