Dylan Blight's Reviews
Kingdoms of Amalur: Reckoning was, and still is, a fun game to play. With hundreds of missions and a constant wealth of loot to sort through, this remaster, as poor as it is, would still tickle the fantasy-RPG bone of anyone seeking a time-sink until November.
Welcome to Elk is like nothing else I’ve played. It’s a weird and wonderful game full of heart and carries an emotional deck like none-other.
This review contains full spoilers for Tell Me Why: Chapter Three and previous chapters of series.
It's a game about trauma and how it affects all of us in different ways. How we treat it. How we self medicate and how we can move past it with help.
As a visual novel, it lacks the replayability, choice and different paths that fans of the genre seek to truly standout.
If there are some patches to fix the bugs and technical issues, it could be recommended on sale, but until then I cannot suggest anyone play this game.
‘Family Secrets’ slips off the lid on the Ronan home and its secrets, but it certainly hasn’t spilled all of them just yet. As a middle chapter, everything is set in place for where the final chapter is headed.
There’s undoubtedly a lot of Life is Strange in the DNA of Tell Me Why. The latest episodic narrative adventure from developer Dontnod deals with similar themes and features two young adults at the head of a personal narrative, with a little bit of supernatural twist thrown in.
There’s a sense of achievement that comes with beating a game like Windbound. It may not be as difficult as something like Bloodborne, but it feels like you’ve run a marathon.
Superliminal features a rather ingenious puzzle design, but it’s held back by the finicky nature of solving them.
Fight Crab is for a very, very niche audience and if that’s you, you’ll know it. This includes Twitch streamers and Youtubers looking for an easily emotive game, this is sure to be a content making machine.
I’m not sure how much longevity it’ll have compared to other multiplayer games, but the fact it’s so enjoyable to watch and easy to learn means it’ll at least be the go-to party game for the rest of the year.
Skully rolls at its own pace. Which can include some sharp difficulty spikes and lead to some rather frustrating levels. But there’s an undeniable sense of old-school mascot fun to be had here in an adventure that doesn’t overstay its welcome.
As the swan song of the PS4 generation, Ghost of Tsushima is suitably a mishmash of many of the generation’s biggest things with a sprinkle of new ideas.
There’s no world in which I see this game attracting a new audience. The humour, references, load times and mission structure are evidence of an old game. Returning fans will enjoy their moment with Crypto-137 once again, but in time to see a fresh entry? I’m doubtful.
It’s equal parts Metroidvania and player directed blood-bath and one of the best games of the year so far.
This is one of those times it sucks to have to give a bad review to a game. I wanted to love this game. Little Reaper has a lot of cool ideas but none of them come together.
The exploration on how words can change the way people receive you — or in this case, how an evening at the bar can go, is interesting, even if there’s not quite enough going on behind the scenes to make nine playthroughs feel necessary.
Desperados III is simply one of the best stealth games can play right now.
Move Controllers continue to age well-past their due date, but the game achieves its main goal. Iron Man VR makes you feel like a genius, billionaire, playboy, philanthropist; you are Iron Man.