Ori and the Will of the Wisps is a triumph in 2D platforming this year; arguably for this generation of gaming. It supersedes everything its prequel does and then some, it challenges you and even kicks you to the curb at times without coming off as mean-spirited, and it’s an absolute joy to watch and hear. A powerful trifecta combination indeed to complement 2020’s early game offerings.
As extremely hard as the game can be, Nioh 2 is proof that the Soulsborne genre can still be polished, refined, and utilize unique mechanics, all of which makes it worth suffering through. Team Ninja’s latest title is definitely more accessible than Sekiro: Shadows Die Twice, and certainly an early contender for Game Of The Year 2020.
For those who played these games to death, you’ll still want to get this, provided you have no other means of revisiting them in their original GBA and DS forms. Long story short, I do hope this spells a resurgence for X’s BFF Zero and the future of the Mega Man series because this is one legacy worth preserving.
How you ultimately feel about the game will depend on whether you’ll like The Last Of Us Part 2‘s narrative choices. Like I said before, this game will split fans and gamers into radically different and divisive camps, which I expect will happen when it’s out 19th June. Trust me on this.
Airship Syndicate did a great job taking the best aspects of action RPGs and isometric action titles and put their fun and entertaining spin on it, topped off with a decent Gareth Coke-composed soundtrack that wades between tranquil acoustics to battle anthems with foreboding chants. That's more than enough to earn it a reputation for being this year's dark horse.
In an attempt to expand its universe like how Universal did with the Fast & Furious series, id Software never forget why people played Doom back in 2016 in the first place: because you want to play an arcade shooter that’s challenging, fast, frenetic, and fun. Doom: Eternal hits all of these pillars and then some.