Given how much I was hyped for the game, Teenage Mutant Ninja Turtles: Mutants in Manhattan is a bitter disappointment, meeting only some of the expectations I had and feeling like it was heavily rushed through development to meet a deadline. It’s not Platinum’s worst by any means, as it certainly looks and sounds the part, but the combat and level structure leave a lot to be desired. This is a classic case of a game that is more of a cowa-bummer.
Chibi-Robo! Zip Lash is one of those rare examples where the previous games were more interesting in concept. There's possibly something there for someone younger to sink their teeth into and it is adorable throughout, but this is a standard platformer with a great deal of padding and not all that much innovation. Overall, a competent platformer that plays it safe, but one that is also painfully drawn out.
It's somewhat difficult to recommend Mother Russia Bleeds, as the dystopian setting and drug-filled plot are at odds with the conventions of the side-scrolling beat-em-up genre. While the sprite work is overall quite ugly, the level of detail is astounding in depicting this game's disturbing imagery. With limited replay value, couch only coop, and not much diversity among the playable roster, these issues outweigh the promise of Le Cartel Studio's debut game.
It's simple to just say that Starpoint Gemini 2 isn't for everyone, but there are fundamental issues that really make this game utterly impenetrable. The presentation is generally of a good standard, and though the performance falters at inconvenient moments, it's how the game deals with teaching players how things work that's most disappointing. We've seen space simulations that work on consoles, but this particular trade isn't worth what they're offering.
I'll be honest; Age of Empires: Definitive Edition is a bit of a hard sell at this stage. At this point in time, it's just Age of Empires: Gold Edition with fresh makeup; it's almost exactly as you'd remember it though, warts and all. Yet there's always that potential for it to get plenty of all-new expansion content. So while it doesn't really deserve the “definitive” moniker now, it will in time.
If you've been eyeing up RPG Maker for a while, then MZ is the best version of RPG Maker. Just don't expect MZ to do everything you want or even need it to do to match your vision.
Detective Pikachu is a deceptively small game with simple cases and not a heck of a lot else. As someone whose detective itch is usually scratched by the Phoenix Wright games, this felt like solving the really easy introduction cases in each, rather than challenging logic and reason. It certainly has the presentation chops, but the people who'll get the most out of Detective Pikachu are diehard Pokémon fans and younger gamers.
While I appreciated the insight into the folklore of the Taramuhara people, Mulaka as a game is about as average as an action adventure title gets. It's got some great ideas lurking within, but the overall structure is incredibly dated and only really saved thanks to the subject matter. As a game, it's not really doing much that hasn't been done better before, but as a cultural insight, it has a lot to offer those interested.
I wasn't expecting to have a good time playing Sairento VR because of all the movement, but once I'd gotten used to it I really enjoyed the over the top action. Even though it was just because of the ease of slaughtering enemies mindlessly, doing so in VR really helped with its appeal. It's by no means perfect, with some structural and technical issues getting in the way of the fun, but from a small studio making a relatively ambitious VR title, they could have done a whole lot worse.
Most people probably won't mind Lost Sphear's nostalgia tinted approach to game design, but there's surprisingly little to write home about. Despite a rather intriguing premise, the characters come across a tad too bland, while the quest itself is too linear. It's hard to knock it too much, but after the thoughtful journey at the heart of I Am Setsuna, this is a pretty average showing and certainly not a fresh take on the JRPG.
The saying “Too many cooks spoil the broth” certainly rings true with Sonic Forces. It's a game where despite it's many level types none of them quite leave a lasting impression. As a result, it comes off as merely average in all departments with the sole exception being the visual design. Sonic Forces is far from the train wreck that Sonic Boom: Rise of Lyric was, but it doesn't come close to reigniting the series' magic in the way Sonic Mania did.
Ruiner has some great set pieces and a dark, bleak world that I would normally gravitate towards. Yet when the dystopian renders everyone inhabiting it to be as relatable as raw sewage, there was little for me to latch onto. Maybe you'll find the world of Ruiner to be more bearable than I did, but even the best films of the genre have a glimmer of hope for the audience to cling to, something Ruiner is devoid of.
On the whole, Namco Museum is only really worth purchasing if you either have an unhealthy obsession with at least three of Namco's arcade classics, or want an immensely fun party game and don't care too much about the price or extras. It's great to see that they won't be forgotten, but aside from Sky Kid there were no games that I hadn't already played that I liked. Namco Museum is certainly well put together and presented, but the selection of games just aren't completely enticing.
While I eventually enjoyed Aporia: Beyond the Valley, the moments where bugs and glitches appeared took me right out of the experience. It's a shame too, as the story is well told despite uttering no words at all, the premise is genuinely interesting, and the puzzles – when they work as intended – are a joy to solve. It's certainly one to wait on for now while they tidy up all the bugs and glitches.
Sadly, a rather major flaw in Drifting Lands' level design really brings down a game that is mostly well crafted. Looting has all the well-thought out tropes that similar games have in spades. It's just a shame that each level is essentially a miniature horde mode rather than featuring proper level design, and that the number of levels could have been cut drastically to make for a more coherent experience. These hang-ups sadly prevent me from recommending Drifting Lands for diehard fans of the genre, but it's otherwise an alright effort.
I really tried with Strafe, spending a good six hours with it and getting only as far as the fourth level before dying. I liked the overall tone, and the gunplay is solid fun, but really this is one of the more punishing Rogue-Lites out there, with a high skill ceiling that sets you right back to the beginning once you die without any meaningful progression unless you somehow find the key to a teleporter. A lot to admire, but for most it'll seem utterly impenetrable.
Structurally, Blaster Master Zero is a significant step forward for the franchise, but provided you are actively avoiding getting hit, the game is just too easy. Mildly more interesting when driving around in a tank than gunning down mutants on foot, it’s probably a great entry point to the series for more inexperienced gamers. It’s just a shame that this reintroduction doesn’t provide much of a challenge.
Much like the console Mario Party on the Wii U, getting the most out of the game means you probably should have a compatible Amiibo on hand. For some modes this can mean that you gain a perk, such as an extra power up collected every time in Coinatholon or an extra try in the Challenge Tower. This could be used as an unfair advantage against human players in a game where luck is the main concept, which may not sit well with some players.
By acting as a simulation rather than embracing the promotion silliness, WWE 2K17 misses the mark wildly. What chance they had to make MyCareer a marquee game mode and a game changer was wasted by half-baked ideas. There’s a lot going on with the other modes on offer and it plays better than most wrestling games out there, but its presentation suffers greatly as a result. As a tool for promoting Goldberg vs Brock Lesnar 2, it’s done its job, it’s just a shame that was the best thing WWE 2K17 achieved.
Despite the plethora of content on offer with 7th Dragon III: Code VFD, this is a dull game. What good ideas there are within the class system and the initial premise of the plot, they’re almost negated by the tediousness of the dungeon crawling that’s barely disguised, combined with a narrative that ticks all the RPG tropes. An utterly forgettable experience when compared to the best RPGs of the year.