VGChartz's Reviews
Consistently amazing combat isn’t a prerequisite to succeed in the Metroidvania genre, and Momodora: Moonlit Farewell succeeds at enough other things to ultimately make it a solid recommendation for fans of the genre. It understands good item-based progression, makes exploration rewarding without undervaluing its powerups, and presents a varied & interesting world that invites players back and makes them want to explore more.
Easier, awkward at times, and much less surprising than prior entries, this sequel is still an effective horror game, but not the hardened experience that I have come to expect from the series.
Season's Greetings' monotonous delivery-sim structure, inconsequential narrative, & rough technical audio errors are the chief reasons why anyone's enthusiasm would be frostbitten by the end.
As a modestly-priced expansion, The Pale Reach's frozen wasteland introduces just enough new visual, narrative, & design baubles to keep one's enthusiasm continually burning.
Hollow Cocoon has potential, and is notable for its visuals, but it lacks enough compelling and suspenseful ideas to succeed as a survival-horror title.
An interactive kaleidoscope successfully blending survival-horror design, self-referential humor, and boundless absurdity, Alan Wake II ranks among the most fascinating sequels in recent memory.
Even by the tempered expectations of this fatigued franchise, Modern Warfare III deserves nothing less than a dishonorable discharge.
While feeling more “evolutionary” instead of “revolutionary” overall, this enriching Mario journey is still as memorable as ever, and makes a terrific swan song for the Switch.
Apropos of The Symbiote, Marvel's Spider-Man 2 is a faster, bigger, & stronger sequel, but also partly corrupted by certain design & narrative decisions.
Catan is a serviceable rendition of the tabletop classic – just don't go in expecting dedicated support or functioning online servers.
Move It!’s fun factor doesn’t quite reach the heights it could, thanks to occasionally spotty controls, ambiguous commands, and brief microgames that vary wildly in toughness. Still, the series has always thrived on this balance of simplicity and unpredictable microgame chaos - traits that Move It! unapologetically leans on.
Ultimately, Blaze in the Deepblue isn't as enjoyable as Gal Guardians, or the better Inti Creates games out there. It's still a fairly good Metroidvania, though, with diverse biomes, tight controls, an interesting set of upgradeable abilities, an approachable crafting system, and striking graphics
Irem Collection Volume 1 is a decent start to ININ's five-part anthology.
With a mind-bending core concept, breathless pacing, and splendid presentation, Geometric Interactive's debut puzzler will keep you rapt up through every world within a world.
Thanks to its multi-genre approach, engaging diving and business simulation mechanics, wealth of content, and striking 2.5D visuals, it's one of the best indie titles of the year. It's not a perfect game — its crowded, everything-but-the-kitchen-sink philosophy makes sure of that — but it's one that's absolutely worth diving into.
I’m still not entirely convinced The Man Who Erased His Name needed to exist, but it's a fun & mostly enjoyable 10-15 hour intermission until Infinite Wealth drops in January.
Super Mario Bros. Wonder couldn't have a more appropriate name. It's filled with beautiful sights, lovely music, unexpected mechanics, unfamiliar enemies and power-ups, and, thanks to Wonder Seeds, revelation after revelation after revelation. Not everything new about the game works, and it suffers slightly from easy levels and boss battles, but it delivers everything you'd expect from the series, and more.
Sonic Superstars is ultimately nothing short of a major letdown.
While Blue Isle Studios' continued dedication to the source material is commendable, it can only go so far with fundamentals that are more emaciated than the titular horror mascot.
Instead of being a title that defines the generation - and perhaps even the medium - Ghostrunner II has to settle for being 'merely' great. Hopefully a third entry in the series can strike a better balance between mixing things up and maintaining the well-refined gameplay as the centerpiece of attention.