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Enjoyable, frenetic, and filled with good humor. The game mechanics are simple, but somewhat attached to other games.

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A WWE game that brings back the quality and the fun that we remember from the PS2 days. Capable of entertaining anyone, even non-WWE fans.

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In short, MES 5 gathers the condiments needed for great supercross races, with good feelings on the bikes. It still doesn't seem to us the game capable of operating the generational jump, nor does it get a complete jump from any of the four games in the series.

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A cheerful, fun and quite easy platformer. The concept is solid, but could be more iterated.

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In online terms it is above all the consistency that prevails, and although many modes and game options are recovered there is a good variety of media at your disposal, with adjustments and new weapons that make battles even more chaotic. Splatoon 3 does not surf the giant wave of novelties, but consolidates the online and produces a very challenging and exciting "single player" campaign. Other modes will be added in time, so we'll also be keeping an eye on these upcoming additions.

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FIFA 23 shows a lot of familiarity with last year's version and given that we are facing an annual release, it's easy to see why that happens. However, the gameplay tweaks, refinement of artificial intelligence and animations, along with changes in FUT 23, especially Moments, make it a more fun game than last year. Career Mode amuses those who prefer not to play fut, the gameplay grabs you and above all remains a fever for those who will join the competitive.

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Scorn is unlike anything you can expect, sins somewhat by the lack of final satisfaction and a misfit and rudimentary gunplay. Short-lived, it is worth the visual presentation of a different concept in a genius of the unknown, to know what comes next and how we will achieve it. But more was expected of this title, or on the other hand, was it too required of the producer? It may be a case of too high expectations. Those who have the Game Pass can always try, but I prevent the high level of violence.

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I have no doubt that compared to Kingdom Battle, Sparks of Hope is in almost everything a superior game. The greater weight of real-time action produces more stimulating situations, with more fun, faster and combination-packed combat. Sometimes battles take place in large spaces, filled with enemies, so strategy and better combinations are indispensable. But in combat it is surely a forward, keeping the system in turn. Then there is a whole set of main, secondary missions and a lot of exploration in the intricate worlds, with outdoor and inland areas that invite you to visit. An iconic and humorous journey in this crossover of diametrically opposed characters though united in a single goal, defeat Cursa and save the galaxy.

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A Plague Tale: Requiem has entered directly into my list of favorite games of the year and if you have a special taste for single-player cinematic experiences, it will also be one of the brightest moments of the year for you. Asobo Studio has outperformed itself in virtually every way and without losing the essence of what made the first so interesting, introduced novelties, expanded the scale and really achieved a beautiful, captivating experience and during which you will hardly feel like stopping playing.

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For better or for better, this collection is an adaptation that denotes the stabilization of a pc's bond transfer line. Started with Horizon Zero Dawn in 2020, extended later with Days Gone and God of War. It is noted that Sony is increasingly speeding into this design, and a superior ability to achieve it with an increasingly refined end result. It remains current, Uncharted: Legacy Collection of Thieves is filled with fun, with a cinematic narrative that fills the measures. Clearly, very much aimed at those who have never played on a PlayStation console.

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I did everything to like Gotham Knights and when the narrative started to heat up, I began to feel that Warner Bros. Games Montreal could come up with something special. However, despite the arresting narrative, the open world design and structure attached to optional tasks, sometimes difficult to discern, pushes the overall experience down. Overall, in graphic terms it manages to satisfy and despite the falls in performance in more intense scenes, it is atrocious artificial intelligence that really harms you. Constantly repeating optional activities that only highlight your weaknesses didn't help at all. There is a face here, in the main narrative that almost looks like a linear story game, that manages to grasp, but then there is the other face, the design created around the open world that pulls it dangerously to a boring side.

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It took me about 20 hours to get to the end of Bayonetta 3. I was in no hurry and i willingly instilled in the exploration of the various chapters. I didn't get everything there was to catch, so for those who like to do everything, there's still plenty to squeeze. As a fan since the first Bayonetta, this third game made me completely satisfied and brought things I couldn't even imagine. It's a peak for the series and a new benchmark in the genre. Bravo Platinum Games!

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Although not perfect, Dakar Desert Rally manages to capture the essence of the races it portrays.

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If you want something to relax after a day of work or after school, it is best to look for alternatives to Call of Duty, because it is most certain that your stress levels go up to unhealthy levels.

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Epic, emotional and enduring. A mind-blowing journey through Norse mythology that goes beyond what we could have hoped for.

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Sonic Frontiers is a game that involves tolerating some frustration and during which I found myself forcing myself to like it, when even the game itself didn't seem to want it. The concept of open zones for extremely fluid and dynamic gameplay, which grows according to your interaction, is very good and has immense potential, but it often feels like we're playing a beta. Camera problems, extreme pop-in graphics, inconsistent controls, lots of fun little tasks and an exaggeration of mechanics affect the experience. Here is the basis to build a spectacular game.

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So we have the arrival of this WRC Generations with a farewell flavor, from a generation of titles delivered by Nacon. There is not much evolution here when compared to the WRC 10 predecessor, and it is difficult to recommend it to those who own this version. It is worth the improvement of physics and visual touch-ups. It highlights the new cars that will delight aficionados of this sport so particular and engaging.

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The game world is excessively empty, not only because of the lack of density of vegetation and other elements, but for the lack of activities. Cities contrast a bit with this, expressing life, with happy NPCs walking back and away, and lots of shops to enter, where you can buy clothes and accessories for your character. Outside the cities, you'll only find huge beams of light on the horizon, symbolizing the crystals where you can participate in Tera Raid Battles (which are virtually identical to the Max Raid Battles of the previous game). Pokémon Scarlet and Violet had a lot to gain if they had been postponed.

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The Devil in Me is another chapter filled with mysteries and narrative intensity, with a formatting that continues the good work of Supermassive Games. I managed to hold on from start to finish, always in awe, but at the same time wondering what would come next. The restlessness of spirit is the flame of this whole narrative, in an adult bet only directed to lovers of suspense and terror, who like to feel strong emotions that make us feel alive. It is almost 10 hours that can be repeated after the first final, in an attempt to save all the characters and achieve the ideal end, if you like this type of epilogues.

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Thirty years after the last Monkey Island signed by Ron Gilbert and Dave Grossman, Return to Monkey Island comes to us in this nostalgic and fascinating way with which we recognize old characters and a legendary unrevealed secret. It's a whole construct based on the power of narrative and how humorous and fun it can be in exploration segments, or simply in puzzle operations. The magic of Monkey Island is still there, the familiar tone of the voices toasts us with echoes of the past, but it is also a new adventure, filled with new characters and a fervent leap in the chapter of surprises, being visual art an element of this ability with which it successfully surprises. The contestatory voices have been silenced and today, both new players and veterans seek such secrecy with the same fervor as 30 years ago.

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