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It's sure to capture the attention of anyone who sees it in action. Thankfully, the game more than backs up its aesthetic prowess with rewarding combat and exploration systems in place. While the combat hardly changes over the course of the adventure, Apotheon asks the player to apply their knowledge in such a wide variety of ways that it constantly feels fresh and exciting. The ancient Greeks valued balance and harmony in their art, and Alientrap has accomplished just that.
Overall, The Lost Lords is a fine episode for Game of Thrones: A Telltale Game Series, but it does not stand out. It is not exactly filler, but it does feel like it exists almost entirely as exposition, putting the pieces into place for all of the really exciting stuff to happen in a future episode. It does begin to demonstrate the far-reaching consequences of each character's choices, but it lacks the truly memorable scenes found in the first episode. If Iron From Ice felt like a punch to the gut, The Lost Lords is the throbbing pain afterward.
There's also an amusing two- to four-player competitive multiplayer mode that pits robot Pixs against once another. You collect eggs to use as single-shot ammo to stun your opponents and make a point by dashing into them. The Arena rounds out a varied package that, some looseness to the controls aside, manages to be fun in a few different ways.
#IDARB reminds me of the core reason why I play videogames, the honest fun and good spirit of the design with the tight competitive gameplay make this a perfect game to sit back and let the world slip away. It has its flaws here and there, and it's not got a ton of variety, but I love it. Besides, it's free on Xbox Live Games with Gold right now, so just grab it, ya dingus!
Gunman Clive 2 has a few problems that newer gamers may have issues with, but this retro fan is more than satisfied. The $2.99 pricepoint is the cherry on top of this delicious platforming dessert.
For now, we're left with our first glimpse at Arcadia Bay, our initial look into the life of Max. It was a slow, yet well-paced initial chapter that set the table more than anything else. There's no telling where the story will go from here. But, as Chrysalis faded out, an indie song played that felt wonderfully at home in this setting, and served as a warning of things to come. It chanted "We will foresee obstacles, through the blizzard, through the blizzard."
I'm interested in seeing where this goes, even if Sledgehammer wasn't able to carve out their own signature mode. If you're just in it for the maps, you can probably skip this one.
Dying Light often boils down to "Zombies: The Videogame," but it's fun to flip around like a ninja and cause havoc while you shuffle from one mission to the next. For many of you out there, that's basically all you'll need.
The story it tells is heartfelt and relatable despite ostensibly being about a ghost who orbits tiny planets in search of giant animal spirits. At its core, it delivers a narrative about a young girl having to grow up even though she might not want to. Her journey is intensely human, even as she zips past a sun with her brightly-colored hair trailing behind.
However, there's still a somewhat decent game beneath the frustrating amalgam of boring, grinding gameplay and bizarre design decisions. There's a lot of potential behind the scenes that could be reworked into a much more satisfying experience. As-is, Citizens of Earth is at best a semi-mediocre journey with lots of quests to complete. Alas, it seems that while it tried its best to do so, it just couldn't quite grasp EarthBound's true form.
If I wanted to worry about all that, I'd just go to a college campus and listen to people complain for a few hours. As it is though, I hope that more developers take a cue from Saints Row and realize that it's still okay to tell jokes and implement cartoony violence that's still ridiculous and fun. I know gaming as an industry is maturing and people want to present new ideas and make statements using the media, but luckily, whenever I feel like I need a break, I will have Saints Row proudly on my shelf.
Although I'd love the chance to play a remastered Resident Evil 2 for the first time with updated controls, I'm glad Capcom decided to revive the first entry again. Resident Evil is truly is a timeless classic that every generation should enjoy, and a perfect example of how to do survival horror without decking players out with a full armory. Welcome back to the mansion.
Chris: I would be okay with never hearing "Daddy-o" ever again. But yeah, there aren't many runners on consoles, and the genre deserved better. They can be special at times and at the very least a fun time waster, but funk this.
All in all, Dead Kings adds up to a package that's somewhat schizophrenic in nature. At times, it seems like both the story and the gameplay aren't quite sure where they want to go. Even more surprising, it kind of works. Anyone that knows Assassin's Creed will feel an innate familiarity with Dead Kings and maybe even a bit of excitement (particularly the last section, which conjures memories of a classic series moment). However, there's an air of freshness about it that works in some ways and falls flat in others. Dead Kings isn't likely to reignite anyone's love for Assassin's Creed, but it certainly won't extinguish any existing flames, either.
Legend of Grimrock 2 will consume your mind in many ways. The puzzles will slowly tear away at your brain until they are solved, and the amount of focus needed for just about every combat encounter is through the roof. Grimrock 2 can forever be referenced as a "perfect sequel." It doesn't go nuts adding idea after idea to make things more convoluted, but instead refines what already made the experience amazing while expanding those ideas noticeably enough.
Super Mega Baseball should be your next purchase if you moderately enjoy baseball on any level. Although it doesn't have the bells and whistles you may expect from a recent sports title, you'll be playing for quite some time based on the strength of the core game alone, whether it's by yourself or with friends.
Fans of the Justice League (or DC comics in general) will get a lot of enjoyment out of this game, but I wouldn't recommend playing if you're looking for a Batman adventure. There's simply too much fun to be had in the DC universe to give it all to one man. As far as Lego games go, it's not perfect, but it delivers a solid story and a plethora of DC characters to play around with, which is more than ICE can ask for.
The first Dead Island was absolutely ridiculous and quite flawed in my opinion, but because I can feel the love that went into the game and thus the care, it's a blast to play in some areas because the developers cared if I had fun. Unlike its predecessors, Escape Dead Island feels devoid of heart or identity. It is a cruel reminder of the shovelware that plagued the PlayStation, PlayStation 2, and the Wii and behind its generic facade hides a malnourished newborn of a game starved for nutrition and attention.
Like the Metroid titles that inspired it, the music, graphics, and world/enemy design are more than worth revisiting a few times a year. This may be Renegade Kid's best game yet, despite its relatively short length. I hope this isn't the last time we'll be invited to adventure with this mysterious new space explorer. Were they secretly a girl the whole time? Hopefully we'll find out next mission.
The Crew offers you the entire countryside to explore solo or with friends (or strangers), plenty of cars, customization options, and a narrative that extends a purpose beyond "being the best" to get your motor running. Ubisoft's familiar structural pitfalls like microtransactions, online-only play, and other trappings hinder rather than enhance, but those things have become par for the course by now. Thankfully, they don't mar the overall experience, and that was an overtly positive one for me. I don't need a crew to cruise downtown Chicago or the west coast. I was just fine going it alone. And if you settle in for a few hours and let the game take you, I surmise you will be, too.