Rock, Paper, Shotgun's Reviews
Witnessing Advanced Warfare in its gamesuit made from chopped-up pieces of better games, it's easy to picture the series as a Pinocchio aching to be a real boy, but the sympathy you feel in light of its efforts does little to quell your instinct to escape.
As for Dungeon of the Endless, there's nothing to rank alongside it. Influences and borrowings be damned – it stands alone and is as brilliantly designed, challenging and cunning a package of ideas and aesthetic choices as anything I've seen this year. Short-form but a long-term commitment.
Beyond Earth is still fun, and an immense time-sink – of course it is, it's Civilization. But would that it was truly beyond Earth, and truly beyond Civ V. Not a crash and burn – but the Prometheus of the Civ franchise, an interesting failure with much of value in the wreckage.
There is apparently a 5GB patch incoming for Lords of the Fallen, which may make a difference, but at this point I'd advise steering well clear unless you're rocking an absolutely monster rig. Even then, is it worth it? From the not-inconsiderable amount I've played of LotF it feels like a game that lacks the finesse and precision of its inspiration, lacking any kind of multiplayer element and offering only a Diablo-esque quantity of loot to keep you coming back. Presuming that the game is patched to a workable state RPS will return to take another look in a week or so's time – but until then, you'd be better-served replaying the Souls games.
Most importantly, the story still has intricacies and a powerful emotional core, and after a decade and a half, I'm still happy to wait for an ending, even if this one was a little abrupt. Whatever levity and controversy occurs between now and then, I don't expect a dry eye in the house when that ending comes because I'm becoming convinced that this is a story about letting go – of life and of creations – and the inevitable consequence of growing up and coming of age.
Borderlands 2 felt like a huge step on from the original, and it was more colourful, with interesting characters and intense situations. The Pre-Sequel seems to try so, so hard to keep up, but this is not Borderlands 3, and the game – and everyone who plays it – knows that.
Creepy, surreal, intense and occasionally very clever indeed, The Evil Within isn't undone by its ludicrous setting – it embraces it to wonderful effect, always ready to add another layer of bizarre hand-stitched horror. But the overall experience is frustrating, never managing to fully escape that narrow field of view, making me feel as boxed in as the game's posterboy.
Everything in this sequel is bigger, more elaborate, more detailed, and absolutely better. Which, after such a lovely first game, is quite the thing.
It's a very silly game indeed but there's a sweetness at its centre that would put even the finest fondant to shame. Through all the raised eyebrows, ill-fitting costumes and fluffed lines, Roundabout has a sincerity that makes me happy to recommend it to anyone, even if it did fool me into playing a puzzle game.
In other words, despite its combat being such a chore, take that on the chin and Costume Quest 2 just about finds its way to being the sort of game we want Double Fine to make – a puzzle-adventure with gags and fun characters silly ideas. Only just about, though. Is it a children's game? Yeah, but so what?
There is definitely a lot to be said for using adventure games to explore more mundane events. They don't all need a murder, or a ghost, or a time travelling robot. But I would argue they do need something more than real estate.
I found myself admiring the work that had gone into it rather than the results. Man hits other men and those men fall down, and apart. It's a tale as old as time and there's nothing new to see except the "realtime physical dangling pieces".
You're not going to love Styx. It's not the kind of game you're going to be itching for a sequel to. It seems kind of unfortunate that it was released within a week of Middle-earth: Shadow of Mordor and Alien: Isolation. But sometime five or ten years from now you'll be talking about stealth games with a friend and you'll go, "Oh, hey, remember Styx? That was pretty good."
But wow, I've enjoyed it.
At the centre of the debate will be one of the finest entries in the Alien canon in any medium, and one of the finest horror experiences in ours.
FIFA is built on a bedrock of design decisions that have become geologic in their permanence, and as unconsidered as the ground we walk on. I hope one day they get rid of all the shit underfoot.
It's a 4x game, sure, but it's a not a high or low fantasy one. It's weird fantasy and the weird cuts through to the playstyles as well as the art and fiction.
So, so much effort has gone into this. But sadly, to little entertaining result.
It's the sustained snacking aspect of Defense Grid 2's many modes and weapon options, rather than the intended banquet that is its campaign, that'll keep your belly full.
It is, however, probably the most aesthetically beautiful game I've seen, and I can genuinely recommend it on that basis alone. The rest of the game, it's sombre tale, is well worth hearing, and some of the puzzles are really splendid. But every time you walk out of a door and see the vista spread before you, it's an effort not to gasp.