Polygon's Reviews
Story has never been the pull of the Ys franchise for me, though, and if you're not yet familiar with the series, it's not why you should give this game a chance. And make no mistake: You should give Ys 8: Lacrimosa of Dana a chance. Developer Nihon Falcom has always been talented, but this project represents a new high for the studio, a game where each piece comes together and interlocks in a way that feels damn near perfect. Don't let the obscure name fool you; forgettable story aside, this is one of the best action-RPGs of this generation.
Of course, it's no surprise that NBA 2K18 looks good; the series has looked the part since its advent on the Dreamcast, staying relevant visually and staking out its own part of basketball culture. NBA 2K18 continues the trend, capturing the feel of basketball's urban centers in The Neighborhood.
Heat Signature is one of the tightest indie action games I've played, packing a maximum amount of excitement into a minimum amount of time and space. My first few hours with the game were genuinely wonderful, filled with rapid-fire moments of delight and triumph. But when I hit my personal skill ceiling, I could do no more than repeatedly bang my head against it. I respect Heat Signature. I admire its success in accomplishing with such skill what it set out to do, and if it had been more forgiving, it wouldn't be as tense. Heat Signature's laser focus on in-depth mechanical play with high consequence is at once what made it satisfying for me to play and what made it easy to put down and walk away from when I hit the limits of my tactical creativity.
Danganronpa V3 is one-of-a-kind. It got me attached to characters within minutes before ripping out my heart. It twisted and turned in every direction, and there was always something new and even more terrifying on the way, leaving me little time to mourn my fallen friends. This may be a game that's mostly about reading text, but it still managed to make my heart race.
It's hard to deny how much of a blemish Marvel vs. Capcom: Infinite's visuals are, but it would still be a mistake to skip this entry for that reason alone. The fast tagging system and the Infinity Stones change up the series' standard mechanics and open up so many options for creative play, no matter your skill level. Infinite is expressive, exciting and fun to play, but the visuals inspire more eyerolls than the hype this series deserves.
NBA Live 18 is best for a very personal brand of basketball, focusing on a created superstar and the moves that make him stand out in a game that skews more toward individual play than teamwork.
Death of the Outsider offers a standard take on the Dishonored formula, tracking closely to its admirable ethos of freedom and choice in a world of subtleties and illusions. It's a decent finale with a solid central character. But it makes little attempt to try anything new, a sign that all the best ideas are likely going into whatever comes next.
A lot of different things can happen in Divinity: Original Sin 2; it's an RPG that is overwhelmingly about planning ahead yet still being completely taken by surprise.
Hiveswap: Act One is brief, but I already have a lot of hope for the world and cast introduced here. (And the music. Oh god, yes, the music.) There's a lot to see, and anyone looking for a light-hearted adventure will have a great time. Despite its minor bugs and short length, both Homestuck devotees and those who never experienced the webcomic will find a fantastic, humorous introduction to this new pocket of an already-massive universe.
Although EA Vancouver planned a three-year rejuvenation of their hockey series, NHL 18 seems like it's on the downside of generational sports games. While Threes adds some zest and significant features, that's the only notable addition to the game. When the introduction menu pops up and “What's New” offers only three choices (one being a tutorial), 2017 is not a good year. NHL 18 is (as always for this series) more than competent, but for the first time in a while, it's a “wait for next year” revision.
To call Metroid: Samus Returns a remake feels unfair. Remakes are old games with new coats of paint: an upgrade in resolution here, reworked artwork there. Samus Returns is far more than that. It's a top-to-bottom reimagining, bringing the bones of a game that's over 25 years old into the modern era with fantastic results.
The no-frills quality of NASCAR Heat Evolution meant NASCAR Heat 2 had to show a little more than just great racing this year, and it does in spots. There's a lot of variety in NASCAR Heat 2, it's just more immediately seen in things like the one-off races or online multiplayer.
Hellblade is not an Orphean quest to retrieve a dead lover from the underworld. It's not some epic tale of revenge. It's an education and contextualization of being psychologically different in the time of Vikings and Celts. Nearly every facet of the game — whether it's combat, puzzles or exploration — is deliberate, pointing back to the overarching theme of what people called “cursed” during that time. Hellblade successfully weaves metaphors of grief and loss into fundamental game mechanics and rich folklore, and through these I felt like I truly was able to understand how someone else sees the world.
As an overall product, Destiny 2 is an incredible feat.
Knack 2 is an entertaining platform game like those of yesteryear. It's been created with due care and attention. Sure, it's old fashioned, and its story is appalling. But it's a reminder that the character-led platform combat game is still alive and well. Despite its good looks, it's more a work of engineering than it is a work of art. But, as my kid said to me after we'd mashed our way through a co-op level, it's kinda fun.
That story stops in a beautiful place at Episode One's end: a cliffhanger that makes me want Episode Two, stat. I'm a little nervous about having to deal with more of Chloe's pop-punk-esque "I'm not OK" pontificating. But based on what I've seen from Before the Storm's premiere, I'm willing to tough it out alongside her, and Rachel, and the rest of Arcadia Bay.
Songbringer is a game where playing it more than once is the point; it's what justifies the game's whole existence. But each time I fed in a new world seed word, I found myself enjoying the game less. The generated worlds are an interesting gimmick, but they spread Songbringer's shallow mechanics too thin. The game provides nearly limitless worlds to explore, but it didn't give me much motivation to keep at it beyond those first couple runs.
Last Day of June is a narrative puzzle game that makes full use of a wide range of powerful emotive devices to make its point. Its fairly straightforward puzzles won't keep you up, scratching your noggin at night, but the effect of its wonderful characters and the love they have for one another will leave you feeling like you belong to something bigger than yourself.
Absolver recognizes its singular goal of building a robust, satisfying martial arts combat system. It leans into those strengths, and it's a better game for it.
Mario + Rabbids manages to walk a narrow road, offering up a legitimately challenging squad tactics experience without alienating the family friendly Mario audience. While it doesn't quite have the full layer of spit and polish of an in-house title, Ubisoft comes damn close to capturing that Nintendo magic.