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There’s some undeniable fun to be had if you can look past the hit collision issues, or the lack of proprietary support for online coop. The roguelite elements are interesting but don’t feel essential in any sense, almost as if a mandatory box to tick and tickle the fancy of some fans. As a throwback to one of the all-time brawler greats, Double Dragon Gaiden is competent, but doesn’t really pack the punch that the series deserves.
There’s a lot of potential in Atlas Fallen that, sadly, feels heavily bogged down by its forgettable and, at times, repetitive story. If you can look past that, you’ll find Atlas Fallen has much to offer. It’s a great callback to classic hack-and-slash titles, filled with hours of senseless, monster-slaying fun that can be enjoyed with another player online. It’s not without its faults mind you, but it does build a great foundation, one I’d like to see built upon with potential sequels.
Arcadegeddon is tight and very playable, the neon-drenched visuals are cool and stylish, assuming you’re open-minded about all the garish colors and epilepsy-inducing explosions, and it has enough weapon options and character customization to experiment with. But as hours pass, a certain feeling of sameness inevitably starts to creep in. The runs begin to feel dull, the enemy variety isn’t stellar, and all those edgy characters start to blend and look the same.
Unholy started on the right foot with a setup that wasn’t too far from contemporary horror movies, but you’ll be better off waiting for the release of Silent Hill 2 Remake. The predictable descent into madness wasn’t entirely successful, as the netherworld is little more than your average city in ruins and an excuse to add broken stealth elements into what could have been an accomplished narrative-driven mystery. This is a game that works better when it isn’t trying to tick boxes left and right, but once you step foot into the Eternal City, it drags at snail's pace and rewards you with recurrent death and frustration. A mother’s struggle it may be, but making it a player’s struggle as well isn’t exactly what horror games should do.
Clash of Heroes can be challenging and addictive, but there’s an undeniable RNG element that plays an important role in some battles, and you must learn to live with it. Less understandable are some oversights that shouldn’t be in this definitive edition, such as the noticeable AI blunders – ignoring an elite unit merge in favor of a random move, for example. On the other hand, the turn switch animation troubles me, feeling like a second that lasts an eternity, as we’re bound to see it dozens of times per battle. This system would benefit from speed and urgency when control changes from one field to the other, instead of that lingering animation. Can Might and Magic: Clash of Heroes – Definitive Edition be considered as an essential revamp to a cherished game? It doesn’t bring a hefty dose of changes and additions, that’s for sure, making it difficult to recommend to owners of the original; however, new players should be able to discover a gripping puzzle game that, albeit not perfect, still provides many hours of merging and fusing entertainment.
Remnant 2 isn’t trying to reinvent the post-apocalyptic, gloom wheel. Expanding on the concept via the traditional motto of “bigger, better, more” but somewhat ignoring the faster part, this is a solid Souls-like that fans of the original should love. It doesn’t come without a bit of clunkiness here and there, and can be demanding in terms of system requirements, hopefully something that is going to be improved before release, but the added combat and build possibilities offer you new ways to face another set of moody set pieces and impressive bosses. As far as Souls-like go, this series is shaping up to be one of the household names. Just make sure that you know what you are getting yourself into, put some time aside for this adventure, and don’t forget to bring a couple of friends along for this exciting and brutal ride, unless you want to become boss pulp.
Aliens: Dark Descent showcases care and respect for the works that it is based upon. This is the antithesis of a cash-grab – this is a game that tried to deliver something different, something exciting that isn’t a mere rerun of previous offerings. It’s moody, the odds are clearly stacked against your squad but that makes each success even more rewarding, and the tactical scope is extremely enjoyable. Fans of a good real-time squad-based game shouldn’t think twice and just dive into this nightmare, weapons blazing.
Soleil is an up-and-coming studio that has been showing real promise in the mid-tier games space. A space that has gotten less and less attention this past decade. I think that they succeeded here more than they didn’t. I found myself continuing to come back and fight against the frame rate issues and the technical flaws. I like these characters, even if they are more shallow than they could be. I like the tone. Referencing Supa Hot Fire in 2023 and then having your war criminal antiheroes do karaoke or see who can eat the most ramen right before they lay waste to a government building or comfort a child who doesn’t seem to care that his parents just died in the next room is a crazy, weird, off-kilter, fun time. I even liked the combat: as cheap as it may be to get insta-killed by a random merc with a rocket launcher or a ninja flying out of nowhere. I liked the weird pace of it. I liked the puzzle of deciding how to get to the next checkpoint. I just really, really did not like having to fight through a non-stop onslaught of glitchy jittery frame rate issues or other small and large performance issues. I want to give this game at least a 7.5, and if it is ever patched further we might be able to reexamine it, but I can’t overlook something so glaring as countable frames and frequent crashes. I hope that Soleil Ltd. is able to bounce back and stick the landing on the next one because I like everything else I’ve played from them. And I know they’re capable of more.
AEW Fight Forever is a good start which can hopefully lead to much greater things. If you’re a fan of the newest professional wrestling league, then you should purchase this game to send a message to the league that you appreciate their efforts, and you’ll have plenty to look forward to in any potential sequel that may follow this if the game sells well. Wrestling fans in general should check this out as well, because it’s not like you’re exactly swimming in current game choices these days. For everyone else, this remains a hard sell, but that is true of most sports games. If one word could sum up AEW Fight Forever, it’s simply this: potential.
All things considered, even after more than a decade, Ghost Trick: Phantom Detective remains a gem that can’t be missed, and that’s a true testament to its long-lasting quality. With brilliant design, improved visuals that are remarkably smooth and pleasant to watch, a challenging adventure, and a story that has more nuances than you could ever expect during its 10-hour duration, this is a unique game that delivers so many thrills, so many funny moments, that you won’t regret a single minute invested in it.
Regardless if FFXVI is your first Final Fantasy game or you’re returning to the series, Square Enix’s latest game in the franchise lives up to the hype. Forget about JRPG’s or how action-RPGs nowadays need an open world, side quests that last for ages, co-op or whatever gimmick. FFXVI just throws all that out of the table and proves a tightly woven narrative-driven game –when built right — can make up for all those. The minor issues the game has doesn’t detract from the incredible experience Clive & Co. bring to the table. Players will be treated to a compelling tale, stunning visual spectacles, and a fluid and fun combat system. What’s even more impressive is, Square Enix manages to make the franchise “grow up” alongside the players who grew up playing the series. FFXVI deals with more mature themes and manages to make it matter without being overly preachy about it. Those looking for the series’ return to glory, rejoice! Final Fantasy XVI is that game, and this is one fantasy you’ll want to make sure you’re a part of.
Layers of Fear on the PS5 is the best-looking, best-sounding, and best-performing console version of the game yet. Playing with headphones is a must for the biggest scares, though many of the thrills are psychological rather than jump-based. Packed full of four different stories all interwoven to varying degrees, there is also a good deal of content to play through. Combined with multiple endings, Layers of Fear represents a great value for fans of horror games.
Amnesia: The Bunker does what it sets out to do, and after finally completing your mission, you may look back and realize that every chill, every shiver down your spine was absolutely worth the price of admission, no matter the fate of our hardened French soldier.
Street Fighter 6 is a contender for fighting game of the year. Between the plethora of game modes to choose from, a story mode that’s actually pretty entertaining, and what should hopefully be a robust online mode, players are spoiled for choice with this well-rounded package. Some of the grinding inherit with leveling up your character might annoy a few people out there, but considering the method to doing so involves simply playing through more excellent fights, you can’t really complain too much.
Do yourself a favor: ditch your reservations and step into Sanctuary as soon as you can. It’s likely going to be literal hell during the launch queues, but you’ll have a beautifully grim and visceral adventure ahead, one where every leveling up sound will feel like music to your ears. Enjoy it to the best of your possibilities because an action-RPG of this caliber may only arrive in another decade or so, and missing out on Diablo 4 would be something that may just reserve you a spot in hell.
The original System Shock was a classic but also a niche game that never achieved commercial success; this remake highlights the niche aspect but will forgo the classic label. It may entice players who want to see how this updated version looks and plays, and while there’s some considerable tension to be had while going down narrow and dim lit corridors, the fun of being lost in maze after maze wears out quickly, especially when you’re doing the umpteenth scan through the map looking for whatever card or switch you have missed. At this rate, SHODAN is likely going to conquer both Citadel Station and Earth, as frustrating her plans is precisely that – frustrating.
Just when you think you’ve reached the pinnacle of a series, Nintendo comes out with a bigger, more ambitious, creative, and innovative follow-up to perhaps what was already one of the greatest games ever released. The Legend of Zelda: Tears of the Kingdom somehow manages to be better than its predecessor in every way imaginable, once again propelling the series to new heights. It’s insane and absolutely mind-boggling what Nintendo has crafted here, and even more so how the publisher is consistently able to one-up themselves. Believe in the hype because The Legend of Zelda: Tears of the Kingdom exceeds them in every way. I wish I could rewind this whole experience, just so I can play it for the very first time again because if there is one thing that has now dawned on me, the one thing that has now struck a bit of fear, it’s that I now have to wonder how in the world will Nintendo ever top this. I suppose there’s some solace in knowing that this was the very thing I said about Breath of the Wild, so here’s to the future of the franchise.
Minecraft Legends isn’t a bad game; the issue is that it doesn’t excel at any of the genres that it attempts to tackle. In terms of construction, it doesn’t hold a candle to the possibilities of the original, and to be fair that isn’t quite the aim here – still, it could do a lot more than it currently does; as a tactical warfare game, it’s a simplistic and yet occasionally convoluted take offering slim options to engage in deep and meaningful combat, instead ruling by numbers and basic unit expertise that won’t get your commander juices flowing. Conqueror’s Blade is one of countless examples that perform this art of war in superior ways, balancing complexity with fun in a rewarding way. Too shallow for players looking for a challenge and too complicated for younger players, creativity is mostly absent in this spin-off. Minecraft Legends may retain some of its original blocky charm, but the fun aspect was lost somewhere along the way, being replaced by repetitive gameplay and frustrating unit control woes.
While there are tech issues (a lot, to be honest), Survivor is still a very fun game. There are bosses to vanquish, people to help, and even if the story isn’t the strongest part of the game, you’ll still want to finish it just to see how it plays out. Respawn hasn’t hit the dreaded Sophomore Slump with Star Wars Jedi: Survivor, but it’s not the massive follow-up that a lot of people (including this reviewer) were hoping for. It manages to keep the status quo in providing a fantastic Star Wars experience, but one that’s marred by technical issues. Don’t get me wrong, this sequel is definitely a must-play for any Star Wars fan, but it could have been so much more, given more time and polish. Star Wars Jedi: Survivor is a fun action game and a worthy follow-up from Respawn; just be prepared to fight some of its tech issues along the way.
Creating something innovative is a massive gamble, and God of Rock is trying to achieve something like that, but it sadly falls short. Some strange design decisions and a gameplay style that doesn’t really excel at any of the genres make this one an honorable but ultimately lacking effort – this isn’t quite the new challenger we were hoping for.