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Creature in the Well’s genre-blending experiment is conducted within a well-worn framework, so that the risky parts are contained, which is part of what empowers it to be successful more often than not. It falters from time to time, and there are moments where the pinball conceit makes some of the challenges more difficult than they really ought to be, but for the majority of the experience everything works well and feels good, which is more than enough reason to take the plunge.
The massive amount of guns, quality of life improvements, planets you travel to, and proper endgame are all a recipe for satisfying even the hungriest among us. But the performance issues are a detriment to the enjoyment that should be had. Due to it being so much fun (especially in coop), that you can look past some of the issues. Borderlands 3 represents the best of the genre by again offering ‘Diablo with guns’ to such a satisfying degree that’s been so sorely missed.
My wish for the end game of Ancestors is to have our character evolve into what we know as the common man, but I honestly have not made my way far enough to know if this is where things go yet, but I’ll keep playing and enjoying my time in the world. I only wish I could make my progression more enjoyable. I have no clue what to expect as I evolve further and I guess that’s the point, to be curious and excited about what’s next.
Power Rangers: Battle for the Grid is the first good Power Rangers game in so long. While I’ve enjoyed the mobile-only Power Rangers: Legacy Wars for some time, I was really only wanting a story and more offline modes, and this has that in full. I recommend this game to any Power Rangers fan past or present, but let it be known that at this time the story mode is the best thing on offer, and its roster is rather lacking for such a rich and established history to draw from. That said, Power Rangers: Battle for the Grid is a love letter to the franchise, and just needs time to mature to be something great with more additions.
I like what Invader Studios is trying to do here, but if the actual Resident Evil 2 remaster didn’t exist, this could’ve filled that gap more substantially. But Resident Evil 2 this is not, no matter how hard it tries. There’s a fundamental and unacceptable lack of polish here. Daymare: 1998 is mostly just unimaginative and unfun, and for a game that is primarily a shooter, it doesn’t even do that well enough. I’m trying to think of a place for Daymare: 1998, and while it certainly has one in survival-horror, it’s going to be mostly at the bottom.
My time in Jericho City has been a combat fueled, cyberpunk nightmare come true. What we have here is a sequel that sticks to what it the series does well and expands on it. The bigger maps and hub like city have been an absolute joy to explore. The fighting is as visceral and engaging as ever. The boss battles are demanding and sometimes towering. The defeats will be devastating, the victories bitter sweet. The Surge has returned and it’s time to put on the exosuit, start the body modification, and figure out what happened to Jericho City.
Somehow, peering into the world of SUPERHOT‘s text terminals and stark environments through my Switch’s LCD screen feels very correct, as though it was always meant to be this way. In a probably accidental but happy parallel, it feels like I have gotten my hands on some kind of special prototype that I’m not supposed to see. SUPERHOT almost works too well on Switch, and being able to play it on a system that fits in my hands with near-perfect accuracy is an almost magical experience.
The Coalition have changed what it means to be Gears of War. The ambition, drive, and execution on all fronts is to be applauded, this is a Hollywood blockbuster at its finest. Gears 5 has an exceptional campaign that needs to be played. Once you factor in its versus and cooperative modes, this is a package of quality above its value. Gears 5 is absolutely best and most important game in the series across all modes. Do not miss this one.
I’m not really sure whether the Switch port of Friday the 13th was a good idea given the player economics of niche titles, but perhaps the strength of the movie franchise and the game’s promise (if not its execution) is enough to garner sufficient interest. In fact, it clearly must be, as I have been able to find lobbies to play in (albeit with wait times of up to 1-2 minutes), and they’re usually full, so if this is where you want to play this game, you can definitely do so. That being said, Friday the 13th on Switch has the deck stacked against it for a host of reasons. Yes, it is the same game as the one on PC, and yes it “works,” and yes, most of the charm and authenticity that makes the game feel like a proper homage to a much-beloved horror series remains intact (sh-sh-sh-ah-ah-ah!). Unfortunately, much of the magic is lost in the compromises made to get the game running on the Switch hardware, and playing it feels more akin to controlling a lumbering corpse than a spry teenager.
As a fan of the Cold War era, there’s little to love here. Men of War: Assault Squad 2 – Cold War just doesn’t do enough to warrant its own existence. It’s a game that’s rewarding in its own right, but frustrating for too many reasons to recommend. Men of War: Assault Squad 2 – Cold War is a disappointing effort that’s elevated by its core real-time strategy features that you don’t see in other RTS’. Among the crashes, lackluster presentation, and disappointing execution, there’s almost no reason to play this.
There are only so many ways I can say that I love this game. It has so much to offer and executes so well on all of its ideas, and while it may borrow heavily from some heavy hitters from the last several years, it does so skillfully and respectfully, and it is simply not an experience you can afford to miss. Go, play this game, see for yourself how much fun it is.
KT Racing paid special attention to authenticity while allowing you to play how you want. If management and driving is your thing, then Career is for you. If not, then Season mode will more than satisfy. WRC 8 FIA World Rally Championship feels the best it’s ever felt, and the weather effects look so good. WRC 8 takes such great strides forward for the series, offering a true reflection of the motorsport.
I found Automachef to be incredibly addictive and thoughtful. It was enjoyable to try and create assembly lines and tickle my brain to try and make it better. I must admit, there were a few times where I had to browse the internet for tips on making my kitchen more efficient. I mean, it’s all just a learning process in the end.
Hunt: Showdown is Crytek’s finest work to-date. The gameplay loop is equal parts exciting and dangerous, never feeling at ease in any given match. This is the best the CryEngine has ever looked. Hunt: Showdown is an evolved multiplayer shooter where the horror elements permeate throughout. Hunt: Showdown is an absolute gem for all the genres it plays a role in.
It’s a strange thing to be able to return to both Hotline Miami games on the Switch, of all systems. Nintendo’s colorful handheld isn’t exactly the system that comes to mind when you think of grimy game worlds and graphic violence. On the plus side, these are extremely faithful conversions that run perfectly on Switch and bring another classic franchise to its ever-expanding library of indies. This package isn’t for everybody; it’s hard as hell and is over the top with its violence, but there’s no denying the importance of Hotline Miami as a touchstone within gaming culture. If the Switch is a platform for collecting as many games from as many generations as possible, Hotline Miami and its sequel feel like essential additions to its catalog.
MXGP 2019 sees a lot of improvements over prior installments, mainly showing signs of the series developing a personality. The history of motocross and supercross has yet to be explored in this series, which has many stories to tell. The graphics and physics lead the game, but the audio takes an unfortunate backseat. MXGP 2019 – The Official Motocross Videogame is backed by a fantastic simulation engine making it all the reason you should play it.
Fans of single player games who love shows like X-files, Twin Peaks, and the sort,this is a must play. It’s refreshing to get a superbly crafted, story driven game, with no multiplayer and no micro transactions in today’s market. Fans of the genre need to have Control in their sights and I truly hope Remedy has a bonafide success on their hands. Control is one of the weirdest, fascinating, and most intriguing games I’ve ever played, a wild ride for sure. I’ll be there for the future DLC and a sequel if one ever comes.
RAD is stylish, quirky, and above all else, a Double Fine game. What that means, is that it’s really enjoyable, funny, but not without its rough edges. It’s a game where you literally have to adapt and overcome. The game is either too punishing early on or too short that makes either end of the experience feel shallow. RAD is “another one of those” with a cool aesthetic, a great soundtrack, and has enough going on to keep you coming back after each unceremonious death.
For a fan of the series, this isn’t a terrible title to pick up. In fact, it seems to be the best of the bunch. But I wouldn’t recommend this game to anyone else, they just wouldn’t enjoy how the trucks control. Whether casual or really into racing, it’s not a title I’d pitch to them. But if you like big trucks and big air, hop on in.
Rebel Galaxy Outlaw is very much its own thing, taking the best parts of the prior game and putting it in a new perspective. It evokes Privateer and Freelancer vibes, with the look of X-Wing spectacularly. It’s an accessible arcade game that has a lot of repetition in its loop, but that gameplay is really fun. There’s so many secrets to discover, and places to explore, that even dozens upon dozens of hours I haven’t seen it all. Rebel Galaxy Outlaw is one of better games I’ve played this year.