We commend the approach taken with this game. It’s a thoughtful take on a real-life murder mystery, and although the stealth sections felt a bit unnecessary, the experience as a whole at least felt relatively authentic. Ultimately, though, the gameplay and visuals just aren’t up to scratch at all, and there are far better examples of the genre on Switch that you’d be much better off playing.
Ultimately, though, racing games need to be fun, and this really isn’t that fun. It’s a shame, because the game isn’t broken in any way, and actually runs very well for the most part. But the gameplay just isn’t up to scratch, and you’ll be better off leaving this at the pit stop
Spirit of the North simply doesn’t hold up well on the Switch, and with poor gameplay and visuals, its relatively short 3 to 4-hour length felt much longer as a result.
SuperMash is a great idea that feels squandered thanks to poor execution.
Even without comparing Super Tennis to the real Super Tennis, the game largely falls flat as a compelling sports title. Once you’ve mastered the gameplay (which you most certainly will after 2 or 3 matches), it becomes incredibly repetitive with little incentive to continue other than to see the cool unlockable costumes.
Sadly a very mediocre racing game.
Instead of being a brand new platformer, Ice Age: Scrat's Nutty Adventure feels like a remaster of a game from the early 2000s, and not a very good one either.
It’s quite frankly a bit boring, and should you decide to control your character directly, there’s little more to the game than just moving around and automatically swiping your sword at enemies.
Paper Dolls Original borrows every horror trope under the sun, but fails to implement them in any meaningful way.
The Forbidden Arts feels like a game from the early GameCube era, but not a particularly good one. Whilst the dungeons are vast and varied, and the platforming mechanics competent enough, the combat really brings the whole experience to its knees thanks to poor enemy AI and half baked elemental mechanics that make the entire experience feel very repetitive. Add to that the lacklustre graphics and empty overworld, and this is a game that only the most ardent of fantasy enthusiasts will enjoy.
There's a lot of potential in the game's premise and presentation that could well be capitalised on for any future games, but here it feels like a bit of a wasted opportunity. Add to this the lengthy load times and technical issues, and this is game you'd be best off avoiding.
It’s a shame, because the game looks quite nice, and with tighter controls and a bit more thought into the puzzle design, it could have been a decent alternative to the Zelda games. As it is, it’s merely a poor imitation.
Bluey: The Videogame successfully emulates the look and feel of the iconic TV show, but unfortunately it fails to recapture the same family magic. The gameplay is incredibly repetitive across the one-to-two-hour experience, relying on locating items dotted around the five core environments. Minigames break up the monotony somewhat, but even these fail to maintain attention for too long. That said, young children are going to get a kick out of simply existing within this world and playing as their favourite Bluey characters. If that's all you're looking to get out of this game, this does a decent job. But when you compare it to the all-ages magic of the show itself, and other family-focused games on Switch, this falls well short of the source material.
Life is Strange: Arcadia Bay Collection is an odd release in that it doesn't really feel like the games have been remastered at all. Certain aspects of the presentation have been improved, such as the lip-syncing and overall colour tone, but at the same time you've got some pretty unforgivable presentation drawbacks like texture and asset pop-in, muddy environmental visuals, and absurdly long load times. Considering how long it's taken for this collection to arrive on Switch, we honestly expected better. Nevertheless, these games are worth experiencing for the narrative alone, so if you've never played either and you have no other way to access them, this still comes with a light recommendation.
Worms Rumble is a reasonably fun game in its own right; the battles feel fast, the weapons pack a decent punch, and the addition of zip wires make traversal a blast. The problem is that in transitioning to a multiplayer-focused battle royale style game, much of what made Worms so iconic in the past is now gone, with far fewer weapons and absolutely no destructible environments. Add to this a rather limited selection of levels, and you've got an experience that may well be fun for a short while, but certainly won't keep you engaged for the long haul.
Super Bomberman R Online joins many of its peers as the latest classic franchise to receive a battle royale twist. It's not entirely successful, with technical issues including freezing during gameplay and awfully long waits to get into matches alongside a battle pass and microtransaction system that just doesn't fit in with the nature of the game. Underneath all the added padding, however, is the same classic Bomberman gameplay that's tweaked to fit 64 players, making it an experience that you should, at the very least, download and try out. It's free Bomberman, after all.
To an extent, we feel we’re being hard on Moon Raider, but compared to the plethora of excellent Metroidvania titles on Switch, this title is just 'all right'. It’s not bad, but its various flaws mean it's certainly not great, either. At around three hours in length, there are absolutely worse ways to spend your time, and the game does also include a neat co-op option to increase its longevity somewhat. Ultimately though, if you’re after a thrilling, memorable 2D action title with a dash of originality, this sadly isn’t it.
Ultimately, while the game mostly succeeds as an engaging, fun multiplayer experience, there’s only so much you can squeeze from the four modes available. They all feel relatively similar to each other, and despite the individual tasks presented, the gameplay feels the same across all of them. It’s unlikely to be a game you’ll go back to after a couple of sessions, and take it from us, don’t even consider purchasing Can’t Drive This if you don’t intend on playing local or online multiplayer.
Ultimately, we have to ask ourselves one crucial question when it comes to Half Past Fate: Romantic Distancing: do we really need yet another reminder of the truly awful situation we’re all still in? The story being told here is an uplifting one, but it’s also stuffed with terms we’ve become all too familiar with over the course of the past year: social distancing, flattening the curve, remote meetings… we could go on. Games are – perhaps more than ever – a means of escapism, and Serenity Forge’s new title strays a bit too close to reality for our liking. We’d probably recommend other developers try again in a few years time when the dust has settled.
With a bit more variation to its gameplay, Colossus Down could have been an easy recommendation. Despite its unlikeable main protagonist, there’s a heap of potential here that could well be realised if the developer decides to go for a sequel. As it is, it’s a great looking game that unfortunately falls foul to repetitive and shallow gameplay.