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Your mileage with NO THING will depend on how much patience and thought you’re willing to give it. There’s a story buried in a trippy, simplistic autorunner that actively works to frustrate the player at times. A cool vaporware aesthetic and a hand full of decent songs don’t make it any less aggravating to play or help the delivery of a tale that needed clarity.
A trio of twists on a classic, Space Invaders Forever brings together 3 inventive titles that can fill an evening with friends or a weekend score chasing alone. There’s caveats with all 3 games that long time fans will need to consider before purchasing but if you’re simply looking for a Space Invaders fix with a difference, this is the game for you.
A dream-like point-and-click story of love and grief told through memory vignettes, When The Past Was Around is memorable but when you can finish it in a few hours, it feels oh so fleeting.
Offering a modern roguelite spin on a retro-inspired concept, SYNTHETIK is a cracking title from a small team. A fiddly menu system can be a pain at times, but the core gameplay of this robot rampage is absolutely top notch. Either solo or with a friend, there’s hours of fun to be had in trying to overthrow the machine.
Look up the word “charming” in the dictionary, and you might very well find the cover for this game looking back at you. A bright and breezy game with an important message at its core, Alba: A Wildlife Adventure is a terrific experience, imbued with personality at every turn, that can be polished off in a single session. Another winner in a rapidly burgeoning library from ustwo games.
The game adaptation of Orwell’s Animal Farm tells a disjointed story, without the kind of buildup and nuance that makes it a classic novel. As a game, it lacks the kind of options and menus necessary to make you feel like you’re ever in control of your farm.
Free-to-play it may be, but Rogue Company is a high-quality title that’s among the best shooters I’ve played this year and a welcome alternative to the more standard shooters you find on console. I’d highly recommend it, even if it had cost me money. For the grand total of nothing, it’s almost essential.
As a cinematic platformer that borrows all the best bits from the Soulslike genre without being too punishing then adds its own unique elements, Unto The End is a triumph. The ‘bleeding out’ feels like it’s not utilised as well as it could have been and there are a few annoying glitches but the core game here is a stiff test and a very satisfying reward.
After overcoming some issues in its launch week, Poker Club has stabilised as an ambitious, functional yet unremarkable poker simulator. The innovations that aim for increased immersion manage to slow down the action to the point they become almost tedious. There’s more than a few issues that still need to be remedied in Poker Club and Ripstone have promised fixes are on the way. The potential is not yet realised but there’s every chance this game might fluke a win at the river.
It may not be perfect, with a control scheme that’s functional but still a little too clunky, and it’s almost impossible to recommend to anyone who owns a capable PC. However, if you only own an Xbox, all of the main features are there, the match engine is better than ever and it’s a great title to dip in and out of for 30 minutes at a time.
A delightful central relationship gives this love story RPG wings, but generic survival beats and somewhat empty worlds leaves Haven not quite the essential indie experience we were hoping for.
A minimal-looking aesthetic that fits the Switch perfectly, Absolute Drift is a delight to get absorbed into. You won’t master it straight away, but when you get the hang of it you’ll be hooning about in no time.
Mornia is a top-down 2D pixelart world that is a gruesome joy to explore and attempt to liberate. It’s difficulty will put some off, but Morbid: The Seven Acolytes is a competent and accessible souls-like experience, that gives everyone a level playing field with its minimalist systems and simple move sets.
Ponpu is weird, wacky and regularly wonderful. It’s a slick take on Bomberman that understands what made the original games so great and evolves it for the modern day. It’s a shame that the multiplayer modes are undermined by ineffective identifying marks that make it difficult to see who’s who. Thankfully a decent sized and suitably challenging single player campaign makes up for that.
Skunkape have done a fantastic job of refining everything that needed to be updated but have left the prevailing spirit of Sam & Max Save The World untouched. For fans of the genre or for anyone who enjoys absurd irreverent humour, this is a ‘must play’ title that has the capacity to have you in fits of laughter.
It takes a bit of getting used to, as expected, and is a bit heavy-handed with its combat and vague on storytelling. But once you’re getting used to its nuances, Chronos: Before the Ashes opens up into a great little Soulsborne affair.
Spirit of the North remains a beautiful but hollow experience on PS5. The 4K 60 frames upgrade is glorious to behold, but the lack of DualSense integration in a game that’s crying out for it and hangups from the last-gen version makes it difficult to recommend.
Planet Coaster arrives on consoles in scintillating form, offering up near-unlimited options to create the theme park of your dreams with ease. If there’s a hidden gem in the PS5 launch line-up, this is it.
It will mentally tax you at times, but Bridge Constructor: The Walking Dead is a treat to play. A couple of technical issues here and there don’t ruin the experience, and any faults usually fall on your shoddy workmanship.
On its own merits, Bright Memory is short, rough around the edges and has a somewhat forgettable storyline. But as proof of concept and a playable teaser for the forthcoming Bright Memory Infinite, it’s a tantalising look at what’s to come and I personally cannot wait. For the price of a large Big Mac meal, it’s a no-brainer.