Kenny McKee's Reviews
Overall, My Time At Sandrock is a great game. There’s tons to do, and it’s got plenty of depth. If I had played it on, say, PC or PS5, I’m sure it would have run fine (or at least serviceable). But I didn’t. I played it on the Switch. And the Nintendo Switch version of My Time At Sandrock is a crunchy, crusty, stuttering mess that I very much recommend that you stay away from.
Ports can be great, but it’s important to know the distinction between “can I port this to the Switch” and “should I port this to the Switch.” In the case of Kickerhino World, the answer to the first question might be yes, but the answer to the second is most definitely a no. This game’s already been around for years, and it somehow plays worse now than it ever has before. Not by leaps and bounds, no, but worse is still worse when there’s as little gameplay going on as there is in a game like this. It may be free of ads and those all-too-pesky premium currencies, but it’s still not worth the money.
Apparition is yet another example of a game being good in concept but bad in execution. I truly wanted to like this game. There are some really neat concepts, the ouiji board is fun to play around with, and the idea of only being able to bring along certain pieces of equipment could make for a grand, albeit nerve-wracking, time. Unfortunately, instead of the game that Apparition could have been, we got what essentially amounts to a slightly more developed Slenderman clone. The moral of the story: don’t’ ever assume that a game will be good just because it sounds like it should be.
Tiny Racer isn’t the equivalent of you having a grand ol’ time driving your toy cars into one another as it the equivalent of you trying to race said cars down a toy track, only for your little brother to run in, yell “mom said it’s my turn,” despite it not actually being his turn, and start picking the cars on your track and chucking them at each other. It’s frustrating, unfair, and it’s really not something that you want to deal with.
While I don’t ever really discuss why I score something the way I do in a review, I’ll admit that I struggled a bit with this one. I mean, this game is basically Qix, right? And Qix was good, so doesn’t that mean that this game is also good? In short, no; it doesn’t. While I understand what Bishoujo Battle Cyber Panic! was trying to do, it ultimately fails to provide anything novel to the table and doesn’t go anywhere near being as zany as Gals Panic did. If you have a few bucks and like both Qix and anime girls with no sense of artistic consistency, then go for it. Otherwise, I’d just go play one of the original games.
Necromunda: Hired Gun had the potential to be a great little romp into the delightfully dreary world of Warhammer 40k, but it missed the mark on getting there. If you really, really like Warhammer and want to scoop up every little piece of lore that you can, then there are worse things that you can buy than this. Unfortunately, unless the developers decide to dedicate some time to get things running properly, Hired Gun isn’t going anywhere good any time soon.
As strange and unprofessional as it sounds, I’m going to tell you that Song of Horror is only getting a sub-par score because the developers allowed such a dangerous bug to both exist and hang around as long as it already has. The game itself is an incredible homage to classic horror games with just the right amount of modern-day infusion to allow things to run smoothly (when they are running, that is). Bug-free, Song of Horror is scary for all of the right reasons and is absolutely worth checking out. However, in its current state, I’m not so sure that it’s scaring players in the way that it intends to. At least the PC version supposedly works just fine!
It isn’t really very often that I’m so negative about a game, but Neptunia Virtual Stars does so many things wrong that I just couldn’t ignore it. Normally, this would be the part where I would say, “only get this game if you’re a fan of the series,” but I’d be wary even then. As little as I’ve talked about it within this review, this game is obviously little more than an attempt to pander to the Vtuber fandom. I don’t say that with any disrespect—if you like Vtubers, then more power to you. But, Idea Factory, next time you make some sort of crossover titles, keep in mind that you’re capable of making quality crossovers—like Superdimension Neptunia VS Sega Hard Girls—and maybe don’t try to patch up a lack of content by slapping Vtubers everywhere like they’re bandages.
You might have noticed that I’ve reviewed both the Switch and PlayStation 4 versions of this game. And, while I fully admitted that I had fun with the PS4 version, I can’t say the same for this. Part of the appeal of the Switch is being able to play the game on the go—something that you can’t currently do with this version of the game. If you really want to play the game and don’t want to wait, I’d just suggest getting it for PS4 as it runs more smoothly. But, for those diehard handheld fanatics out there, I’d hold off on getting this until it gets patched. If it ever gets patched at all.
eaturing a short, bland adventure, a nearly-nonexistent plot, and diverse characters that are ultimately bogged down by the in-game Stamina mechanic, Touhou Double Focus probably won’t satisfy anyone who isn’t a diehard Touhou fan.
For a game that’s supposedly Rune Factory-adjacent, I’ve got to say that I feel a little let down here. Between its engaging premise, large cast of playable characters, and emphasis on crafting, Silent Hope offers a lot to players but never really goes anywhere interesting with it. As a fan of both Marvelous and Rune Factory, I know that this developer is capable of creating games with plenty of depth. Ironically, however, the game about literally exploring a near-endless abyss isn’t one of them. The game does have its charms, to be sure, but the sheer amount of potentially cool things that it could have done (and didn’t do) left me feeling more frustrated than anything.
I really don’t like having to pick on Mugen Souls as much as I did throughout most of this review. All-in-all, it was a fun JRPG with an entertaining storyline. I also understand that this game is a remake of something that came out a decade ago. And, heck, this game even has every bit of DLC (of which there is a lot) that was released during its initial run included for free! Unfortunately, neither of those things can entirely make up for the game’s misgivings. If you’re a fan of Compile Heart or JRPGs with weird and wacky stories, it might be worth giving a shot. I would, however, caution those out there who only want to spend their time playing RPGs with a bit more… well, quality.
There’s something great in Saint Kotar, but I can’t exactly tell you what. It feels like a great game is, well, kind of stuck inside of a “just okay” game at the present. The atmosphere, premise, and voice acting are stellar, but are ultimately brought down by pacing that doesn’t quite feel all too thought out. I spent the entire game feeling like I was working toward something great—only to still feel like I was “working my way up” by the time I got to the end. There was never really any true “closure” in Saint Kotar. And, while the game was good in many aspects, I think that that was what let me down the most. Ah, well, it’s still probably worth a play if you’re interested in this sort of thing.
Defend the Rook is a great example of what happens when you have a really solid foundation but ultimately don’t end up doing much with it. While I enjoyed my time with the game I couldn’t help but feel as though I was playing some kind of extended demo. Yeah, it was fun, but it got same-y really quickly. And that is definitely not good when it comes to roguelikes. Would I recommend Defend the Rook? I’m not sure, honestly. I guess I wouldn’t steer you away from it if you wanted to buy it, but, unless they start adding content (which they should because what they have is fun!), I don’t know that I’ll be chomping at the bit to suggest it to people that I talk to.
I’ve scrutinized Coromon pretty thoroughly, I’m not going to deny that. But I don’t think that my decision to do so was unfair. When you’re going to directly compare yourself to something that’s already been established, you open yourself up to the criticism, both positive and negative, that comes along with it. And, truly, there was a bit of both when it came to my outlook on Coromon. Was there a bit more negative than positive? Sure. I think that this game has a way to go (perhaps via means of a sequel) before I could truly say that I’m satisfied with it. But is the potential there? Yeah, absolutely. Between the gorgeous creature spritework and the way that the game simultaneously handles stat distribution and “shiny” hunting via the Potential system, there are some true moments of brilliance tucked away with in this game. And I’d like that brilliance to, *ahem*, shine bright. But it’s going to need some work to get to that stage. And only time will tell if it ever actually gets there.
Crystal Clash, much like the battlefields on which it takes place, is very middle-of-the-road. It has some legitimately cool ideas, and I won’t even begin to pretend that I didn’t have fun with it, but, between its overly linear approach to deckbuilding, and its equally (albeit purposefully so, this time) linear approach to combat, I feel like this game still has some growing to do.
For the sake of fairness, I’ll admit that I genuinely enjoyed playing through Malgam Lord, and I think that it definitely has a niche fanbase that will enjoy it just as much—if not more than—I did. Despite any personal enjoyment, however, I can’t help but feel as though it’s ultimately a very middling game. While Maglam Lord does have some decent high points in terms of its story and setup, its bland level design, repetitive combat, and compressed crafting system weigh it down to an unfortunate degree.
If games like Tiny Metal and Wargroove are a step away from Advance Wars, then Möbius Front ’83 is a step away from those two. It’s fine in that it’s functional and (mostly) competent, but there are, for lack of a better term, better tactical war games out there. As cheap and easily accessible as this game is, you’re not going to be hurting yourself if you get it. It’s fun in its own way, and the extras that it offers—like mini-games and actual US Military documents and literature (yes, really)—are honestly pretty cool. However, as a tactical war game, it’s not going to be coming out on top any time soon.
Shiren The Wanderer: The Tower of Fortune and the Dice of Fate isn’t a bad game, but the fact that there exist other Mystery Dungeon, more enjoyable (in my opinion, anyway), games made by the same developer certainly works against it. If you enjoy brutally difficult dungeon-crawlers that offer a selection of extremely lengthy dungeons that pull no punches, then, by all means, this game is for you. However, for those wanting something more varied, I might suggest some of Spike Chunsoft’s other Mystery Dungeon titles.
Pumpkin Jack isn’t a bad game. But it’s not a good game, either. It’s just, well, fine. For some, fine is fine; I imagine that some people will buy this game and enjoy it, and that’s okay. However, as someone who really has a fondness for GCN-era platformers, I hold games like this to a higher standard. I expect, if you will, a certain level of greatness. Do I think that this game had the potential to reach said greatness? Absolutely. But it didn’t, and, unfortunately, it’s the end result that matters the most.