Cameron Kunzelman
Until Dawn is genre-changing across the board, and I literally cannot wait for other games to pick up even 1% of what it brings to the table in terms of narrative and design innovation.
If you commit and dig in, you'll be rewarded with that rare feeling of accomplishment in a videogame. Not because you leveled up or because you managed to get one over on the game, but because the puzzle feeling of Into The Breach makes the game appear to be extremely fair. I never feel like I've been tricked when I lose, and I never feel like I've done something out of bounds when I win.
Project CARS is a racing game that simulates the act of racing lots of different vehicles in locations all over the world. It is very excellent at that, and if you like the idea of a racing sim you should give it a shot. I had a great time racing around the tracks, but it isn't something I am going to turn on very many more times. If a good simulation of driving cars at moderate-to-fast speeds is what really rocks your world, buy this game because I don't think it gets better than this. If you want something a little more exciting, grab the infinitely-excellent Blur or start rocking your Big Wheel again.
Ni no Kuni 2 aims for a lot of different targets: world-spanning story, management sim, recruitment game and solid combat experience. Against all odds, it manages to hit them all in a way that very few games in its genre can manage.
Cameron Kunzelman tweets at @ckunzelman and writes about games at thiscageisworms.com. His latest game, Epanalepsis, was released on May 21. It's available on Steam.
I 100% enjoyed all of my time with The Beginner's Guide, despite a few instances of clumsy writing, up to the point where the last chapter slipped over into the epilogue. I feel like the tail end of the game is almost kitschy in how it plays out, and I believe that the game would have been so much stronger and braver for ending with the last voiceover of the final chapter. By continuing to go on and on with the narration, I felt like I was being robbed of significance by someone attempting to visually and emotionally sew up something that could not be repaired. This is all to say that you should play the game.
I’m already excited about the next Momodora game. I’m going to play all of the previous games, and then I’m going to anticipate and wait for the next one.
I had a really great time making my way through Resident Evil 7. It was a smart move to borrow from the last decade of horror-ass horror game design. Distancing it from its recent action game past gave me anxiety, but ultimately made me happy.
No matter what you think of that, if you've ever thought of playing a Hitman game, then this is the one to grab. If you haven't ever heard of a Hitman game before, then you should just play this damn game and embrace the weird, wild world of sandbox murderin'.
It is the lightest possible complaint to say that I had a great time with a videogame, and I have already ordered the PS4 version of the first game to go back and play. I've also read the first year of the tie-in comic book to find out more about this weird fork universe of DC Comics. I guess I'm now waiting for Injustice 3 to come out. I need to know what's up with Swamp Thing and the wild world of a nature worth fighting for.
Dead In Vinland scratches the same itch as Darkest Dungeon's less combat-focused parts and King of Dragon Pass's more personal moments. It's unique in the world of games, and it shows what the medium can do when it's committed to a distinct vision of what numbers-and-narrative can do when they're understood as intertwined and integral to one another.
Overall, I think Streets of New Capenna hits the sweet spot for what a Magic set can be. It is weirdly experimental on the creative side and tries to afford a huge amount of possible play experiences due to some new mechanical design on the game side.
DMC: Definitive Edition puts a decent game back in the limelight with some additional content that launches it up above decent and into great. Also there's a moment where a demon yells "fuck you" and Dante yells "fuck you!" and then the demon yells "FUCK YOUUUU!!!" and now you get to experience that in glorious HD resolution at sixty frames per second in the year of our Lord two thousand and fifteen.
Guild of Dungeoneering might be my new thirty-minute game, unseating Spelunky as the game I play while waiting for dinner to finish cooking or while I'm listening to an album. It keeps me playing without bleeding me dry, and I think about lost fights and incomplete dungeons for longer than I should while not playing the game.
Ultimately, it’s an excellent game that delivers an engaging story, and that’s what’s expected and desired from Torment: Tides of Numenera. Sometimes it’s clunky, and other times it is sluggish, but mostly it’s an engaging game that rarely disappoints. If only everything was this way.
Does The Escapists explore or expose anything the average person doesn't already know about prisons? I don't think so. It is a puzzle game, and if you enjoy puzzles and you have an extreme amount of patience, I would encourage you to check out The Escapists. If you're looking for a hard, or systemic, view on prisons, I would suggest looking elsewhere.
At the end of the day, The Handsome Collection contains more Borderlands than I would ever want to play, and the likelihood that you will enjoy it or not has more to do with your being a fan of the series already or not. It is an immense amount of gameplay "value" for what you will spend on the collection, and if you're looking for something to kick a few hundred hours into, there are less interesting games you could be playing.
Cameron Kunzelman tweets at @ckunzelman and writes about games at thiscageisworms.com. His latest game, Epanalepsis, was released on May 21. It's available on Steam.
It sort of did, but the stress never dissipated.
The Flame in the Flood gives us familiar territory. The world has gone back. There's jangly southern-style music with heartfelt vocals. There's crafting. But there's real wonder in those moments when you're just trying to get another mile down the river so that you can live a few more days. There's something special about staying afloat in all of that ruin. The Flame in the Flood is a beacon, something golden, in a worn-down world.