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Makis Adventure is the inaugural project from a young solo-developer and honestly, it plays as such. The love for the project pours from every pixel, but from a pure gaming perspective, it’s a little all over the map. Essentially, this is a small collection of mini-games held together by a rudimentary story and basic cast of characters, created by a passionate dev looking to test a variety of skills for the first time. Makis Adventure is limited in what it offers to a player, but can act as a stepping stone for Zoroarts to create bigger, more polished projects in the future, and we wish Matteo Covic all the best as he continues his journey through game development!
Thanks to its focus on the new powers, rather than progressing the story in any meaningful way, Lightfall ends up being a flat experience that leaves you wanting more. It doesn’t help that the Light vs Dark story, which has been building for the best part of a decade, is in its endgame. It also doesn’t help that the expansion has to live up to the incredible add-on that was released the year prior. There are good points to be found in Lightfall like the setting and the new Strand ability but as far as it being essential to the story, I’m not so sure.
The Kao the Kangaroo: Oh! Well DLC is both a trick and a treat. The new levels may be short in length, but they certainly pack a punch, as they are both frustrating and irritating, but overall simply brilliant. I didn’t expect five of the hardest platforming levels I’ve played all year to be found in Kao the Kangaroo and I absolutely loved it. These extra levels are pound-for-pound worth it, just for the sheer delight I got for finishing a level after multiple restarts, and while the additional costumes are purely cosmetic, they round out the package nicely.
Shadowkeep is already a relic of the past and while the new areas are quite lengthy, the story can be blasted through in a few hours thanks to the repetitive “Go to the table and then speak to Eris” schtick. Bungie’s foray into seasonal content does mean the year-long season arc, which is no longer accessible, leaves players to fill in the gaps by reading copious amounts of lore books. Shadowkeep is the black sheep of the Destiny 2 experience and while it doesn’t exactly enhance the Light vs Dark story, it is a nice break from the traditional gameplay and is worth exploring, even if you’re only in it for the gear.
Destiny 2: Beyond Light is certainly a worthy expansion in the operatic space war. At this point it is given that there is a wealth of exotic weapons and armour to get to grips with, but the new Stasis powers are worth the investment alone. Throwing freezing walls at enemies adds a layer of defence that was sorely missing. These new powers change the tide of battle in such a way that just has to be experienced to be believed.
I cannot overstate how much I’m looking forward to playing the next three seasons to complete The Witch Queen Expansion. It started off with a bang and the story brings changes to Destiny 2 that were needed. There are a couple of negatives to The Witch Queen, particularly with the smaller map, which is severely limited compared to other areas. I’d have also liked to have seen the Hive Guardians utilised more often, as they only seem to be trotted out sporadically, but these are just minor points on a well-put-together expansion. If the remainder of the year continues in this vein, it’ll be hard for me to leave The Witch Queen alone long enough to play other games. Even as it stands, The Witch Queen Expansion is a thoroughly recommended addition to Destiny 2.
My time with Hentai vs. Evil was thankfully very short and produced more head shaking and fewer smiles than the average episode of Dragon’s Den. Designed to appeal to an incredibly niche demographic, there’s a feeling that the lack of content or enjoyable gameplay will be quite simply ignored if you allow the players to ‘hur-hur-hur’ at animated breasts.
Lydia is not so much a game as it is a public service announcement about the risks of alcohol, delivered through the medium of the eShop. The dark subject matter is at times well outlined by some bleak and surreal imagery, but it’s discussed in such a blunt manner that even a powerful ending leaves the story feeling less poignant and more thoroughly miserable. There will be those who can forgive the complete lack of gameplay in the face of raising such an important topic, and while I applaud the intention and understand the gravity of its creation, I find it hard to advocate anyone taking on 45 minutes of pure distilled depression, topped with a smattering of trauma.
Overall Trifox is a game that on the surface looks like an enjoyable experience and one that would be right up the street of any nostalgia seeking 3D-platform player. It is such a shame that it fails to deliver anything truly enjoyable or challenging and is mostly just a bit of a slog. I take my hat off to the ideas and efforts of Glowfish Interactive but the execution is where this game falls down. To sum up my time with Trifox in one word, it would be ‘frustrating’.
SENSEs: Midnight manages to take all of the ingredients that made 1990s survival-horror games fun and bake them into a hellish experience with few redeeming features. There’s zero atmosphere to accompany you as you (slowly) backtrack across Ikebukuro Park, avoiding bland, almost-invisible enemies as you go. With a protagonist who is entirely inanimate except for her breasts, dizzying camera angles and a complete lack of quality gameplay, SENSEs: Midnight should stand as a warning of what not to do for developers looking to capture 90’s survival-horror nostalgia. This is a huge step back from an opening title that, while flawed, at least showed some promise.
Corpse Killer is a decaying relic of its time, with few redeeming features that would encourage anyone to unearth it. The full FMV levels are hilariously bad and the point-and-click shooting is the dictionary definition of rinse and repeat gameplay. B-movie aficionados or former Sega 32X players seeking some nostalgia may be slightly more inclined to resurrect this one, but the cheesy plot, poor production, and miniscule amount of gameplay will not appeal to many modern players at all. It’s an amusing time capsule to my misguided, zombie-enthused youth, but this is one that should absolutely have stayed buried.
I think Hidden Through Time 2: Myths & Magic struggles trying to turn what is essentially a 5-minute activity book into a fully fledged game, and it just isn’t fleshed out enough to make it engaging. Once you’ve played for 10-minutes, you have experienced all there is, and if you’re looking for something a little more enticing then this isn’t the game for you. I do still think that if you’re the type of person who enjoys games where you don’t have to engage your brain and just like to pass the time with a harmless task then this could be worth playing (as long as you’re ok with long loading screens).
After all these years, Another World still tells a great tale and is chock full of exciting moments - I had a tonne of fun with it, but it’s such a product of its era that I fear it’s unlikely to endear itself to modern audiences especially well. The original pixel art visuals may shine in the retro-renaissance we’re living through, but the 3D cinematics look thoroughly ancient and the entire runtime is shorter than a modern tutorial once you know what to do. If you’re a fan of old school experiences and want to play a shining example of adventure from a bygone era then give Another World a try, just be prepared for endless trial and error and more “gotcha” moments than an M. Night Shyamalan marathon.
Overall, it’s hard to recommend Biomutant when there are so many other games doing similar things better. The narration absolutely murders any immersion or character that the game might have salvaged from its focus-grouped setting, while the gameplay mechanics just aren’t strong enough to carry the game alone. Having one of these aspects work would raise the game to a respectable middle-of-the-road Late 2021s Video Game, but failing on both leaves a world that sadly isn’t worth exploring.
I desperately wanted to like The Dead Tree of Ranchiuna; from the opening of the game my senses were firing from the visual treat on my eyes, and when the narrator started telling the story, I could feel the beginnings of an exciting tale. But it wasn’t long before the sheen from such a powerful first impression began to fade. The story tries to be cohesive, but it quickly descends into a dark tale revolving ostracisation and finally slides into something so far-fetched it completely ruins the experience.
If Impious Pumpkins was a mobile game that you could poke at for 5 minutes while you're waiting for a bus then it would be a nice little distraction. At the time of writing however, it's a Steam only release and I can't recommend it as anything more than an excuse to turn off your brain for a few hours.
0 Degrees is more half baked rather than Baked Alaska, a standard left to right platform game that is not only easy, but woefully short. There is so much promise; the art style is rather joyful and later levels add a little challenge but the game needs fleshing out.
More than anything else I think the real issue with this game I have is the asking price. At time of writing it is going for around £30. You can get all four games in the series on mobile for just over a third of that, almost half of which is for the fourth (and newest) game. WitchSpring 3 on Google’s Playstore is priced at £3.87, a far more compelling price point for the title. Given how well it played in handheld compared to docked mode, and the implementation of the touchscreen controls, if you are at all curious about this game I would certainly recommend the mobile version over the Switch for price alone.
RWBY feels more like a proof of concept than a fully fledged game, and its origins as a fan project are evident. It shows off the raw ingredients needed to make a good game – strong visuals, a great soundtrack, and the basics of a solid combat system, but they’re pulled out of the pan long before they’re cooked into a tasty meal. Given more variation in the level designs, a bigger roster of enemies, and ANY attempt at storytelling, Grimm Eclipse could have been a delicious morsel indeed. Sadly though, I feel that the game doesn’t do the vibrant hit series justice in any way.
All told, Observer showcases the quintessential cyberpunk world, offering a bleak glance at a future that oozes distrust, oil, and injustice from every pore. The visuals, even on the Switch, are impressive, and portray a world so dingy that it’s borderline uncomfortable. Creeping through the jumbled mind of Dan Lazarski (Hauer) is oftentimes legitimately troubling, but despite the effective styling and a well written score, the experience is severely hampered by sluggish controls, unclear storytelling and an almost complete lack of gameplay.