OnlySP's Reviews
The overzealous difficulty of Fallout 4′s DLCs is no exception this time around; the Nuka World radio signal won’t auto-trigger until you are at least level 30. Don’t start at level 30. Just don’t. If you haven’t hit at least level 50 by now, take the time to get there; the unbalanced level-scaling that gave Automatron and Far Harbor their “quirks” is back to kill your stash of stimpacks and ammo. Combine that with a narrative that lacks depth and meaningful decisions, Nuka World might fall below your expectations, but still provides many hours of game play to unlock a plethora of secrets and rewards.
For a 2D puzzle-platformer, the levels are naturally integrated into the environment – and one of the most naturally integrated that I have ever seen in any game of the same genre. Utilizing the changing seasons to its advantage, Seasons After Fall feels less like a traditional platformer and more like an innovation, jumping from tree branch to vine, frozen geyser to snowball, all the while bending the seasons to your command. The narrative and setting aren’t built around the level design, but rather the design enhances the narrative and setting, allowing for a gorgeous and immersive experience.
Despite its somewhat abrupt ending and sodding micro transactions, Mankind Divided is still a marvelous addition to the series with a well written narrative, tons of gameplay options, and hours of fantastic optional content. Though not quite the revolution that its predecessor was, the fact remains that Deus Ex: Mankind Divided is one of the few rare cases where basically being more of the same is the highest praise I could give a game.
When it comes story-driven experiences such as this, gameplay is often a secondary concern. Puzzles and mechanics are often uncomplicated, going so far as to become simply linear interactive experiences colloquially known as “walking simulators.” Bound’s approach is a beautiful and fluid one, as all of the movement and combat — if it can be called that — are carried out through dance. You’ll forgive me if I lack the collective dance terminology to correctly ascribe to the movements, but the characters leaps, twirls and slides through with a casual grace, and mostly with a feathery weight. It’s gorgeous, and the transitions are flawless, though sometimes slow.
You’ll navigate your way through twisted hallways of heavy machinery, elevators, and a few monsters and monstrosities. What little glimpses you get of the world above, they are nothing more than big teases. You want out? Nope, sorry. You’re stuck in a quarry. Oh, you really want out? We’re going to lock every single exit to the surface. It would be appropriate to place a placard at the entrance to the mine that read “Abandon all hope, ye who enter here.”
If you want a nonsensical story with a serious focus on terminal-based gameplay, you’re going to find yourself pleasantly surprised with Quadrilateral Cowboy.
Each nod to a title of JRPG yore is an acknowledgment of sampling from something fantastic. I am Setsuna is the sampler platter at your favorite restaurant. Not the one that gives you three tiny mozzarella sticks and a soggy onion ring – no, the place that puts a heaping of one of your favorite dishes in the center and surrounds them with generous quantities of the best of the menu. You know, the $20 appetizer tray that everyone can eat from. It’s not the full meal, but you can experience a taste of everything fantastic the chef has to offer.
One of the most amazing moments is coming around a bend or emerging through a tunnel into a large open area with buildings and more sea life as far as the eye can see. The music swells to an apex, climbing from a happy urgency to a grand revelation.
35MM might start off at a slow pace – a really slow pace – but under-the-radar character and story development, and unsettling action sequences build to a climactic revelation that will make you feel sorry for even thinking about not finishing the game.
Homefront: The Revolution's development history is a troubled one, filled with financial issues, switching of studios, and team shake-ups. Considering this was a sequel already built on a faulty foundation, the signs did not bode well for this entry in the series. And indeed, the end product isn't a good one. The trouble with it is that it's not an entirely bad one either. For all the numerous faults, both on the creative and technical side, there's a good game hiding somewhere inside; a good game that simply can't overcome all the negatives weighing it down.
The radioactive fog gives Far Harbor a different feel from the Commonwealth. The mood is too sinister to just call it gloomy. While the island is infested with new mutants, there is no need for one to hide in every dark shadow when the fog will slowly poison you to death.
DOOM 2016, whether you call it an expansion of existing lore or a rebooting of the story for a modern audience, is a good game. It's not great though, as the run-and-gun pace and gore can only sustain gameplay for so long in a limited setting. It makes up for some of the repetitiveness, however, by providing fast and often tense battles that, even on the PS4, maintain a mostly high framerate.
I’m not the most strategically-minded person, but a shoot-first-ask-questions-later kind of gal. I just want to run in, guns blazing, and figure it out from there. Tutorials? Who has time for that? Offworld Trading Company said I did, and they not only sat me down and made me pay attention, but they did it in a way that didn’t leave me confused at the end.
P.O.L.L.E.N makes use of its subtle, narrative details masterfully, seamlessly integrating them into the alternate, sci-fi world. It’s not enough to find a couple of cassette tapes and charge through to the end. From post-it notes on white boards, to TIME Magazines, to personal drawings tucked away in a character’s closet, every detail is carefully selected to bring depth to the characters and do some world-building in the process
It was my mistake; I followed a path that I was sure would help the rebellion's cause by abandoning my friend Lapino and, instead, going on a quest to find the ultimate weapon to defeat the Empire. Things didn't go as planned, and I accidentally destroyed the entire world. But then I was alive again.
The series is known for its humor and weaponry and both are used to great effect here. Qwark and his sidekicks, along with the enemies, all have fun personalities amplified by clever writing and excellent voice performances. Though the game relies heavily on combat along with its platforming, it's a family friendly game in both action and character presentation.
It could be my own fault for not preparing well enough, or maybe I’m an awful player, but I would not recommend – at all – playing through Automatron at level 15.
Instead of headbanging gleefully as I progressed from level to level, I found myself banging my head on my keyboard.
Combing simple, carefully crafted scenery as the base to hide all its secrets, this game uses its horror undertones to give every puzzle a sinister touch and to literally open doors that tell you nothing about where you are going next.
Using various narrative and visual devices, The Town of Light serves as an interactive historical textbook. With roughly 2-3 hours of gameplay, it covers a lot of ground in a short amount of time, yet its execution seems to cloud its intention.