Crisis Core -Final Fantasy 7- Reunion is a prime example of how remasters should be handled. A massive graphical overhaul, streamlined and satisfying gameplay mechanics and wonderfully remastered soundtrack outweigh the 2007 originals flaws in bloated side-content and repetitive structure. Square Enix have kept their honour and given Zack Fair the hero treatment he deserves.
Broken Lines is a decent amalgamation of XCOM and Peaky Blinders: Mastermind. Despite its multitude of flaws and unappealing visuals, there’s a bit of fun to be had navigating this squad through this alternate WWII universe. While it’s trapped behind enemy lines, there’s hope the squad can mend the broken to ultimately survive.
Mirror Forge will creep you out and make you uncomfortable with its superb Silent Hill inspired environments. The gameplay is unthreatening and the story is predictable, but there’s something about this indie horror game that’ll have you soaking in its grim and disgusting dimension-hopping universe.
Back 4 Blood Expansion 3: Rivers of Blood finally delivers some of the potential we’ve been waiting on. A much more appealing act of missions, wonderfully integrated new mode and some engaging new content means Turtle Rock Studios are, at long last, confidently realising Back 4 Blood’s ambition. Here’s to more Ridden-slaying in future.
Crossfire: Legion is an accessible RTS with a decent foundation to become a great game, but it’s held back by a lackluster campaign, poor pathfinding and shallow strategic systems. A stellar voice cast, excellent graphical performance and primitively fun gameplay can carry you quite a way, but not enough to reach the best of the genre. Hopefully, there’s more to come.
The Callisto Protocol is a good game that falls short in almost every department of being a great one. Predictable story, gratifying-yet clunky combat mechanics and a lack of variety hold back what is an otherwise visual and audible spectacle. Dead Space has cast a long shadow since its release in 2008 and The Callisto Protocol can’t emerge from the depth of its superb darkness.
Smashing your way through hordes of vampires in a style reminiscent of Gears of War and Godhand, Evil West is a limb-tearing, frenetically great time. It's a ridiculously over-the-top title with intentionally garish dialogue, balance issues and some questionable decision choices, but when you're mashing a 10-punch combo into a bloodsucker's deservingly battered face, you'll forget all about logic in favour of a rip-roaring good time.
Somerville is a bleak, threatening and intimidating world to survive as you struggle to save your family. Its mix of surprisingly in-depth gameplay puzzling, beautiful art direction and genuinely heartfelt narrative glimpses of hope help it overcome what could have been burgeoning control and technical issues. You’ll struggle with more than just the invaders on occasion, but you’ll persevere willingly to take in more of this utterly compelling world.
Floodland rises above the surface when the depth of its mechanics are given the space to breathe. It strikes a brilliant balance between complex systems that are slick and accessible, while offering a satisfying level of micro-management gameplay. For all of its wonders however, this bristling settlement sim can run aground of stagnated progress and unwieldy inter-clan mechanics on occasion, but nothing should stop you rebuilding humanity in this beautifully desolate world.
Despite a few niggles, Modern Warfare 2 is a real return to form for Call of Duty. A masterfully crafted multiplayer experience and an excellent campaign mode that pays homage to its predecessors while simultaneously feeling like its own thing come together in one of the best big budget shooters for years.
Saturnalia should be on any horror fan’s radar this year. A twisted story combined with a superb art style, nerve-shredding gameplay and expertly crafted design will have you praising and cursing the creative genius to put roguelike mechanics into a horror game. This Italian town has a horrific history you’ll both love and hate to venture into, but you’ll be compelled to uncover it nonetheless.
I See Red promises high-octane and snappy action which, by and large, it delivers on, aside from some mechanical looseness. What slows this violent rampage down to a meek crawl however is the repetitive corridor traipsing, bullet-absorbing late-game enemies and blunted visual style. You’re better off replaying Ruiner to enact bloody vengeance.
Not content with the miserly atmosphere in the usual Soulslikes, The Last Hero of Nostalgaia shows that we can have challenging, entertaining combat and a witty, amusing and fun tale alongside the endless deaths. Minor issues with exploration and gameplay aside, this is a fantastic and whimsical take on a genre that had been crying out for some levity. You died, but you'll laugh about it this time.
Undetected is unapologetic in being a love-letter to the original Metal Gear Solid. It’s fan service in a fresh coat of paint and will bring up those fond memories from 24 years ago for those who enjoyed Kojima’s original PS1 vision. Simplistic gameplay and AI make this a lesser experience for those who aren’t fans, but for those who adore the series, it’ll remind you of just how good MGS1 truly was.
While the opening 30 minutes might convince you otherwise, The Fridge is Red is an uninspired walking simulator with little actual game to engage with. A cool retro art style and sense of atmosphere dissipate out of this open fridge into the ether of a bland, empty and lukewarm room. This fridge is sadly more grey than red.
Unlike the French Revolution, you’re most probably going to fail at subduing this rebellious town a number of times. Deep and challenging gameplay systems are unfortunately undermined by an authoritarian difficulty curve, lack of variety in presentation and a bland story. For would-be dictators however, there’s a city worth pulling up kicking and screaming from the dirt.
A glorious pulp style mixed with engaging stealth gameplay makes Serial Cleaners a compelling 90s narcotic to sink your time into. The trip may be a little bumpy on account of the bugs and inconsistent AI, but you’ll be left feeling fulfilled and ultimately satisfied, which is more than Scarface or Vincent from Pulp Fiction can attest.
A card-based choose your own adventure game that emulates your favourite board games, Foretales has a novel gameplay idea that sadly gets a little too repetitive to hold your attention for the multiple playthroughs its story options offer. It’ll make for a warm and comforting couple of sessions play and there’s a lot of scope for an expanded sequel, but what’s here may leave you wanting even after just one playthrough.
Expedition Zero hooks you in with its first hour of tense atmosphere and excellent world design, only to fling you away with horrendous combat, counter-intuitive survival & exploration mechanics, and a barebones story. This expedition simply isn’t worth embarking on, but maybe one day there’ll be an adventure worth going on.
World War I returns with the Italian theatre authentically recreated for some grounded, methodical FPS action. The real war was a grind and Isonzo maybe captures that feeling a little too well with a lack of variety in maps and modes, coupled with some major technical and visual issues. Even so, it’s an earnest effort that’ll draw in appreciators of history and those who like their FPS experiences to be more tactical and threatening than the Battlefield 2042s of the world.