IGN's Reviews
Hand of Fate 2 doesn't change much of the concept that made the first game so appealing, but everything here – whether it's challenges, smarter deck building, companion characters, and better combat – marks a major improvement over what we saw in 2015. Repetitiveness can still be a problem, but it takes much longer for it to show up. This time around, this is definitely a hand worth playing.
Need for Speed Payback is a big, competent, and confident arcade racer but it's really let down by its linear cop chases, its overwrought and insidious upgrade system, its dreadful dialogue, and its superficial action sequences. It feels fine and it looks flashy, but Payback really went all-in on its direct-to-DVD revenge tale and it was a bust for me.
Horizon Zero Dawn: The Frozen Wilds is an excellent addition to an amazing game. Developer Guerrilla has doubled down on the thrill of the hunt with more challenging machines and testing side quests that are added to the original map through an intriguing new storyline that delves into the mystical side of this post-apocalyptic world. It left me wanting start a brand new game, just to wander around the world, marveling at it.
Bubsy: The Woolies Strike Back is an extremely short and completely forgettable platformer based on nothing but irony and nostalgic notoriety. I'd honestly rather replay the original Bubsy than this - for all of its serious flaws, at least that game was memorable. The Woolies Strike Back isn't even that.
It's all such a disappointment. I very much wanted to like Lucky, because the Xbox could use a decent answer to Nintendo in the 3D platformer genre. Unfortunately, Super Lucky's Tale definitely isn't it.
Wolfenstein 2: The New Colossus is a fantastic single-player shooter, but what really got me invested was the brilliantly written characters and the performances of its cast. BJ and his crew are full of spirit and personality, and General Engel is as memorable a nemesis as you're likely to find in games. Machine Games has once again turned the well-worn act of mowing down Nazis into something to get excited about.
Assassin's Creed Origins is a deep-dive into a truly stunning realization of ancient Egypt, with a rich series of cultures, genuine characters, and more mission variety than any other game in the series. The combat is challenging and thoughtful, and while the loot system doesn't match up to games like Destiny 2, there are enough different weapon types and enough enemy variety to keep you swapping between weapons, catered to the situation. The RPG elements encourage challenges of their own, and even despite a handful of bugs, I desperately wanted to keep playing.
Mario's games have been around for almost as long as game consoles have been a thing, but thankfully, he's always evolving. We rarely get the same Mario twice. Super Mario Odyssey delivers on that ongoing promise of originality and innovation: It distills the venerable series' joyful, irreverent world and characters and best-in-class platforming action, and introduces a steady stream of new and unexpected mechanics. It's all spun together into a generational masterpiece.
Bomber Crew is an exciting, in-depth management sim with a charming style that offsets the occasionally brutal difficulty of keeping your crew alive and trying to hit a target, all in real time. A rewarding upgrade cycle makes some trial-and-error frustration worthwhile, and once you get into the groove you can lose hours to its enjoyable rhythm.
The malleable quality of Fire Emblem's weapons-triangle and pairing systems make them a natural fit for the hack n' slash genre. Even when I could barely tell what was going on on the crowded battlefield and my troops were a little too codependent, I enjoyed directing the action and jumping in to be part of the carnage. And while Fire Emblem Warriors makes poor use of the Fire Emblem universe's story and history, we still get traces of the relationships between the characters that make it memorable.
The combat of Overgrowth is exhilaratingly fun with everything's working as it should, but that's not very often. You also have to get used to the wonky and weird way it interprets both combat strikes and landings. It's a shame that everything else about Overgrowth, whether it's the story, the level design, or even the physics system, feels undercooked. It's not hard to find some fun here, but it's fun you'll soon forget.
The second episode of Life is Strange: Before The Storm digs deep into the emotional tale behind Chloe and Rachel and made me want to see them succeed. Interactions with other characters can feel unimportant despite context, but many of these choices feel like they will actually hold consequence and are more believable than the first episode. Frustrating fetch quests interrupt what is ultimately an engaging story which leaves me needing to know what's coming next.
In many ways, GT Sport is the most polished Gran Turismo game in over a decade. It looks great, feels great, and what's here has been carefully and well executed. However, while I can forgive the sprinkling of eccentric nonsense, the lack of car and track content really hurts, and the online-only nature of the vast majority of it is worrying. Overall it just isn't as complete as its key competitors.
The best-case scenario for ELEX is that it'll be worth picking up on sale a year or two from now after it's been heavily patched to fix its rampant bugs and infuriating balance problems. It has enough good ideas that one day it might be talked about as one of those hidden RPG gems that people play and wonder why it wasn't successful at launch. But the frothy mix of joy and frustration that ELEX presents today skews too heavily toward the latter. I wish it well, but I don't think I'll be calling it up for a second date.
Overall, I really like the theme and setting of RAID: WWII, especially considering its irreverent tone that evokes memories of Inglorious Basterds. But even though I'm a sucker for all things WWII, the bullet-spongy enemies, lackluster unlocks and customization, and poor mission variety don't excite me enough to want to play beyond a few rounds. And while it's putting the cart before the horse, without a strong community of users to drop into a raid with, there's even less reason to stick it to Nazi Germany in this particular instance. Very little in RAID: WWII is absurdly broken or flawed, but its mediocrity makes it a missed opportunity to create a highly replayable co-op game within the WWII shooter genre.
Under the better-than-ever graphics and great-as-ever core wrestling gameplay, WWE 2K18 is a largely disappointing iteration. It wastes too much of its ambition on the poorly written and dull MyCareer RPG mode, leaving its other promising modes to languish for another year. What few enhancements we get to the carry mechanics and eight-person matches are welcome, but not as much of a year-over-year refresh as would be needed to keep the excitement level as high as it's been in past years.
South Park: The Fractured But Whole is another epic-length episode of the humor that's kept fans of the show laughing for 20 years. The Marvel vs DC parody delivers regular laugh-out-loud moments with only a few faltering gags, and the combat soon evolves into something much more complex and interesting than The Stick of Truth's simple system.
Aside from its creative hats and hat-based abilities, A Hat in Time never exactly feels like an inventive platformer. But it does its job well, even while suffering from the occasionally awkward camera issues that 3D platformers are often known for. It stands out, though, for its infectious and endearingly goofy personality, its creative and widely different levels, and its enjoyable platforming. And, of course, all those hats.
The Evil Within 2 gives you more options to play your way in a much bigger survival-horror playground than the original. Although a disjointed plot and weak protagonist make it slow to get started, being pursued through an intriguingly bizarre world by plentiful and disturbing monsters kept my palms sweaty and my heart in my throat thanks to a strict adherence to the most important survival horror rule: you should always be on the back foot.
Ultimately, FIFA 18 on Switch is a story of what could have been. Watered-down game modes give the whole experience a feeling of it being a work-in-progress rather than the complete package offered in the PS4 and Xbox One version. If you only want a quick FIFA fix in single-player or local play, the Switch version delivers. But it's such a diluted, Sunday League experience it's impossible to recommend if you're already playing on home consoles.