In short, Handball 21 is a poor imitation of the real-life counterpart it tries to emulate. With janky, inconsistent mechanics, comical goalkeeping AI, lifeless presentation and shallow gameplay, there’s little to recommend to anyone other than the most hardcore of handball fans. The greatest compliment I can give it is that while the game itself made me question my existence, I did at least watch a couple of actual matches of handball, which were far more enthralling than the virtual version. Stick with the real-life sport on this one.
Chivalry 2 is an immersive, chaotic, gory, hilarious, carnage spilling thrill ride of a game which will have you storming castles like a true knight of old one moment, before bewildering you with someone beating you down with a loaf of bread. It’s a fantastically enjoyable experience which is unfortunately held back by a light content offering and some technical as well as balance issues. While this knight may have taken an arrow to the knee, it battles on to launch a cabbage at you another day.
Green Hell is a surprisingly great game which has exceptional depth in its mechanics, an immaculately detailed and immersive world to explore (and die in), with a story that has absolutely no right to be as fantastic and deep as it is. With a wealth of options in modes and difficulty settings, wannabe survivalists will be hard pressed to find a deeper, more rewarding experience. Despite some minor technical flaws and a punishing opening, Green Hell is a game fully deserving of your time and investment.
Curved Space is a decent twin stick shooter which has a variety of weapons, striking level backdrops, satisfying upgrade systems and a cool leash mechanic. Sadly, it’s significantly let down by repetitive objectives, technical issues and level design which is aesthetically, but not practically, interesting. While not a bad game by any means, Curved Space sadly fails to capitalise on its promise despite its solid offering of modes.
Despotism 3k has a solid strategy resource management core and some excellent, creative text dialogue events oozing with humour. It also has one of the most punishing and demotivating RNG event simulators that can break each of your runs without mercy and will happily kick your progress to the curb. It’s a decent game, but just like its real life despot counterparts, holding onto ultimate power will always be impossible to enjoy when a Cthulu monster decides it doesn’t appreciate your delusion of grandeur.
Sniper Elite VR is a commendable attempt to bring bone-crushing, organ-splitting violence to your eyeballs. Its attention to detail, authenticity and amount of content make it a solid package. Unfortunately, a lacklustre story, inconsistent movement tracking, wonky physics and poor AI knock this scope off target. There’s indisputable fun wrapped up in nailing that perfect headshot, especially in VR. It’s just a shame the technology holds it back from landing a clean shot.
Orcs Must Die! 3 is an intrinsically enjoyable and fun game. With deep mechanics, a wealth of content offerings, rewarding progression and impressive level of scale, it’ll delight those of the strategy and action background. It’s narrative is harmless and its technical capacity teeters under the weight of its ambition, but these do little to detract from the brilliant fun you’ll undoubtedly have playing it. Orcs Must Die! 3 is more than worth your time and will be a game I’ll be playing a lot more of.
Little Witch Academia: VR Broom Racing is a game I shouldn’t have liked nor should recommend, but it has a certain honest appeal that’s hard to knock it for. For wannabe broom racing witches, this game was made for you, and probably only you.
Despite appearing as a knock-off of other popular dance-rhythm action games, Synth Riders earns its place alongside the cream of the VR crop as an essential PSVR experience. With a wealth of varied and pulsating tunes, hugely enjoyable gameplay mechanics and a stunning visual art direction, it overcomes its minor flaw of a lack of challenge or campaign mode. If you own a PSVR and don’t mind embarrassing yourself as you throw shapes, you absolutely need this in your library.
As a regular game, this title would likely have underwhelmed me somewhat with its basic gameplay and simplistic puzzle-exploration nature. The story is intriguing and hits its stride in the second half, but follows some usual tropes, doesn’t land all of its more complex themes and is relatively predictable. As a VR title though, the atmosphere of the forest, the foreboding sense of dread and the feeling of unease is ever present and amplified from the immersion of the headset and excellent audio design. It’s a great experience in VR and worth having a go with if you love all things horror or psychological thriller, just don’t expect to be scared to death or for anything deep gameplay-wise.
With a bit more time and budget, King’s Bounty II could have been one of the pinnacles of the fantasy medieval genre. The turn-based combat is deep, rewarding and challenging (though sometimes unfairly balanced), while the world of Nostria is artistically interesting and well-realised. If only the developers had been afforded the time and money to actually get the title running properly to overcome all the technical problems. The story is lacklustre with shamefully bad dialogue and voice acting, with everything other than the core combat system feeling under-developed and lacking the quality of life elements that have become the norm. King’s Bounty II ends up a decent prize, but a rather hollow haul of treasure that had so much more potential – a bounty more fit for a nobleman than a king.
The Medium surprised me with its psychologically twisted, complex and intricate story that had me enthralled from the moment the intrigue turned into something more sinister and personable. Even with its simplistic gameplay design and clunky encounter mechanics, the atmosphere of the world and enjoyable tale should carry you through even its darkest corners. In the real world, The Medium would be basic, but in the spirit realm, it comes to life and will show you the disturbing but enchanting fabric of its reality.
Despite a short run time and relatively straightforward golf mechanics, Golf Club Wasteland wows with its world, vibrant graphical direction and amusingly sarcastic and critical story notes. I haven’t played anything quite like it this year, but I’m absolutely thrilled that I gave it a go as it’s cemented its place as one of my favourite little titles. If the idea of a beautifully desolate round of golf on a decimated Earth appeals to you, grab your 9-iron and get hitting, you won’t regret it.
As a movie, In Sound Mind may have been an interesting and quirky, if slightly derivative, story of introspection and psychological understanding. As a game though, it simply doesn’t have the depth of mechanics to hold you through its 5-6 hour runtime. Sporting awful combat and stealth sequences, boring level design and inconsistent presentation, In Sound Mind activates too few of the adrenaline-controlling brain areas. Instead, it peaked some interest which slowly faded out the longer I played. You wouldn’t be out of your mind to play it if you’re a psychological horror fan, but you’ll potentially be in two minds of whether it was actually fun to play.
Insurgency: Sandstorm offers a brutal, satisfying and bleak FPS experience for those willing to immerse themselves in its tactical, punishing offering. Despite some glitches and slightly repetitive design, it stands tall as an inspiring shooter that will improve not only your skills as a player, but will also have you thinking like a soldier. The desert may be a Hellish place to be, but damn is it a rewarding and satisfying experience too. If you enjoy multiplayer shooters, there are firefights here you need to engage in for yourself.
Phoenix Point is a game I desperately wanted to love. It has exceptionally complex and deep mechanics, solid turn-based combat systems and fun global strategy gameplay, coupled with a decent story and some decent new additions to provide it its own identity. It is also, however, riddled with technical problems, inconsistent mechanics and frustrating difficulty spikes. Like a true phoenix, it can rise with glory when it wants to, I only wish it didn’t thud back down to ashes so frequently.
If you have a squad of like-minded buddies ready to lose many an evening to slaying some zombie infested hordes, Back 4 Blood will provide you plenty to satisfy that urge. It doesn’t quite capture the greatness of its forebears and it stumbles over itself with its erratic difficulty curve and repetitive nature, but Back 4 Blood has immensely satisfying, if simplistic, gameplay mechanic. This is a veteran, war-torn survivor who’s maybe danced this bloody dance once too many times, but it knows damn well how to deliver that co-op fun.
Sporting two of the best FPS experiences of the early 2010s and the original, mindblowing graphical powerhouse that busted many a rig in 2007, the Crysis Remastered Trilogy offers hours of solid, smooth and satisfying FPS action. Not all of the improvements hit the mark, but the core of these titles is left intact. If you’ve never played Crysis before, now’s your chance to save the world in style with your ass-kicking Nanosuit. Just watch out for the first impression.
If you like big-breasted anime females then Neptunia x Senran Kagura: Ninja Wars has got you covered. With lacklustre story, shallow hack-and-slash mechanics and ancient graphical presentation, there’s little here worth your time. If you’re a fan of action or RPG games that are anything more deep than a puddle, Ninja Wars ain’t gonna be the one, basically, especially if you don’t fancy balancing barely-glad animated women on peaches.
Boasting an incredibly unique, creative and gorgeous aesthetic with an exceptionally intriguing, well-told narrative, The Eternal Cylinder manages to still be rewarding even when its gameplay and mechanics become tedious and uninteresting. You’ll certainly be tired outrunning this circular vortex of death, but the tale is worth seeing through for the sights along the way.