To put it bluntly, Tamarin is messy. The story isn't that interesting, and the characters try to make it sound important but come off as pompous. The platforming is decent once you learn that you have useful moves, but the finicky nature of some elements and the slippery physics mean that asking for precision is inviting frustration. While the thought of resurrecting a Jet Force Gemini-style game is intriguing, the execution fumbles greatly due to it casting aside the advances that have been made in third-person shooters in the last 20 years. Unless you're craving an exercise in frustration, steer clear of Tamarin.
Even at its relatively cheap $5 price tag, it is difficult to recommend Connection Haunted. The premise could be interesting, but its vague nature means that there's no impetus to pursue the game's endings even though they're short enough to conquer in an afternoon. It is supposed to mimic first-person shooters from the early days of online play, but it looks decidedly worse than most of them, and the performance is passable at best. Worst of all, with no scares of any sort or action or intrigue, the game is utterly boring. Unless you're a collector and absolutely need every single Switch game, it's a hard pass on Connection Haunted.
Like many of Bloober Team's titles, The Medium isn't a horror game made for all horror fans. The lack of jump-scares can be refreshing, but some will be turned off by the lack of combat and danger. The game's relaxed pace, its linear nature, and the ease of its puzzles can erode the tension of the mystery. The strong atmosphere, grounded characters, and solid storyline will attract horror fans who are looking for something other than grotesque monsters to hunt down or run away from. For those who value plot over punch, The Medium is a journey worth taking.
Rock of Ages III: Make & Break is fine. The campaign allows for more flexibility in how you approach the game, but its absurdity works best if you haven't experienced the two prior titles. The core gameplay remains fun and frustrating, with the ball-rolling mechanics providing the bulk of the enjoyment while the defense elements do the same after loads of trial and error. The level creation tool's ease of use gives the game legs, and the busy community has provided a vast library. Overall, Rock of Ages III is a good time as long as you don't expect major improvements over the formula compared to the prior titles.
As a light gun shooter, Dead Z Meat is novel since the genre is so rare nowadays in the home console space, and players can overcome the finicky control scheme with some practice. The shooting gallery setup has so few variations that it can quickly grow old, while the lack of multiplayer seals the game's fate. If you have a remote interest in this title, you'll want to wait for a deep discount.
In the end, Pumpkin Jack is a game that is flawed but still enjoyable. The platforming is solid if you don't mind the unsteady camera and loads of objects blurring your view. The sections where you can only control your head and the chase sequences add some variety to the adventure, but they feel overused. The combat is basic enough to get the job done. If these things aren't enough to drive you away from the title, and with the game running roughly six hours or so if you're thorough, it is easily digestible for a weekend and worth checking out for those who don't want something too deep.
It may be a little over 10 years old, but Scott Pilgrim vs. The World: The Game - Complete Edition remains a top-tier title for beat-'em-up fans. The changes and improvements made over the original River City Ransom formula make it a tight game that feels rich in its genre, while the presence of online play resolves the main criticism in the original title. Those who have played the game before will enjoy that it's portable on the Switch, but those coming in fresh will find this to be a gem on a system that's already flush with excellent beat-'em-ups, both past and present.
Sakuna: Of Rice and Ruin works well on all levels. The action segments are a treat thanks to their fast pace, since they deliver an experience that matches up with other fast-paced action titles. The farming segments are interesting because they're so involved and go into so much detail that the title surpasses all but the most dedicated farming simulator titles. When combined, the experience is fantastically balanced - provided you can deal with the slower overall progression rate. In the end, Sakuna is a great title that delivers on a unique experience.
Mortal Shell is an enjoyable title for those who are already fans of the SoulsBorne sub-genre, and it has more positives than it has flaws. The swamp hub world is bland and confusing, but the different biomes you eventually reach are gorgeous, even if they're relatively familiar. The lack of a deep leveling system has a very good replacement in the shell system, which ends up providing more versatility in your character build and the attack system. The relatively shorter length makes it great for newcomers, while genre veterans will find it to be a great debut effort from a small development team.
YesterMorrow is fine. The platforming is good if you can forgive things like a lack of platforming weight and some difficulty in discerning usable platforms. The story is decent if you don't mind not connecting with the characters. The time traveling concept is interesting if you don't mind that it's wedged in only when necessary in a mostly linear adventure. There are better titles on the market, but you won't hate your time with YesterMorrow.
At this moment, Cyberpunk 2077 for the PC is a game of big ups and downs. The setting is fantastic, but there aren't too many characters you're going to resonate with. The missions may vary widely in terms of inventiveness and quality, but the open world feels sterile since there isn't much to do. The many abilities you can use seem to encourage inventiveness, but your gun is often the universal answer for almost all situations. Cyberpunk 2077 would be a good game if it weren't for all of the issues currently plaguing it; the bugs range from hilarious to deal-breakers, but we certainly hope that the developer's track record in fixing things over time means that this game will eventually become solid enough. It rates a little higher than the console versions due to the knockout beauty that's delivered with ray tracing, but don't expect this title to be in any of this year's Game of the Year discussions.
The question of whether to pick up Call of Duty: Black Ops - Cold War on the PC is situational, despite it being a solid title. If you're the type of player who likes the campaigns that each entry brings forth, then you'll be fine with Cold War. The branching paths of the short campaign give it some replayability beyond simply increasing the difficulty. Fans of Zombies mode will also be fine, even though it suffers from having only one map (for now) and a PlayStation-exclusive mode that'll be unavailable on the PC for a year. Multiplayer fans are in more of a pickle. If you're tired of the maps in the prominently featured Modern Warfare but want traditional modes, then this is perfect, especially since the cross-play feature is going strong and there are people on both the last- and next-generation platforms ensuring the game gets a healthy shelf life. If you're primarily a Warzone player, you aren't going to bother with this one, since that free-to-play game is getting Cold War elements soon to keep it fresh.
G.I. Joe: Operation Blackout is messy. The presentation is inconsistent, while the story is serviceable at best. The addition of local multiplayer outweighs the lack of online play, and the game is lengthy enough. However, the poor combat mechanics drag down the experience heavily, and on a platform that's absolutely bursting with more competent third-person shooters, this is one that you can easily pass on.
In the end, Wildfire is a solid stealth title that plays well on the idea of restricted power. The various uses of your three elemental powers works well in adding a puzzle element to the stages and makes each stage feel chaotically fun, while the stealth emphasis and lack of focus on killing makes the endeavor feel fresh. The journey is a long one, but it doesn't feel like it drags on, thanks to the various objectives thrown your way. Wildfire is a wildly enjoyable romp that genre fans will absolutely enjoy.
Chicken Police: Paint It Red is a thoroughly engaging detective romp. The investigation elements, like the interrogations and clue linking, are fun in their own right, but the rest of the package proves to be quite enticing. From the story and atmosphere to the characters and dialogue, this is a strong adventure title with a compelling film noir style. For adventure game fans, Chicken Police is a must-have.
West of Dead does most things right as far as roguelites go. The random nature of almost every element of every run can cause some large difficulty spikes, but the overall difficulty evens out in the end. The premise works fine even if it means having to hear it countless times over multiple runs, and while the measured combat feels fresh for a Western, the zoomed-out camera angle doesn't help you appreciate it. Overall, West of Dead is a solid roguelike for those who aren't burned out on the genre yet.
Evan's Remains is fine - at least initially. The mix of visual novel-like cut scenes and platform puzzling is a good combo, and those who aren't too keen on the platforming part can take solace in the fact that they can skip those portions without penalty. However, the predictable nature of the tale lessens the story's impact, and the small number of puzzles doesn't provide much for action-oriented players to chew on. It is a short experience that seems appropriately priced ($7) for what you're getting, but this title won't stick with you after the credits roll.
Harmonix has a winner on its hands with Fuser. The ease of use and array of tools ensure that anyone can create a great-sounding track. While Fuser is a good game to bust out at parties, the ability to share small mixes online ensures that the creations will get some exposure until we can have local gatherings again. More so than the campaign and multiplayer modes, the online sharing functionality is what gives the game some legs. Assuming the DLC keeps coming in steadily, Fuser is a title that rhythm game fans should check out.
For most racing fans, Need for Speed: Hot Pursuit Remastered is a game that's still worth playing. The dual campaign between playing as cops and racers remains intriguing and exciting, since they both play so differently. While the presentation is a touch better than the original, it is the cross-platform play that is the big selling point of the remastered edition. If you're new to this title, it is an excellent racer. If you already own the original game on the PC, the unchanged campaign means that you'd only want this iteration if you're interested in the larger pool of multiplayer companions.
Dirt 5 maintains the tradition of being a solid racing title. The campaign is quite deep thanks to the various events and tracks you can choose from, while the inclusion of local multiplayer for just about every mode gives it a huge advantage over almost every other non-kart racing game on the PC platform. The title requires some pretty beefy hardware and other software to make the game shine, and there are still a few things that need patching, but as a whole, arcade racing fans who aren't looking for a bevy of top-of-the-line sports cars will get a kick out of Dirt 5.