GYLT Reviews
GYLT is a gateway horror game. Taken as an introduction to the genre for a younger player, GYLT certainly succeeds. That isn’t to say that older, more experienced players will find no to enjoy Tequila Works once Stadia are exclusive. Still, they would be hard-pressed to identify systems and mechanics that feel like true modern-day implementations rather than their older iterations. NPCs and puzzles seem to adhere to the designs of yesteryear, creating a mechanically-basic outing for Sally. And yet there’s a charm that can penetrate these enveloping issues. Combining the twisted Pixar-style aesthetics with the heart-wrenching presentation of bullying elevates GYLT just enough beyond its failures to be enticing. If only Tequila Works had more to say about their engrossing world, GYLT would have undoubtedly ascended further.
Gylt is a short horror game with a lot of good ideas. It doesn’t break any new ground, but it has a solid structure that provides a clear path to follow while rewarding exploration at the same time. The world has enough potential that I wouldn’t mind revisiting it in a sequel, but either way, it’s nice to see a game like this find new life now that Stadia is gone.
GYLT provides a solid entry point into the horror video game genre, especially for those who are not typically drawn to such games. The presence of a child protagonist, simple controls, and relatable themes of bullying and self-worth make it accessible to a wide audience. While there are moments of tension and scares, the horror elements are relatively mild compared to other games in the genre.
Gylt was actually a fairly good experience, it brought some chills and had an interesting story.
Gylt is a creepy, atmospheric stealth game with a relatable, socially-aware message that's hampered by its Stadia-exclusivity.