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For an annual release, Codemasters manages to top themselves year over year, and this time is no different. After being bought by EA, I can only see positives by this relationship, and shows a promising future for the F1 series. The story of Braking Point is an absolute highlight, the return of fan-favorite Two Player Career mode is a delight, career mode is as fun as ever, and makes for a wonderful package. With raytracing, DLSS, and other next-generation features, F1 2021 feels truly fresh and exciting, like it hasn’t been before.
Boomerang X is wonderfully executed and offers a great ramp up with each successive level, it’s a shame then that it’s over all too soon. New Game + acts like a totally optional but rewarding victory lap, adding another layer of difficulty which helps satisfy the desire to play more of it. The combat offers a very specific toolset to dispatch your foes with, and the movement demands you to always be on the move, in the air or on the ground in order avoid early deaths. This is a game about split-second decisions involving tactics just as much as skill. Boomerang X is a ballet of bustle as you slay the ancient beasts, sending them into oblivion.
Other than the noted changes, Mass Effect is exactly how I remember it, great story beats, incredible voice acting, fun and engaging combat scenarios, and characters that you just want to hang out with. The Mass Effect: Legendary Edition is absolutely fantastic and overall an absurd amount of content for one bundle to contain. All three games have aged well, save for a few cringy lines of dialogue and player decisions. For new players, this is the way to experience ME. For old ME Vets, it’s an incredible look back. If there were one thing I would have liked to have seen included in this collection, it would have been some history extras. Behind the scenes, a documentary, VO outtakes, etc… Something, anything, Bioware would have had leftover to give us fans a little treat to celebrate the Mass Effect legacy. The Legendary Edition is worth every penny they ask for and you can’t go wrong with this purchase.
When you swing with that weapon with purpose, and it connects, it’s a joy so few games can give. Every fight is a nail biter and you’re having so much fun that you don’t care whether you win or lose. Not only do those on console get to enjoy what Chivalry 2 is all about this time, but there’s crossplay so that everyone on PC and console can play together. Everything about the game is cinematic and grand, and never disappoints. Chivalry 2 is a sequel that exceeds expectations and has been worth the wait.
FEZ is the perfect confluence of beautiful visuals, deeply satisfying gameplay, a richly designed world, tightly interconnected systems, an astounding soundtrack, and fantastic pacing. Seldom are games this well composed, and it feels mostly as fresh today as it did the day it came out. This is the definition of a classic; it endures time and shows the mastery of its work as it ages. It will always be one of my favorites, and I can think of no more fitting a place to experience FEZ, be it for the first time or the tenth.
While I lauded the original Contracts for its promise and revitalization for the series, turned out to be short-lived. This is a good game, marred by outdated stealth design, a continued lack of manual saving, and frustrations solved by other games many times over. This is a game that’s meant to be replayed, and should despite some drawbacks and flaws CI Games has yet to address. It’s true that Sniper Ghost Warrior Contracts 2 is a better game than its predecessor in every way, still providing thrills through a deep and rewarding sniping system enhanced by some impressive gore and ranges only real snipers have experienced, until now.
Now that it's free from the shackles of Stadia exclusivity, Wave Break can now be enjoyed by those on Switch and PC. The game has its foibles, and it's not as smooth as Tony Hawk's Pro Skater, but it's a good time. Funktronic Labs needs to add a 'quick restart' feature, pronto. The combination of guns and skateboating amid the bright aesthetics makes for great fun. There's good reason why I can't stop playing and trying to perfect each level. If you can't beat the heat this Summer, then soak up the sun in Wave Break.
I hesitate to call Open Country a bad game, but it has many limitations baked into its core, and it shows. From the lack of graphics options, abundance of typos, terrible voice acting, and questionable mission objectives; it falls short of so many other games that simply do it better. Even for a $15 game, it’s not competitive in the survival genre. Open Country has some great ideas that end up being overly ambitious and woefully underdeveloped.
If not for the loss of the original source code, I think we might’ve seen all variants of the NINJA GAIDEN games in here. Not only for comparing and contrasting them, but to celebrate Team Ninja’s ability to take feedback and impart that in their re-releases, while also including everyone’s favorite included. Having all three of Team Ninja’s games together on PC, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series X|S for the first time is such a delight. NINJA GAIDEN: Master Collection is a wonderful collection of the finest action adventure games, while still being difficult and provide the level of challenge you want, feeling just like the day it came out.
There are times where Siege Survival: Gloria Victis is clunky with its interface or systems, though it’s not enough to be a deterrent. It’s a game that lacks some polish, and could be cleaned up in patches. A lot of this game draws comparisons to This War of Mine, and that’s not necessarily a bad thing, it just lacks the heart that game had. Siege Survival: Gloria Victis is lean on content and low on replayability, and without more scenarios available, makes it hard to recommend fully.
Judgment is an easy game to recommend, especially with the sequel coming out in September, and I’ve had as much fun with it as any other mainline Yakuza title. Plus, it’s hard to argue with getting a full-fat, high quality Yakuza narrative experience in a $40 price point. This is a really promising start for a new franchise, and it’s only going to get better from here. Seeing RGG Studio stretching itself and finding new ways to apply and change the formula it’s already found so much success with is an exciting and welcome shift. Whether you’re racing drones, playing a Mario Party inspired VR board game for cash, tracking down cheating spouses, chasing a local parkour crime gang through the streets, or solving a really thorny murder mystery, you’re going to find yourself having a blast.
BIOMUTANT is an adventure like none other. With its character creation and morality decisions, this is one that has near-infinitesimal replayability. At times the game’s ambition gets the best of it by feeling like it’s doing too much at any one time, but it just manages to pull it off. It’s wild, beautiful, and an amalgamation of the games it is so clearly inspired by. Offering the best of modern games, with enough originality to distinguish itself from the rest. BIOMUTANT is an accessible, exciting RPG that I can’t get enough of.
SnowRunner takes the series to new heights as it exceeds MudRunner in every way, while retaining everything that these games are known for. Saber Interactive balances frustration with wins that feel earned, even if that take you many hours in-game to achieve. This is a great entry point for those curious to traverse weathered open-world environments while completing jobs in singleplayer or online coop. SnowRunner is as deep as it is rewarding, and is one not to be missed.
Days Gone is a different kind of zombie post-apocalypse with survival elements, even if its story is mostly forgettable. Its world feels alive and dynamic set in the wilderness of Oregon. While not outright demanding you play stealthily, it will be satisfying for doing so. Though when it’s time for action, the game keeps up with a healthy amount of weapons and tools to dispose of the swarm trying to kill you. It may not be a masterpiece, but it is one hell of a ride.
Before We Leave has a surprising amount of depth and layers to it, that you’ll continually uncover as you play. This is a non-violent game, but it’s anything but safe. Some may balk at the minimal consequence to properly treating or taking care of your peeps, but the space whale and other ancient creatures will do their part to disrupt your rebuilt civilization in more meaningful ways. Before We Leave has left an indelible impression upon me, from the visuals to the unique gameplay, this is a planet builder that won’t be eclipsed anytime soon.
Perhaps the whole point of the Oddworld games is that they’re supposed to be difficult. Perhaps the fun is supposed to be derived from overcoming seemingly impossible odds, even if it means beating your head against the wall too many times to get there. Unfortunately, this kind of fun feels dated and cumbersome to me, which is particularly hard to rationalize against the backdrop of an otherwise loving and carefully crafted re-imagining of a beloved entry in a beloved series. I expect the die hard fans will enjoy Soulstorm a great deal, and I’m really happy for them that this game exists. Speaking as a longtime admirer of the series who was hoping to finally be won over completely, I’m still left waiting for that magic moment.
This is a game meant to be played in short sessions, and maybe that’s where its mobile roots show, but it’s far from shallow. Skate City is a low stakes game. Over time, the in-game challenges and goals it asks you to perform become more demanding, but that’s only part of it. There’s an overwhelming sense of chill as the lo-fi beats kick in and the quiet atmosphere goes rolling by. Like Stevie Williams said about skateboarding, Skate City is poetry of motion.
As far as the quality of the port goes, it’s pretty excellent overall. The controls are great, the visuals look about as good as they possibly can without reworking some of the art, and after you ease in, all of the nitpicky details fade away as you enjoy a romp through lively, detailed, smooth-as-silk renditions of Kamurocho and Onomichi. This is, quite simply, the best Yakuza 6: The Song of Life has ever looked or played, and if you’ve been waiting for the PC release to experience it, you’ll be delighted with the final product.
Despite some of the unevenness and slowness toward the end, It Takes Two is still a fantastic experience that elevates cooperative games to a level they are rarely treated to, and is one of the most fun games you’ll have played with a friend or partner in years. I love what Hazelight is doing to revitalize the genre and think of new ways to make it fresh and fun, and the focus on collaborative play is a huge part of why the game is so damned successful. It’s an absolutely joyful experience nearly throughout, and the innovative mechanics, beautiful visuals, and inspired locations will keep you engaged from beginning to end on this journey unlike any other.
MotoGP 21 requires precision, and is not very welcoming to newcomers, even with tutorials and its easiest difficulty setting. There’s a commitment to learning the game’s systems to start to feel like you’re improving. Now, there’s some sharper textures, inclusion of HDR on PC, and other graphical improvements that look great; but nothing about the visuals or gameplay feels all that new, or next-generation. MotoGP 21 is a solid, competent, but ultimately stale racer that coasts with this year’s release.