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With some excellent backgrounds and a well crafted soundtrack, there’s a tonne of atmosphere packed into Goetia. In fact, the point-and-click puzzler has a fair amount going for it, offering an interesting premise, a well written story, and some decent puzzles that lean on the occult themes incredibly well. But with poor signposting, buggy menus, and puzzle solutions that are often just too tenuous, I found Goetia as frustrating an experience as it was interesting.
Overall I’d say I am on the fence with Crowns and Pawns: Kingdom of Deceit. For a seasoned Point-n-Click gamer, this is one that I’d skip, as you’d likely get more enjoyment elsewhere. But if you are someone new to the genre or newer to gaming in general, it will be a good introductory game to learn the mechanics and the relative pathway these games usually take. (Once you get past some of the less engaging parts and the corny dialogue anyway.)
Although my time with Tron Identity was brief, it was nice to return to the virtual landscape that makes up The Grid. The world inside has undoubtedly moved on since the events of Tron Legacy, but the world is as recognisable as ever. Much like how Disney have approached Star Wars by expanding from the small cast of Skywalker family, was a welcome touch that proves there is a real depth to what is essentially the inner workings of an ageing arcade machine. The trouble is that just as Identity was working towards a bigger story and finding its rhythm, I suddenly had the rug pulled and it just ended.
Save Room cleverly takes one of the oldest games in existence and makes it relevant as a stand-alone idea again, albeit only briefly. While the actual inventory management in a survival horror game is a massive pain in the backside, Save Room capitalises on the satisfaction you feel when you finally squeeze in everything you need and it’s legitimately good fun while it lasts. Fractal Projects nail the theme by adding in some ammo-management and health tricks that we’ve all used over the years, but perhaps missed the opportunity to use scenarios to add some depth (or even plot) to the otherwise simple gameplay.
She Wants Me Dead is a concentrated precision platform experience that doesn’t take itself too seriously and wins as a result. My dash through the game was a fun-filled and blood-soaked affair, and despite taking me just an hour, chasing perfection will pose a significantly sterner challenge for those crazy enough to give it a try! With some genuinely tricky patches, the makings of a great soundtrack and swathes of collectable options, this is a game that could (and should!) easily be built upon into a much fuller experience.
Yomawari: The Long Night Collection is an attractive but ultimately long-winded experience. The hand-drawn backgrounds are beautiful and, alongside the impressive sound effects, manage to build a wonderful level of immersion in the static environments. But with no combat to speak of and very little actual action, you’re forced only to run away from the host of spectres at an achingly slow pace. Stumbling through two disjointed stories is slow going since they hang on just a few scattered, but admittedly fun scares without much other meat on the bone.
I wanted to like Kraken Academy!! more than I did. It’s a game that’s wonderfully strange, full of great ideas and has an engaging main story. While I was at the school, I was thoroughly absorbed into the rotting world, obsessed with cleaning it up and building out my friendships. The problem is that outside of the main story there was nothing to keep me past Wednesday, sure a few side quests are present, but they can easily be ignored. In fact the amount of time logged in our ‘At A Glance’ table is predominantly me collecting bottles, even though it was a pointless endeavour. Don’t get me wrong, I recognise this is an indie game and Happy Broccoli Games have done wonders with what they have created, but if the game had just a few additional classes, or something to work towards such as an alternate ending, it’d be a game I’d recommend in a snap. For the price, it is worth a look, so long as expectations are set accordingly.
All-in-all, Gang Beasts is a fun multiplayer romp that’s best enjoyed with a few friends after a couple of beers, but doesn’t hold up nearly as well once you try to take the party online. The derpy characters, intentionally awkward controls, and daft physics will bring plenty of laughs in a room full of pals, but become more frustrating as a solo experience. Ultimately, once you’ve played a few rounds in each mode there isn’t an awful lot of meat on the bone; Gang Beasts is an admittedly tasty morsel, it just carries the price tag of a prime cut.
Ultimately The Lightbringer isn’t a bad game, it’s just not a particularly noteworthy or interesting one. If retro-styled puzzle-platformers are your thing, and you don’t really care about story beyond the most superficial level, then for the price you could certainly do worse, though if it’s a meatier experience that you’re looking for you may want to look instead to some of the titles that provided its inspiration.
Sadly Clockwork Aquario offers little challenge and can be completed in next to no time at all. Once the game has been beaten for the first time everything is unlocked and the only thing left to do is look at a rather nice gallery or try to beat your own high scores. If there is one element that saves Clockwork from being forgotten for another thirty years, it is it’s co-op mode. While the levels stay the same, save for a few extra baddies, the frantic experience of simultaneously playing with and against Player Two is the genuine highlight of the game.
It’s a shame that this game locks what good content it has behind a boredom-wall of turgid cutscenes and pointless, button mashing combat. It isn’t a long game, with around 20 hours of content, but it feels like it could have been a stronger contender if a lot had been cut and a more interesting, better paced story had been presented as the hook. Everything it does well can be found better elsewhere, and, while I haven’t played it myself, the reception to the series’ own first translated title The Gate of the Firmament is far, far more positive
It is a shame that Rift Racoon’s levels weren’t a tad longer and the controller issues prevented a more balanced outcome. Just tweaking the control scheme slightly and spending a few more seconds clearing one extra obstacle, or even having something more to unlock with the gems would’ve elevated the game from “OK” to “Pretty Great”.
Of Bird And Cage is a great concept for a videogame; real care and attention has been taken to produce a quality metal album that tells a story that provokes an emotional response. With a two hour run time and multiple endings, there is scope for replayability, but as the focus has been squarely put against the soundtrack, other areas suffer. Visually Of Bird And Cage does the job, but the gameplay elements felt rushed, and the lack of direction severely hampered my enjoyment.
Ayo the Clown is definitely going to be one that will split peoples opinions based on personal preference on a couple of different gaming aspects. Do you like challenging (sometimes through bad controls rather than good level design) platforming and exploration for collectables? Do you like cutesy-wootsey characters and visuals? Are you a dog person? If you answered ‘yes’ to all of the above then this is a game for you, and one that you should enjoy. If you answered ‘no’ then avoid at all costs.
Just Die Already sounds amazing on paper; old people foregoing common sense and wanting to end their lives in the most over the top way imaginable. The overall look of the game is hilarious and there is some fun to be found in short bursts. It’s just a shame that the controls, as deliberately janky as they appeared to be, are so unforgiving to the point that they spoil the experience and sapped all of the energy from the game.
I can’t call G-Darius HD anything other than a run-of-the-mill arcade shoot ‘em up. While the capture ball and beam duelling are fun wrinkles to the gameplay, they aren’t enough to make the game stand out against a myriad of other titles in the same genre. The achievements and graphics updates are nice but I struggle to look past its short run time and genesis as an arcade cabinet that’s designed to eat your money. Sadly, this just isn’t an ideal console title. Fans of the genre will be overjoyed to have G-Darius HD available in their games library, but I don’t think it will capture many hearts outside of those players who forever yearn for the glory of the arcade High Scores table.
Ultimately, Spelunker Deluxe HD is for those who have the time to memorise the level layout, can handle odd control lag and are “hardcore” in a way most people no longer recognise. This alone hugely limits the audience, but it’s a game likely to have an incredibly loyal fan base but a game that will struggle to attract more players.
Trying to replicate the adventure book style with a grisly horror twist and reality bending plot line is an admirable undertaking, but I’m afraid there isn’t enough attention to detail to pull it off without a lot of confused eyebrow raising along the way. I certainly applaud the attempt here, but I’d say that Retrace comes off as more ‘pick your poison’ than ‘decide your own fate’ in the end.
Comparing Innsmouth with other games is a little bit like comparing apples and oranges. It’s certainly a well-made choose-your-adventure book and is perfect for a bus journey or train ride on a mobile gaming device, but is not something I would say is suited to a fully-fledged console experience like the Xbox One.
Wanted: Dead looks back at the last twenty years of game design and manages to combine shooter and hack ‘n’ slash elements rather cohesively into one of the tightest melee/shooters I’ve played in a long while. Unfortunately, while I will scoop praise on the gameplay until the end of time, there are issues that can’t be ignored. When I wasn’t shooting things with gleeful abandon, everything else was trying to make me put down the controller. The wooden plot and lifeless characters are a given, but the strange minigames, awful level pacing and difficulty spikes left a bitter taste in the mouth. There’s no doubt this is a fun game and I can see a small section of players absolutely loving it to death, but outside a tight knit niche of fans, I’m certain that Wanted: Dead will sadly be quickly forgotten.