Anthony Shelton's Reviews
There's no making up for a lackluster story that clearly pads the game length, unimaginative missions, or a weak combo structure, but Arslan: The Warriors of Legend could have been a much better experience had it not been marred with inexcusable framerate problems and sullied with glitches.
Shing! misses the mark of great beat 'em up by a long shot; which could have been avoided with more attention to detail. If Mass Creation put in the effort, it could have been one of the best beat 'em ups this generation. But we're stuck with something too dull to take a bigger slice of that audience.
Battlefield 2042 felt like an eternity away, but now it’s only a little over one week from release. After spending three days with other media types playing the next giant war game, I can finally say it’s ambitious but isn’t able to match the ambition so far. I say so far because while we did play online with our group and while we did have at least 4 hours with each mode (some of us had six with Breakthrough), that’s not enough to properly assess modes like Hazard Zone and Portal. I also don’t know if they’re going to start the battle pass during the early access period. So for now, check out my review-in-progress.
Depicting the horrors of an asylum with animated pictures was a tender touch to sensitive imagery. Even the 3D animations conveyed moments with care. But the story is confusing and painfully disappointing and the translation errors make matters worse. So I can commend LKA's efforts, but I can't recommend The Town of Light.
Story can’t be the thing that carries a video game and story is all Eisenhorn: XENOS has. A character as powerful as Gregor Eisenhor, with a great voice actor in Mark Strong, and an epic story deserves more than a glorified version of a mobile game. But brainless combat and mechanics, crummy audio, and unacceptable bugs keep this game to no more than a book promotion.
Deputy Dangle as a whole is like a good joke told too many times. It’s another wobbly physics game that doesn’t add anything significant to the sub-genre and the creative missions it has get played out because they’re too long. Combine awful PC controls, unstable framerate, uninteresting fourth grade humor, and game-breaking bugs and it becomes another indie game that should’ve only been an internal experiment.
Hindsight 20/20: Wrath of Raakshasa tries to convince you that your choices matter and that you should feel bad about some choices and good about others, but they don't matter because you don't connect with the characters or the world they inhabit. Your choices change outcomes, but many of them feel unnatural or contrived, and most are signposted making it feel like the game is trying to tell you that choices matter rather than letting you experience the impact. Tack on an awful presentation and bland combat and you have the recipe for a game that ultimately doesn't matter.
Redfall resembles the vampires it's based on. It lacks identity, and sucks the life out of you. Every time I see a spark of potential, it's stomped out by bugs, braindead AI, and an empty world not worth exploring. I wish Arkane well in their next endeavor, because they need to let this one die.
Much of the best parts of Dodgeball Academia are centered around playing dodgeball, but the story bursts with fun and positive themes, even though it does meander a little bit, and throws in a few themes that aren’t fleshed out enough.
New World’s ideas come across as very solid, but the more I’ve engaged with it, the more I see problems. Those problems have nothing to do with the foundation of New World, however. There is nothing fundamentally wrong with New World besides the economy and lack of main missions, and only the former can destroy the game. The rest of the issues can be fixed with time and enough attention to the details.