Despite being frustrated by the initial limitations of the Sandbox Mode and the lackluster campaign, I found a lot to enjoy and appreciate about Jurassic World Evolution 2. Chaos Theory is an engaging and creative way of blending the iconic films into the game, and the new aquatic and flying dinosaurs are among the best of many new animals. Building and managing a theme park full of impossibly ancient animals is challenging and rewarding, and despite some annoyances, the game also manages to retain many grin-worthy moments of wonder at the improbable. People and dinosaurs just aren’t meant to be in the same place at the same time.
It’s still a good story, though, with an arc and characters that impressed 2003 Star Wars fans and RPG players hungry for more of what they loved best. Mechanically, the moment-to-moment gameplay definitely shows its age and the writing isn’t as strong or nuanced as we might remember it being. There’s a bit of consolation prize sadness around this unadorned, unimproved semi-museum piece coming to Switch, which won’t be seeing Aspyr’s remake when it’s released. Knights of the Old Republic looks and plays like the exceptionally good game it most certainly was in 2003, but it’s hard not to see, hear and feel all the ways in which games have moved on since.
If you can ignore the game’s obnoxious attitude and in your face corporate sponsorship, you’re richly rewarded with accessible, consistently engaging representations of biking, snow sports, and wing suiting, coupled with a massive and literally awesome environment in which to compete or explore. Those that are into riding the leaderboards–or just playing with their friends–will have plenty of opportunities to fuel their addiction, but I’m guessing that just about everyone can find joy here in just goofing around in this expansive playground, at least for a while. Whether or not Riders Republic sticks the landing and stays in the playlist of many gamers beyond launch probably depends on a steady stream of new sports to try, and if an actual, thriving community pledges allegiance to the Republic’s competitive modes.
Will I be digging deep into Age of Empires IV? Absolutely.
Although over the decades comics have become ever more reflective of the complexities and concerns of contemporary life, in the end, they are still often the literary or cinematic equivalent of fast food: momentarily delicious, exactly what you need to fill the void, but not necessarily memorable or nutritious. Guardians of the Galaxy isn’t afraid of touching on some weighty themes, but they’re always secondary to an absorbing story, entertaining characters, and engaging action. Guardians of the Galaxy isn’t perfect, but overall, it’s a very effective translation of Marvel’s iconic band of misfits from page or screen into interactive entertainment.
Not every task and mission is equally interesting and some of Tails’ movement mechanics feel slightly unresponsive, but those are small dings against an otherwise very enjoyable rat-centric game, and we don’t have nearly enough of those.
World War Z’s story was, and remains, a background element whose task is to move the player from episode to episode. Aftermath’s two new episodes are set in interesting environments, and the game’s additions and fixes will be welcome to those returning to World War Z as well as to those just starting out. The first person mechanic has potential but remains incomplete, and the new Vanguard likewise might appeal to those wanting to level a new class. Like the base game, Aftermath sans human players might not be a hard pass, but it isn’t the experience the developers intended. With some friends, or at least competent random homo sapiens, World War Z Aftermath provides a unique take on a familiar enemy and does a great job of translating the terror-inducing swarm of zombies mechanic from film to videogame.
At its core, Far Cry 6 both shines and suffers from many of the same strengths and weaknesses that have characterized the last few entries in the franchise. On one hand, it has incredibly engaging action and an open world begging to be used creatively. On the other, it has repetitive and sometimes rote mission design, with disconcerting tonal shifts that seat inconceivable brutality and violence at the same table with silly, absurd humor that feels at best disrespectful, and at worst, wildly inappropriate. What finally elevates Far Cry 6 is a better-than-average cast, and a more comprehensible and grounded story that is set in one of the most lavish and beautiful environments ever created for a game. It’s fascinating, flawed, and full of contradictions. It’s a Far Cry game.
Rogue Lords’ approach to turn-based combat — with or without cards — isn’t radically different, but the Devil Mode and ability to “cheat your way to victory” offers a new mechanic that will have you rethinking your usual strategies. Some issues with bugs, balancing, and its overlong, weariness-inducing campaigns are made less egregious thanks to its amusing writing, great music and fantastic gothic horror art direction. Unlike some of the games in this style, Rogue Lords demands a bit of patience, thought and tolerance for complexity while still be accessible to fans of the genre.
All MMORPGs are major time commitments by definition, so whether New World can hold your attention long term is probably a function of your expectations, and whether you connect with what the game has to offer. New World probably won’t ever surprise you, but it won’t disappoint you either.
If there’s a sticking point to really enjoying Xuan Yuan Sword VII, it’s that not everyone will respond to its pace and insistence on story and character over action. While its mythology, history and politics are firmly rooted in Chinese culture, this 20-hour family drama is moving, universal and entirely relatable, and its action is rewarding. For those with patience, Xuan Yuan Sword VII is a unique and memorable action roleplaying game experience.
In those areas where Diablo II: Resurrected attempts to improve on the original, it absolutely succeeds. It looks infinitely better, it’s more accessible to a wider range of gamers, and it mostly feels like it deserves to live on current-gen systems. At the same time, some of the changes seem arbitrary when looked at through the lens of what could have, and should have, been updated. Part of Diablo II: Resurrected feels wonderfully nostalgic and timeless, but another part feels mired in outdated mechanics from decades past, and pretty graphics alone can’t fix that.
I think that whether you enjoy Sable will very much depend on your mood and expectations. Some gamers will appreciate it for the chill, Zen-like, conflict-and-combat-free, emotionally resonant story that it absolutely is. Other gamers may grow impatient with its lack of real incident, and weary of the pace and absence of challenge. I tend to land in the latter camp. Sable is a beautiful game, but it needs to rev up the dramatic engine or raise the stakes for the player to keep fidgety gamers like me engaged.
Arboria’s Souls-inspired combat is solid and it does some original things with the roguelike genre. It’s a modest title to be sure, but punches well above its weight when it comes to pure entertainment value. It’s weird and irreverent, doesn’t take itself too seriously, and all its systems work pretty well together. Arboria is one of those games that doesn’t try to do everything, but it has a distinctive approach to familiar mechanics and while it gets a little repetitive, it’s still fun for a good long time.
Most cyberpunk games focus on the flotsam and jetsam of the environment, the strobing lights, the economically stratified world, the gadgets and imagined technologies. Gamedec, in contrast, reminds us that fundamental human passions and personal failures will probably endure well into whatever advanced future comes to pass. Gamedec has a lot of interesting ideas and mechanics, and its hardboiled- detective-in-the-22nd-century story is a great premise. Either the developers had ambitions beyond their ability to deliver, or maybe the game just needs a few more passes with the random orbital sander to smooth down the rough edges, but in its present state Gamedec’s flaws definitely detract from an otherwise intriguing experience.
If you thought Groundhog Day would have been even more awesome with guns and assassinations or that Dishonored would have been a better game if only Quentin Tarantino had directed it, you’d probably enjoy Deathloop. Despite some issues with pacing, bugs, AI, and mechanical clarity, Deathloop is smart, funny, intricately designed, and driven by engaging action, cool puzzles, and relative freedom to approach its objectives in various ways. Deathloop is an addictive and rewarding shooter and one of the most ambitious action games this year.
I think that if you translated Lost in Random’s dark narrative and engagingly strange visual style into a stop-motion animated style film, it would be a powerful exploration of a harrowing and at times poignant journey through an upside down world ruled by disorder. There’s a lot of that conceit in the game, too, but it’s made less impactful by tepid mechanics and tedious, unrewarding combat. The story and setting are absolutely worth experiencing, but there’s probably a chance you’ll be as disappointed by the gameplay as you are enchanted by the tale.
Townscaper exists in that special chill vibe genre that includes games like digital coloring books and virtual bubble wrap, but it also nudges gently up against city builders as well, only without any of the complications or stress. It makes you feel like a creative, relaxed time traveler, bringing into existence a peaceful, little perfect town out in the middle of a perfectly calm sea. Townscaper doesn’t try to do a lot of things, instead it does one thing very, very well.
The Artful Escape is by turns psychedelic, moving, exultant, and lovely. The central metaphor of a young performer bringing fantastic new worlds into existence through the art of music is a powerful one, and while the theme of a struggling musician finding his authentic voice while paying homage to the past might not be a new one, it’s certainly new to videogames. The Artful Escape only missteps when it tries too hard to be a game, ironic given the story’s premise of search for authenticity. Aside from that, The Artful Escape is a surprising and joyous exploration of the power of collaboration, the struggle for identity, and the mind-blowing, life-altering sound of the very loud galactic symphony.
The only question to really debate is who should buy Civilization VI Anthology. For anyone new to the game on any platform, the answer is easy. Anthology is the most complete and full-featured portal to Civilization available, probably for the rest of the game’s life. It’s an exceptional value, entertaining and richly rewarding to play. For players who already own Gathering Storm and several other add-on packs, the answer is less clear and probably depends on how much more Civilization VI they want. Nothing is perfect, but Civilization VI and its wealth of additional content still represents the pinnacle of accessible yet immensely deep strategy gameplay.