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FortressCraft Evolved has moved from being a "block builder" clone to something unique, especially in Survival Mode, which can be played like a multi-faceted tower defense game. FortressCraft Evolved contains the seeds to nurture creativity and imaginative play, but its first few hours are abysmally confusing and its UI is in dire need of a do-over. Not an especially charming or friendly take on the genre, FortressCraft Evolved has a lot of depth and potential for the dedicated player.
It's easy to compare Yo-Kai Watch to Pokémon (which we're we're guilty of ourselves), but Level-5's creature-collecting RPG is a delightfully unique adventure.
There is fun to be had, especially when the spectacle of Star Wars is in full effect. That spectacle, however, soon wears off and what's left is a game with too few weapons, maps and heroes. In the end, Star Wars Battlefront is all Binks and no Fett.
Legacy of the Void is an excellent conclusion to Blizzard's trilogy. While one can get impatient with the familiar mission structure, it's impossible to argue with the excellent faction balance and action. As a genre, real time strategy games have lost a bit of appeal and the StarCraft 2 trilogy doesn't move them into new territory. Let's leave that for the next generation. Right now, there's Legacy of the Void. It's all good.
Prominence hearkens back to the glory days of first-person point and click adventure games. Its intriguing story will keep you digging through terminals to find out more. Not only does it look like a classic game, but it plays like one too. It's a nice modern addition to our libraries full of old favorites.
Pitting the player's wit against a changing set of circumstances is a fun and exhilarating experience on paper, but ROOT makes too many wrong decisions in executing this mechanic that it's hard not to see the majority of its level-by-level progression as anything but malnourished of some much-needed player-support. Be it the lack of checkpoints, lack of salvageable health, lack of difficulty balancing; there's not even the ability to reload your weapon.
Thanks to these problems, a visually charming and potentially enjoyable - if thoroughly unoriginal - tower defense game becomes much harder to recommend. Of course, grinding to earn upgrade points is always an option, but the levels aren't that charming. Tower defense games aren't exactly gaming junk food, but their secret is in rapid pace and a steady forward progression. Get that wrong and not much else matters.
Dragon Fin Soup is a great game trapped in a terrible game's code. The tile sets for the randomly generated maps create lush environments to explore. The writing is like a clown in corpse paint; silly in its darkness. There are seemingly limitless options to win battles and progress. Unfortunately, there is just so much additional work that needs to go into this title.
Stella Glow is a solid, old-school SRPG experience that will delight those who enjoy Fire Emblem, Final Fantasy Tactics, or any of the other turn-based strategy games of the Japanese flavor that have come along in the last few decades.
Reality itself may be a lot less pixellated here, but Poncho's well-planned orchestration of sound, aesthetic and more importantly art direction resonate remarkably well. For a game so mechanically simple, it's one of the better experiences out there — four-letter swear words and all.
The Legend of Heroes: Trails in the Sky SC is not just a title that writers looking to pad their word count would love. There is an incredible amount of depth packed into this release. With so much to see and do, so much to learn, so much to experience, this classic JRPG is worth the effort to play. Sure, the translation is wonky and there are some moments that stick out as distasteful to many. Sure, the battle elements drag out in places.
The word "escape" gets thrown around in conversations about why video games are so appealing and never before has there been a title that is this worthy of that term. Fallout 4 contains what should go down as the best open world in the history of this medium considering the sheer wealth of meaningful content packed into it. Some people flock to sandbox games in hopes of checking off boxes, collecting garbage and simply passing time, and Fallout 4 feels like the strongest middle finger to this contingent in years.
Rise of the Tomb Raider is exactly what we needed. While there has been an influx of open world games over the last few years, Crystal Dynamics have been able to find a perfect balance of cinematic action and strong adventure elements. There are far more tombs to raid this time around, not to mention an open world filled with challenges, artifacts, documents and expansive story elements. Speaking of the story, while it's not particularly deep, it does contain a strong antagonist duo and an even more compelling heroine. While Lara's drive becomes a bit obsessive at first, she has grown up to be a capable woman, looking death in the face rather than fearing it.
Anno 2205 succeeds where many in the genre have failed in creating an interesting looking world that the player can care about. Experienced players of the city sim and strategy genres won't find anything new here, though, instead finding one of the most rudimentary offerings in terms of mechanics on the market today.
A surprising amount of controversy has surrounded the release of The Devil on G-String on Steam, likely because it has such a devoted fan following. People feel so intensely about this title for a reason — it features an intriguing storyline that you'll want to see through to its conclusion. Sure, the CGs are cropped, the Japanese voice acting is an expensive addition and there are no 18+ sequences in this version, but the most important aspects still shine through. Those looking for an engaging story to keep them reading for hours on end will want to pick up The Devil on G-String.
A faithfully promising concept with an ultimately (at the very least) questionable execution.
Dontnod Entertainment's first effort at cracking the choice-driven episodic format in a video game almost results in a near-perfect experience, which is shocking when you consider how well they've grasped the concept, created a solid structure for each episode, distributed a variety of subplots across five episodes and executed the series at the same — or even higher — level that a veteran developer like Telltale Games has done for many, many years.
Yoshi's Woolly World won't suit everyone, but if you find yourself drawn towards its plush, adorable aesthetic, it might be one of the most emotionally pleasant experiences you have all year.
Call of Duty: Black Ops III was created in a three-year development cycle and it shows. This is basically five standalone games wrapped into one deep package. While it will have DLC released for it, there's enough content out of the box to keep players busy until the next Call of Duty and probably some time after that. The campaign is perfectly paced and entertaining throughout, the multiplayer is rich with customization and Zombies is refreshingly challenging. The only real black mark is a story teetering on the on the brink of pretension, but the existentialism of it is undeniably fascinating. Jam-packed with meaningful content, Black Ops III is the Call of Duty you've been waiting for.
Minecraft: Story Mode – Episode 2: Assembly Required doesn't meet the bar that the previous episode set, but that doesn't rule it out as awful. The fact that it relies on environments to cover the fact that there's really nothing to do/talk about gives reason as to why forked paths are rarely done in games. There are no new innovations and because of that, the story should be a little stronger, but instead stumbles. Hopefully, with the potential that the series holds, the following episode will focus more on Jessie and give players a much wider variety of things to do, decide and explore.