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My niece was right, it is easier to go through a game mercilessly slaughtering anyone that gets in your way. It's even fun. The true magic of Dishonored, however, is that you don't need to. The process of teleporting to a high ledge, sneaking up behind an enemy, choking them out, finding a place to stash the body, and then repeating is so highly addictive that it should be illegal. Each level and mission is constructed like a perfect puzzle with a dozen perfect solutions and each player can dabble to find which one works best for them. Dishonored may be the perfect stealth game in that it doesn't penalize you for not being stealthy, but rewards you greater for delicate care and skill. While the Definitive Edition may not have the greatest degree of new shine on new consoles, it still is the edition of the game to own if you didn't get in on the last-gen version.
The Phantom Pain is the kind of game that actually feels as if every seemingly insignificant gameplay detail actually has a real purpose. Every mission, side-op and minute spent assigning staff back at Mother Base makes a real difference to what can or cannot be achieved out on the field. At its core, it is still a stealth-action game, but it never ties you down to just being stealthy. Every mission can be approached in a multitude of different ways and it's left up to the player how to progress. The more manageable approach to storytelling may not seem true to the Metal Gear Solid series to date, but it fits in well with the game's more flexible approach, which lets people attack the game head on or play in smaller bites without needing to worry that at any moment they may have to set aside an hour purely to watch a surprise cut-scene.
Whether you're a fan of the films or just open world games in general, this is a title that's well worth a look.
Whilst point and click games may not be to everyone's taste, Broken Sword 5 manages to weave in a sense of mystery and a bunch of puzzles, which allows it to appeal to a wider audience. Even veteran puzzlers may find themselves stuck for a little while at some points in this adventure, but there are hints throughout the game should you feel you need the extra help. You are thrown straight into the excitement of the murder, and the story only gets better the deeper into the game you get. Although the conversations are often slow and drawn out, the characters are amusing and the game constantly pokes fun of itself and is never too serious, even given the subject matter. Players of any of the previous games should feel right at home here, and for fans of puzzles that may be a little outside of the box, there is plenty to keep you entertained. There's a lot of fun to be had here and it will definitely get the cogs whirring in your brain, even if it doesn't quite hit the mark all the time.
With just two hours of content and gameplay that never challenges you, plenty of people will dismiss Whispering Willows and never think twice about it. That's maybe not such a bad thing as it definitely isn't for everybody. It acts as an example as to why the Ouya didn't last. This was one of the better received games in the console's short lifespan and it fails to stand up to a lot of games within its own genre on the major consoles and PC. I do genuinely love the game's message overall, however. It gives a voice to a people so rarely represented in video games and does so within a story that's worth seeing. Despite its dark tone and serious subject matter, one word keeps returning to me when I think back on Whispering Willows, and that's 'charming'. It's flawed, and brief, and unchallenging, but so too is it engaging, and mysterious, and charming. Among so many other lost souls in the Willows Mansion, the ghost of the Ouya lives on.
Gears of War: Ultimate Edition stands as a shining example of how a remaster should be done. From the ground up the game has been redesigned to make it look and feel perfectly at home on the Xbox One, and The Coalition have managed to combine remaining true to the original game, whilst at the same time adding improvements. By staying true to the original Gears there are moments where the game shows its age, but they aren't frequent enough to spoil the overall experience, and you'll be more surprised by how well the story and gameplay mechanics stand up to today's standards, and quiet often over shadow them.If you're not a fan of third person shooters or the previous Gears of War games, there's nothing for you here, but for everyone else the name says it all, this is the Ultimate way to experience Gears of War, whether you're a newcomer to the franchise, or if you're looking for any excuse to return to Sera and chainsaw Locust's into tiny pieces, Gears of War: Ultimate Edition is a must play.
The zombie subgenre is plagued with tropes. Movies, books, games, whatever format in which they're found, the undead just seem to feast on cliches. The better of those stories still insert something new to the landscape, though, and Zombi doesn't really do that. Managing your backpack and scanning environments for supplies and routes might have been fun on the second screen of a WiiU, but on Xbox One those features are watered down to just another mini-map and inventory menu. If that's what ZombiU added to the genre, then Zombi isn't left with much to hang its hat on. What does remain are genuinely tense interactions with the undead, at least, and the difficulty of survival is well executed. Ultimately, however, that's the case for a dozen other similar games, many of which do a lot of other things better than Zombi. At times it felt deserving of a score slightly higher or much lower than the one you see below, but ultimately, with a little getting used to, it's a functional but unpolished experience shambling down the streets of London.
Beyond Eyes is a unique title because it explores a topic that is rarely shown in a game and for the most part it does it very well. The art style is great, and the story is charming, even though it won't fully tug at your heartstrings. It's a quick completion for those who want it and it's a memorable game. It's very short length might put people off, though, so you may want to wait for a sale if you don't like the thought of paying £9.99 (or regional equivalent) for 2-3 hours of pretty limited gameplay. With Rae's sometimes frustratingly slow walking speed, the focus is all the more on seeing the colourful world coming into view. While there could have been more here, Beyond Eyes is still an enjoyable experience if you fancy winding down and just relaxing on your Xbox.
While combining the innovative nature of the Kinect with the use of a controller is a noble goal that more developers should strive for, Commander Cherry's Puzzle Quest is an unmitigated disaster that takes the worst parts of Kinect games and platforming and mashes them together. If the terrible Kinect scanning doesn't get you, the horrible platforming controls will. While some may find fun in the challenge, the game should be passed on by all but the most ardent of Kinect fans.
My time with The Swindle was littered with failure. I blame myself for plenty of those attempts, but the game roots against you in a way that's nearly unrivaled in the past two decades of video games. Not since the Wet Bandits attempted to invade the McCallister residence has burglary gone so laughably wrong. Yet still, it had its moments and surely there are those that will appreciate this sort of beating more than I did. Perhaps it hearkens back to a time when games didn't hold our hands as much, and if that's the case, perhaps I've been coddled by quick-time events and cutscenes that do the hard stuff for me. I don't believe that's the case, though. 2015 is my 20th year as a gamer and I have played few games that challenge your patience as much as The Swindle. Maybe the game's robots have achieved sentience and human-like emotions. That would explain all the menacing satisfaction they seem to derive out of my failure.
For all of Q.U.B.E's emulation of Portal it does manage to stand on its own as a first-person puzzle game worthy of your time. The puzzle mechanics are solid and the way in which the game gradually introduces you to the various elements of its gameplay are expertly done. The theme of isolation is also well-crafted, and the story plays out quite well despite the minimalist presentation. Much like the other quality games of this genre, Q.U.B.E. manages to not out-stay its welcome, and is smart with its inclusion of hidden puzzles and an additional mode of play to increase gameplay time. Fans of Portal will find a lot to like here (just don't expect the irreverent humor), and those looking for another game to scratch that particular itch will be very pleased. Further, the game's story presents some thought-provoking questions about the nature of isolation that add to an already solid package.
Submerged is an interesting game in that it swaps out conventional combat mechanics for pure exploration. This means that it's not a challenging game, but it is still fairly engaging. Collecting more parts of the puzzle will keep you playing and driving around in the boat is easy to get the hang of. The climbing mechanics can be a little frustrating in comparison, but you will get used to them in time. The mysterious game crash still remains a mystery, but this seems like a very rare occurrence. For its length, it's hard to fully justify its initial asking price, but the content that's there doesn't outstay its welcome or feel overly short. Whether you fancy something less action packed, or just a quick and easy game, Submerged will be an enjoyable journey while it lasts.
If what you want is a fun and simple platformer, then look no further than Tembo. The whole game has a fun, nostalgic feel to it from start to finish, and the civilians and phantom enemies as collectibles give you a reason to go back and play the levels again. The game is never too easy or too hard, but, at the same time, it doesn't really challenge you too much in any way. For the price, Tembo the Badass Elephant definitely gives you your money's worth in a short but enjoyable experience. If you don't take it too seriously, then there is a lot of enjoyment to be had here, because an elephant never forgets - to have fun and be a Badass!
No Time to Explain is going to be a love-it-or-hate-it type title for most people because it is unapologetically difficult. If you enjoy those ultra difficult games and the challenge they provide, you'll love this. Otherwise you just won't. When I started the game I was frustrated by the frequent deaths and seeming lack of direction. As I played on, however, my attitude changed. The laser gun being used as a mode of transport is generally fine, but sometimes it's a little finicky, and this can lead to undue frustration in an area where precision is really required. As you stick with it, you learn how to better finesse the use of the laser beam and get that feeling of satisfaction for completing something difficult that many games don't supply. If the thought of dying frequently is a turn off for you, the game will only prove to be frustrating. If you enjoy games that bring the difficulty, this is a top-level game for you to grab and brag to all your friends about once you complete it.
Overall, it is clear that the new Ego game engine offers up cars that have never handled better. Equally, the circuits have been reproduced in amazing detail. Those aspects of F1 2015 are undoubtedly an improvement on the series' recent titles. As much as the car handling and environments have improved, Codemasters has taken a step back in respect of the range of game modes that are available this year in comparison to the gradual additions that have been introduced year-on-year. Given that this is the first Formula One title on the Xbox One may well prove that going back to basics on the game modes is the right thing to do in order to ensure that they get the actual driving experience right. There is certainly plenty of scope for adding new game modes in future Xbox One iterations, much like the approach taken since the series reboot back in 2010.
At this juncture, fans who've bought into this game series owe it to themselves to see it through, but I can't help but feel that Telltale is imitating the tantalizing and oft-parodied abuse of GRRM all too well. With the constant second guessing, heart-breaking choices, and general feeling of dread and terribleness, it's hard to see a positive outcome around the corner for the series... but that's to be expected. This is Game of Thrones, and when you play the game you either win or you die. With one episode left, I'd say that proposition is about a 50-50 bet.
If you aren't inclined to focus on high scores and achieving perfection like arcades used to promote, Spectra doesn't offer much for you.
With ID@Xbox implementing new titles into the Xbox One library, Tachyon Project may be in over its head, but it is a fun title that provides some hours of entertainment. It won't keep you playing for hours on end, but what you will play will be fun and exciting. Its colourful, flashy gameplay along with the catchy beats that play in the background makes for a well crafted game, but the co-op and challenge modes lack slightly in comparison so once you've completed the story, it won't be long before you move on. It stands at a reasonable price for what it is so it's certainly worth a look if you're a fan of dual stick shooters or quick and easy games. The occasional difficulty spike feels a bit off-putting at times, but nonetheless, this is a title that helps to bolster the quality of ID@Xbox as it continues to provide us with new games.
The Fall is definitely more than worth your time and money, and whilst the experience may be over quickly, it will certainly be one that you thoroughly enjoy.
MotoGP 15 manages to delight and disappoint this year. The racing itself is better than ever due to the improvements in the physics and handling of the bikes. However, with the game making its first appearance on the Xbox One you feel that Milestone had the chance to impress and perhaps bring new fans into the fold, but with the lacklustre presentation and more severe bugs, it feels like a missed opportunity and that's a shame. To be fair, the title has always focussed on the racing - it just wants the player to race and race some more, and with this Milestone have continued to deliver an unrivalled two-wheel experience that is a thrilling and intense as the sport it represents. It is genuinely hard to find fault in the actual racing within the game.