Tower of Fantasy has some strengths and several annoyances. Its attractive world is populated by a generic story and forgettable NPCs. Its exciting combat is hampered by time-gated exploration and an overly complex, fussy gacha system. For fans of the Asian MMO genre or recent converts to Genshin Impact, the game might be worth checking out. I don’t think Tower of Fantasy is a good introduction to gacha games, and there are generally lots of better MMORPGs to invest your time in.
Overall, it’s just hard to recall a less ambitious multiplayer shooter than CrossfireX. Its generic single player campaign fares much better than its multiplayer, which is simply lacking in everything we’ve come to expect from the genre. Smilegate’s previous shooters have obviously connected with millions in the Asian market, but it’s hard to imagine CrossfireX igniting anything near that kind of enthusiasm in the very competitive multiplayer scene.
Prison Tycoon: Under New Management checks off the basics of a building and sim game. There’s even some low-key, pleasant, mindless fun to be had for a while. Pretty quickly, though, the game’s absence of creativity and simplistic approach start to overshadow the experience. The lack of a real story or more than one mode further restricts the game’s depth and longevity. It’s not that prison games have to be about violence and punishment but in a sim, drama or interesting incident have to come from somewhere. Ideally, it’s from giving the player the tools to create it or emergent systems that allow it. Prison Tycoon: Under New Management locks them up.
Highwater understands its limitations. It’s not a game that tries to do too much and fails. Some aspects work well, like the world-building, premise, and combat. But I wanted to be told less, and discover more. Given a bigger budget and less restrictive, more open-ended gameplay, Highwater could be a standout in a crowded field. Highwater has good intentions, but it needs a team of writers who understand character and dialogue a little better, and that showing is better than telling.
When I previewed Dream Cycle nearly a year ago, I connected with the game’s premise and still-in-development combat mechanics and movement. Those promising elements remain, but in the full game, they’re obscured by some technical issues and the need for a lot more polish and refinement. A third-person, Lovecraft-inspired action game is a great idea. Dream Cycle comes close to making it happen. It’s not quite a nightmare, but not the sweet dream I hoped it would be.
Players into the historical origins of the genres they love will find Dark Alliance 2 worth playing. Anyone comfortable with the mechanics and visuals of recent fantasy ARPGs will probably grimace a bit. Baldur’s Gate: Dark Alliance has enough engaging story and characters to deserve a genuine remake or remaster. For the price, this version just doesn’t go far enough, even for players hoping for a hit of spit-shined nostalgia.
Despite some interesting situations and engaging puzzles, Vampire: The Masquerade Swansong fails to get off the ground, much less stick the landing. It’s slow and obtuse where it should be visceral and emotional. The writing is pedestrian and the characters are the dullest vampires imaginable. Whether or not they drink your blood, they definitely suck your ability to enjoy the game.
Playing Serious Sam 4: Planet Badass can be fun. It’s also clear that the franchise is at a crossroads. It wants to steal from other AAA shooters, to have believable characters, NPCs, and a story. At the same time, it goes all-in with a lame-joke cracking juvenile in a man suit and gameplay that is rote, lacks creativity and is repetitive. Long load times and framerate issues don’t help, either. Twenty years on, Sam isn’t edgy, goofy or ironic. Sam’s schtick, and the gameplay that goes with him, are seriously due for a makeover.
Genre mashups like Red Solstice 2: Survivors can be refreshing and revelatory, or they can feel like a poorly seamed patchwork of ideas. Red Solstice 2 has some fun elements, occasionally engaging combat and systems, and a take on the Red Planet that is familiar but not entirely unoriginal. Poorly explained mechanics, lack of personality and ultimately repetitive mission design all push back against a more thoroughly enjoyable experience.
Racket Club offers a pretty spare experience that only really works with a community of online players. The sport itself feels pretty familiar but I wasn’t crazy about the restricted, walled-in court design and lack of single-player options. The game certainly doesn’t make use of PC-VR or the Quest 3’s increased power and fidelity but it’s still a moderately successful iteration of a brand new sport.
Achilles: Legends Untold is a safe and standard hack-and-slash dungeon crawler. Its ancient Greek setting and attractive environments help it stand out a bit, but on the whole it’s a formulaic game. The Soulslike mechanics aren’t especially well developed but represent a small element of originality. If fans of the genre can look past the lackluster missions, script and acting, they’ll probably enjoy the action.
Like in their earlier games, Deck 13 Interactive is definitely punching above their weight. If this results in some moments of unexpected awesomeness, it also results in some rough patches and missing polish.
It’s a shame when a game is built around a mechanic, only to have that element not live up to its potential. Stray Blade is all about dodges, parries and rolls, but they’re sluggish and imprecise and just don’t work very well. Aside from that frustration, Stray Blade has attractive art and level design, familiar action RPG mechanics, and maybe even some potential, if the combat can be patched into better shape.
Ravenbound’s limited successes do not come from an abundance of new ideas, but combining or juxtaposing old ones. If Ravenbound was a full-price, triple-A game I’d be a lot less forgiving of its flaws. No matter the price, it’s still derivative, janky and in serious need of optimization and bug fixes. But at less than 30 bucks, it’s maybe worth a gamble for fans of open world RPGs and action roguelikes. Provided, that is, that they temper their expectations and can overlook the game’s sometimes messy mechanics and other shortcomings.
Overall, Scars Above just can’t rise above its AA roots. This translates to some cut-rate animations, character models, and environments. The game’s primary weapon is good enough, as is the story and combat. But just being adequate is a tough sell. It’s hard to imagine Scars Above moving to the front of the Soulslike line.
Despite a lack of imagination in its story and setting, Redemption Reapers is not without appeal. Strong production values, excellent music, and solid core combat mechanics promise an engaging experience. Its stabs at originality are both appreciated and a mixed success. Better balance, less oppressive mechanics, and shorter, streamlined missions could make Redemption Reapers an attractive choice for fans of tactical RPGs.
Where Blood Bowl 3 fumbles is in its lackluster forward motion from the previous game. Its offline play is pretty limited, and too much has been recycled from Blood Bowl 2. It’s very rough around the edges for a game so long in the oven. All that aside, Blood Bowl 3 can be amusing, tactically engaging, and still great fan service for tabletop players and the Warhammer faithful.
In theory, Dust and Neon was made for a gamer like me. And I do like the art, the premise, and the style of action. Some aspects don’t quite feel fleshed out, like the mission designs, the narrative, and the range of weapons. Then there’s the reload mechanic, which I found more annoying than innovative. Dust and Neon isn’t a bad game, and fans of twin-stick shooters, Westerns, roguelikes, and looter-shooters should all find a little fun hunting outlaw robots. Unfortunately, its pleasures are just a bit too shallow and brief.
Crossfire: Legion is an exercise in nostalgia, bringing to mind real time strategy games back when the genre was at its most popular. Its mechanics are comfortably familiar, but that might also be a disappointment to gamers looking for innovation or depth. Skirmishes limited to online-only play, some bugs left over from early access and a forgettable campaign weigh against Crossfire: Legion’s basically engaging RTS gameplay and graphics. Diehard fans of the genre will absolutely appreciate the game’s classic feel, but will be left wanting more.
The Chant has an intriguing premise and setting that set it apart from its cousins in the horror/action adventure sphere. While it doesn’t break any new ground with its mechanics or combat, and it’s definitely not very scary, its exploration of psychological states adds a bit of specific narrative color. Budgetary limitations in character models, lack of refinement, weak combat, and inelegant animations aside, The Chant is just unique enough to make it appealing to fans of the genre.