At its core, Faraday Protocol does what it needs to as a puzzler and has all the necessary elements to deliver a compelling experience, but it needs refinement in a few other aspects before it can really shine. I would’ve loved to see a more cohesive tutorial system for guidance, and maybe some more sprinkles of story stuff scattered around. As it stands, if you’ve got the time to sort out the hows and whys to the game’s many mechanics, I can’t think of any reason why you shouldn’t give Faraday Protocol a good old college try.
All in all, Seed of Life has all the tools it needs to sprout a lovely little flower, but it’ll need to take special care to groom and care for itself to get there. There’s a good number of thorns in this garden, so you should approach with caution, knowing this. But you can see where Seed of Life tried its best to shine, so if you’re itching to take a hike through alien lands, Seed of Life is a charming enough indie gem to keep you well-watered for a few hours.
Long Gone Days may not be the most engaging RPG in terms of its gameplay, but you’ll struggle to find another RPG this year with as much heart and passion for its subject matter. By focusing less on the huge conflict that serves as the backdrop, and instead focusing on the smaller, more touching tales of people going above and beyond to help one another through awful situations, Long Gone Days truly feels like nothing else I’ve played. Had the combat been a little more engaging, Long Gone Days would absolutely have been a better time, but even as it stands, it’s a title that excels enough in everything else it does and is well worth experiencing.
You’ll be hard-pressed to find a lot of games quite like Invector: Rhythm Galaxy, and this is the kind of dopamine injection I feel the genre was in need of for a while. The feel of sweeping across alien landscapes with some sick tunes in the backdrop while handling fast and furious rhythm action all flows so well together… once you get the hang of doing it. If you’ve dived into ship-based rhythm romps like Audiosurf and Amplitude, you’ll be happy to know that Invector: Rhythm Galaxy is right up that same alley, and is absolutely just as much of a blast to play, doing exactly what these types of music/rhythm games do best.
Sometimes, as a gamer, you long for a game that you can just let your hair down with. That inner child wants to get some fresh air from time to time, and LEGO 2K Drive is there for just that. Not everyone will be here for the numerous puns and hammy dialogue, but I think anyone picking this up won’t be disappointed in the classic fun of screwing around with a vat of LEGOs. While the vehicle editor has a bit of a spazzy camera and seems to be missing a couple of parts, it’s still so robust when it comes to bringing those childhood fantasies of racing your custom LEGO car to life that it can be easily forgiven. It’s just a shame the same can’t be said about the egregious microtransactions that are about as painful as stepping on a LEGO. Still, if you have a taste for arcade racers and a love for LEGO, or are maybe looking for a good first racing game for the kids, you can’t do any wrong taking a pit stop at LEGO 2K Drive.
Supraland: Six Inches Under skillfully dodges the “more of the same” problem, introducing a generous amount of fan-favorite tools and mechanisms while also offering a couple more additions that spice up the deep, cavernous dives you’ll be working your way through. The biomes are still as colorful and varied as the base game, and if you’re eager for more of Supraland’s toy-sized world, you’ll get that and then some, all wrapped up in about 8 to 12 hours of solid, fun gameplay that plays exactly like it’s advertised. Goes to show you don’t have to reinvent the wheel; just find new places where that wheel rolls. Just keep an eye out if the save system seems like it’s on the fritz, and do mind the cursor-based menu navigation. After all, it wouldn’t be a proper spelunking journey without a few hang-ups.
As long as you don’t let POST VOID short out your synapses, this really is one of the truest forms of FPS gameplay. If you long for a true drop-in, drop-out FPS game and don’t mind the wavey corridors and searing color palette, there’s so much fun to be had with just a semi-procedurally generated corridor maze, some wickedly warped baddies to kill as fast as you can, and a few RNG buffs here and there. POST VOID definitely won’t be a feasible trip for everyone, but if you can stomach the demanding gameplay and get a grip on the PS4 controls, you’ll probably wind up pretty hooked on this digital drug.
Alice Gear Aegis CS: Concerto of Simulatrix is welcome return to a genre long thought dead. And though this is still merely the first stepping stone, it’s going in the right direction, it just needs some room to grow and cultivate. The gameplay loop is quick but ever so fierce and memorable in design, and while not every one of the game’s playable Actresses is a star, there are more than enough for just about everyone to be able to sink their teeth into. So if you can forgive the game’s steep learning curve and are looking for the closest thing to Virtual ON to release in recent years, then look no further. Alice Gear Aegis CS will scratch that itch.
Little Witch Nobeta isn’t a Souls-like in the traditional sense, but that’s not necessarily a bad thing. Like a cunning crone, developer Pupuya Games have skillfully combined seemingly disparate ingredients to create something magical. Still, genre veterans may find themselves put off by the lack of challenge to be found in the title’s beginning hours, and the stark contrast between its whimsical protagonist and the grim world she inhabits can admittedly, at times, be a bit jarring. If these things don’t bother you and you’re a fan of Souls-likes who’s looking for something more forgiving, or perhaps a bit cuter than what you’d usually expect from the genre, Little Witch Nobeta is sure to leave you under its spell.
Rhythm Sprout is a seriously fresh serving of beats. It’s definitely recommended, on the understanding that you know what you’re in for. The music doesn’t stop often to rest, meaning neither will you, and while the gameplay seems barebones, it knows how to make itself just as involved as a more complex rhythm game. There’s absolutely something to simpler rhythm games as a fun romp for a couple minutes here and there, and I think that’s a precedent that was pushed well with Rhythm Sprout.
Justin Roiland’s stuttering, drunken humor pairs up surprisingly well with a cross between Metroid Prime and Ratchet and Clank. Sure, the story stays on the short side and some of the character writing winds up being hit-or-miss, but if you’re a fan of Roiland’s comic stylings and want to enjoy a playable Rick and Morty episode, you’ll get that and then some with High On Life. Even those who aren’t Roiland aficionados can still enjoy the vibrant planets that are a delight to explore and gameplay that stays fast and fluent.
The Forest Quartet will get you into the swing of things. While I do wish The Forest Quartet would’ve pushed itself just a bit farther in the gameplay department, and the whole experience winds up on the criminally short side, it doesn’t fail to impress with what is there. With likeable and interesting characters, a soft but smooth graphical design, and a superbly soulful soundtrack, this is a short but sweet tale well worth saving for that rainy afternoon when you need a little comfort game.
While The Entropy Center sticks very close to its Portal-esque roots, the well-crafted puzzles work perfectly with its simple but effective time travel mechanic. There are some sections where too many enemies can be an annoying distraction from the puzzling, but these are forgivable because the temporal manipulation powers provide such unique challenges. Time is our most precious resource, but it’s well worth spending it here.
As a love letter to classic PS1 survival horror games, Signalis comes in crystal clear. Its core gameplay loop is tense and immensely satisfying, and the atmosphere and enemy designs make excellent use of the pixellated graphical style. While some errant hit detection and occasionally obtuse puzzles try to muddle this signal, this is one broadcast worth receiving.
You can’t make a premise like this up, folks. You’re a flying saucer abducting alien cows and there’s just something funny and wacky about it all. Yet, I walked away from Moo Lander rather impressed at the level of quality here. While the titular cow battles do need some revamping to bring in the fun factor, I can easily forgive that for the gorgeous art, very competent and solid gameplay, and surprisingly in-depth worldbuilding. If you’re looking for something a little out-of-this-world to spice up your starry night, take a flight to the neatest Metroidvania this side of the Milky Way.
Wife Quest‘s cutesy aesthetic and straightforward mechanics belie a competent yet surprisingly difficult platformer. You’ll need to approach this adventure with patience and dexterity (and an appreciation for a bit of ham and lewdness certainly wouldn’t hurt, either). If you’re up to the occasionally unforgiving challenge this platformer offers and don’t mind some fanservice here and there, then this is a quest well worth undertaking.
There’s so much good going for Janitor Bleeds, creating plenty of scares with its well-executed main concept of having to play an arcade game while stalked by a mysterious entity.
All in all, would I recommend this dip into the ocean blue? Absolutely, but only if you consider what you’re getting into. There’s no denying this game is eye-candy of the sweetest caliber, with rarely any part of the vine-strangled world lacking vividly colored details. That said, you have to go in knowing that this is a perfect example of peaceful gaming, with no death or combat in sight. Exploration is the name of the game here, and it’s best to go into Submerged: Hidden Depths with low tension, an open mind, and a good pair of headphones. Admittedly, it’s on the short side, but if you’re eager to uncover the secret of these decaying cities, you’ll find the perfect game to scratch that urban exploration itch.
Would I recommend tuning into Captain Toonhead vs. The Punks From Outer Space? Absolutely! But there are a few things to keep in mind. The game’s eye-searing color palette, the crude, childish humor, and lack of length and depth are going to be a hard swallow for some. But, if none of those deter you, I can confidently say that the gameplay’s fun and well thought out, the story is short, sweet, and to the point, and, most importantly, it is oozing with charm and heart. It’s easy to see Captain Toonhead vs. The Punks From Outer Space was made as a product of passion, and I can think of no better way to spend a Saturday morning than letting your inner child run wild in this cartoonish VR playground.
All in all, there’s a lot of heart to this little gem. It’s got some rough edges, particularly in its refusal to hold players’ hands. Players might find they need the extra help, and for that, we’ll have a plethora of guides to help smooth over that issue. But the fact does remain that there’s a lack of guidance where it counts here. It’s worth keeping in mind that this game doesn’t want, nor need, to take itself seriously, so someone hoping for a long-lasting, deep plot should approach with caution. Lastly, if there’s one thing someone could take from this game, it’s that voxel’s back baby, and Cococucumber proves it in spades. The shading, atmosphere, and vivid coloring make the whole world pop in ways that only Cococucumber could’ve pulled off. If you’re in the mood for an ’80s-inspired sci-fi adventure with solid combat and beautiful, voxel-based visuals, Echo Generation has exactly what you’re looking for.